Middle-aged family man gets saddled with his old windbag of a father after Mom writes a telling letter saying she's leaving her husband because he has destroyed their marriage. Blaming her spouse for her lifelong unhappiness doesn't seem to phase Pop, however; he doesn't recognize his own personal failings, neither with his wife nor his children. This sets the scene for many conference calls between the couple's talkative daughters, while father and son hit the road for an unintended journey of rediscovery. They do all the typical father and son things after buying a beautiful vintage car they find sitting idle in a junk heap: fishing, drinking, pool-playing, bar-fighting, country line-dancing...they take in a local baseball game and even get picked up by a comely co-ed and her vivacious mother. Paul Reiser co-produced, wrote and stars in this anemic comedy-drama, an unfunny dirge putting family therapy in the hands of those directly responsible--and once everyone is heard, the healing can begin! Braying Peter Falk is angrily defensive over his behaviors of the past and refuses to take responsibility for the family ill-will, while son Reiser incredulously repeats back everything Pop says. It's an endless argument that goes around and around until father and son collapse on a country hill at night, underneath the stars while a plaintive guitar plucks in the background, and Dad tells his son he's really an OK guy. Some audiences may actually buy this--they may also allow the bar-fight scene wherein Falk defeats a rowdy tough who welshes on a bet (both bully and son get a hit to the groin, that old comedy stand-by). Reiser has an open face and a nervous, half-inquisitive smile that shows you he's listening but is also thinking about something else; he reminds one of Albert Brooks (or the young Sydney Pollack when he was an actor), though Reiser's exasperated takes are like leftovers gimmicks from sitcom-land. Falk, shouting at the sky, is simply a mouthpiece for the other side; Reiser tells him that, just maybe, he wasn't a very fair or attentive husband, which sends Dad over the edge. These scenes of discord don't build out of anything natural--they are only present to give the movie an angry argument--while Falk displays such out-of-control mania, he's tough to shake off when the picture's mood suddenly turns 'cute'. *1/2 from ****

Sam Kleinman (Peter Falk) comes to his son's place unexpectedly.His son Ben Kleinman (Paul Reiser) is quite surprised to hear that his mother, Muriel Kleinman (Olympia Dukakis) has left his father.Ben's wife, Rachel (Elizabeth Perkins) and his three sisters try to find Muriel while Ben and his father go see a farmhouse that's for sale.But that's not the end of their journey.Their road trip turns into a long therapy session between Ben and his father.Raymond De Felitta is the director of The Thing About My Folks (2005).Paul Reiser is behind the screenplay and he has done a remarkable job.The dialogue between Ben and Sam is just amazing.And he did work with the script for twenty years so no wonder it's this good.Who would be better man to play the father than Peter Falk? Nobody, I can tell you that.And I really love the story on why Paul wanted Peter Falk for the part.Peter was an actor who made his own father laugh.And Peter certainly made me laugh in this movie.It's just hilarious when they go fishing.And how the old guy beats the younger one in the game of pool and then beats him with the stick.The movie is often very funny and I found myself laughing several times.But it can also be touching from time to time.You couldn't tell a story any better than it is told here.

Who doesn't have unresolved issues with parents? And which parents don't have unresolved issues with each other?I know, that sounds heavy. But this is played for laughs in the movie, making both the comedy better and the drama better. I've always like Paul Reiser and Peter Falk, and although I was a bit concerned that their star qualities might be too big for a small movie, I was enchanted from the very first scene.Especially entertaining were the discoveries that the son makes about his father as a person. And Peter Falk's monologue about being a hard-working, sacrificing father and husband was the perfect balancing point. Without that scene being acted so well, the movie would have seemed far less nuanced, and the character far less interesting.Nicely done, Paul and Peter!

Did anyone else notice whenever they are in the car each time the camera takes a new angle they switch roads. Like in one scene it is a one lane residential with sidewalks, next they are on a multiple lane highway with a divider, next a two lane country road with double yellow lanes. I can understand a low budget but that was just sloppy film work.I also read the other reviews and disagree that it was a bad movie. I think that if you are a fan of Paul Reiser and his comedy then you may enjoy this movie. If, however, you find his work/not funny then I would recommend staying away from this one.