The documentary about Suzette's professional life is good and interesting, mainly when Suzette's former students appear to talk about their memories and the impact of Suzette's work for their lives.However, I considered extremely unnecessary the details about her personal life, mainly about her life with her son, Jean-Yves.The film would be a documentary, not a drama and, although I like his works as director, I think he used those personal dramas to bring more appeal to the film, what I considered regrettable.The music is good and, although simple, Gondry shows why he could create good films, however not this, specifically.

1st things 1st : do not expect classic gondry's work. This is much different, in a personal way, a project he did finance himself, far away from any major studios. Back to his roots, family, Gondry films his ant and cousin. They share few secrets from the past which will come back because of the camera they have to deal with ; obviously, the camera that Gondry is using. Because it's a documentary about family, Gondry had all the confidence from his ant and cousin he could go and film them and picture the details and secrets they are having/sharing/hiding. It is very human, lot of scenes in the nature. I think Gondry needed to do this film for maybe his family but for him too, so he could remember where he is coming from (which I am sure he never forget) and do the most personal work ever.

Gondry's movies are usually strong because they're visually original, creative and have a unique DIY innovative edge, while reflecting genuine humanistic tendencies.The life of the director's aunt is used here in that vein - except there's willingly little to enjoy visually: Gondry attempts to shoot a documentary and aims at a certain 'realism'. Except here, maybe because he's familiar with the cast, which would allow him to ask intimate questions to relatives in the private sphere, 'realism' becomes 'voyeurism'. Questions asked to the poor cast are just plain bad taste. And the humanistic tendencies Gondry so beautifully explored in all his previous movies are travestied in facebook-era voyeurism.A poor, disappointing 'effort' which can evoke, quite oddly, the most sadistic of Andre Gide. Except Gide is fully aware of what he's doing - which Gondry doesn't even notice.

Just saw this film in NYC, there was also a Q&A after with the man himself after. I found the film to be a beautiful portrait of someone's life, and how the people around them are affected. Michel said in the Q&A that he wanted to give his Aunt some visual record/history of her life, and this film goes to show that you don't need to create a Hollywood fictional character, real people are just as interesting and entertaining. Gondry uses a mixture of visual formats to illustrate the documentary, from super 8 to his well known stop motion. This adds a richness, and a historical depth that works within the context of the film. The film is emotionally moving at times and also humorous. The film is simple and enjoyable, one that does not need to be taken too seriously, yet carries tones of a maturity in Gondry's work that is often not always so prominent. Go see it!