"The Swimming Pool" is not a bad movie nor is it a very good one. Instead, it starts with a reasonably interesting premise and infuses it with almost zero energy and passion. The end result is like a diet of tap water and bread--not especially satisfying.The film starts off horribly. There is a really, really annoying opening song--one of the worst I've heard in fact. Fortunately, the film does get better--it couldn't get any worse! Alain Delon and Romy Schneider are a couple enjoying their time together on vacation. They mostly just lounge around the pool and make love--and considering how beautiful this couple is, I am sure many folks didn't mind this slow portion of the film. It certainly was very sexy.An old lover of Schneider's shows up uninvited (Maurice Ronet) and brings his 18 year-old daughter (Jane Birkin). Instead of maintaining their passion, however, Schneider begins drifting towards her old lover and Delon just looks very bored. Later, Delon begins paying a lot of attention to the 18 year-old--though exactly how deep this relationship goes, you never know. What you do know, though, is that both Delon and Schneider begin to take the other for granted and their relationship suffers badly.While this sounds like there would be a lot of excitement, there isn't--and it's all very strangely muted. Instead of anger, they mostly seemed filled with ennui and self-absorption--making the film very tough to enjoy. Only towards the end are there any--and by then it just seemed too late, as my attention had long since vanished--and it's a shame, as the ending was pretty interesting (at least compared to the rest of the film). Had there been more fireworks along the way and some performances seeming more like normal human reactions, then the film could have been a lot more interesting. Slow and tough to love.

An incredibly attractive bourgeois couple (Romy Schneider and Alain Delon) are luxuriating in an idyllic French villa when they receive a visit from an old friend of the husband and old flame of the wife (Maurice Ronet) who had actually first introduced them to each other. Their visitor is accompanied by his temptingly nubile 18-year-old illegitimate daughter (Jane Birkin). Infidelity, jealousy, and eventually murder ensue.This film in some ways resembles the emerging Italian gialli thrillers(especially the early ones with Carrol Baker and/or Jean Sorel), but it is much more staid and psychological and less over-the-top than the Italian films. And of course, it also fit squarely in the tradition of French thrillers somewhere between "Diabolique" and Claude Chabrol. The three leads are very good, but Jane Birkin is pretty miscast--she was too old for this role and seemed to be trying to overcompensate by running and skipping around, acting more like a 12-year-old girl than an 18-year-old one (and the result, needless to say, is pretty bizarre). Birkin also tragically keeps her clothes on (although she does spend most of the movie modelling various bikinis), but the equally gorgeous Schneider more than makes up for it. Ironically however, the major flaw in this movie is that the four principals are all SO glamorous and beautiful that it's hard for us normal folk to relate or sympathize with them.Schneider and Birkin would appear together again with better results in "Love at the Top" (where the latter more than makes up for her regrettable lack of skin here). I suspect this movie not only partially inspired the likes of Claude Chabrol, but also the very recent sexy French thriller with same name ("Swimming Pool" in the English-speaking world) in which Charlotte Rampling and Ludivine Sagnier seemed to be respectively channeling the erotic spirits of Schneider and Birkin. One thing's for sure, France has never looked more beautiful than it does here.

After a string of commercial flops and the birth of her son, Jacques Deray's "La piscine" marked the turning point of Romy Schneider's ill-fated career and made her a major star in French cinema. A massive box-office hit by its release in 1968, the movie achieved rave reviews and turned producer Gérard Beytout into a multi-millionaire.Though extraordinarily photographed and nicely acted, "La piscine" is not very good. The story holes are too big, the film itself about thirty minutes too long. Like most French films, it's a love-triangle. This time, it turns into some kind of thriller. Set in a beautiful Saint Tropez villa, "La piscine" takes a lot of time to visualize the sexy relationship between Jean-Paul (Alain Delon) and Marianne (Schneider) which experiences an unpleasant twist when Marianne's ex-lover (Maurice Ronet) shows up and joins them with his 18-year-old daughter (Jane Birkin). Jealousy leads to murder and distrust, and by the end, the relationship between our good-looking protagonists are not the same.Michel Legrand's jazzy music and several shots of Miss Schneider wearing a black bikini make this slow-moving, talkative piece of film bearable. It might have been an erotic sensation back in the 1960s, but it's now outrun by sexier and more entertaining movies.

"Sluggish" is the key word here. In the movie's sluggish first hour, director Jacques Deray does little except perfectly capturing the atmosphere of summer heat - the blazing sun, the rippling water of a pool, the sensuousness of the almost-naked bodies....while the characters say things like "I'm going to shave", compete in swimming and go shopping. Because this is also supposed to be a thriller, a murder must eventually come - and it comes after 80 minutes, in an atmospheric and memorable, but also poorly motivated scene. The aftermath of the murder is as sluggish as its preparation. It's really a well-made film, but maybe TOO suggestive - the audience has to fill in too many blanks. Another problem, already pointed out by a previous reviewer, is that Birkin (the young girl that catches Delon's eye) is a lot less attractive than Schneider (the woman he already has by his side) (**1/2)