For an Elvis movie his presence here is strictly secondary and he is sidelined throughout. The picture seems like it wanted to be more than it was, which is a run of the mill mystery with a few songs thrown in. It tries to tell a couple of different stories at once, none really compelling, and sort of limps along until it just ends. Of more interest as a chance to spot the familiar face in small parts than anything else. Hey look there's Vincent Price and Buffy from Family Affair and Cindy Brady and WOW look how young Dabney Coleman is! At least the film is loaded with reliable performers, Sheree North, Edward Andrews, Marlyn Mason, John Carradine etc. they just aren't given much to work with. Not a ghastly film just very ordinary and not terribly involving.

Trouble with Girls, The (1969) ** 1/2 (out of 4) Elvis plays a Chautauqua manager who is struggling to keep the business going. I found this one to be a mixed blessing because there's quite a bit of good things yet there are still some rather bland stuff. Most of the bland stuff is aimed at the music, which I found quite lifeless and dull. The director does a very good job at capturing the look and feel of the show, which is a major plus and even Elvis turns in a good performance here. Vincent Price steals the show with his campy brand of humor and it's nice seeing John Carradine answering a question about Romeo and Juliet and their sex life.

The Trouble With Girls was much maligned on its original release in 1969.However it has a strong plot, excellent cast, interesting direction and very good use of camera angles (very unusual for an Elvis film). What a treat to see horror maestro, Vincent Price, in an Elvis film! There is also good chemistry between Elvis and leading lady, Marlyn Mason. The pacing is quite slow but this is one of the few Elvis films which can be viewed in "film critical" mode. Sadly, by the time The Trouble With Girls came out, both critics and the public had tired of Elvis films. Yet it together with Stay Away, Joe; Live A Little, Love A Little; Charro!; and Change of Habit were a positive step in redefining what Elvis' film career could have been.

Although this film is ultimately a dreary, draggy bore, it is not an embarrassment, providing as it does a distinct change of pace from the swivel-hipped singer's wretched films of the mid-60s. Set in the 1920s, the only bikini in sight is a one-piece worn by "guest star" Joyce Van Patten, and the few songs are performed in an appropriate setting--a stage (a rarity in the later Presley movies). Elvis is the manager of a travelling tent show rocked by mini-crises and a murder. It's all very lightweight and lethargic, but it does mark a significant change from the godawfal tripe to which Presley lent his name and talent in previous years. M-G-M, however, apprehensive that an Elvis movie called "Chataqua" was too drastic a change for his fans, re-christened the film "The Trouble with Girls" (and added a subtitle--"and how to get into it"--that does not appear on screen), which has nothing to do with the movie and makes it sound like another Presley potboiler. It's a little better than that, though it now ranks as nothing more than a memento, as significant to his accomplishments as one of those scarves he doled out to the adoring females who populated his Las Vegas performances. It's a souvenir that says nothing of the man's talent or his revolutionary achievements.