The Sundowners
The Sundowners
NR | 02 February 1950 (USA)
The Sundowners Trailers

Brother is pitted against brother in this tale of fueding ranchers in the old west.

Reviews
headhunter46

I thought this was quite enjoyable. It has some interesting character developments and some realistic depictions of what I am certain people were like in the old west. Outlaws who were usually outlaws, but sometimes good guys, and lawmen who you were sometimes not sure of. There is the big rancher who wants to rule everything and the small rancher trying to survive. There is more dialog in this then most folks are used to with a western, but that is what makes it unique. The bad guy is a rascally sort who likes to tease. You find yourself not liking his teasing all the while respecting his brashness. He is ill mannered and imposing such that you have no doubts he can be unscrupulous, but he has a way of not being revolting all the same. Some reviewers were a bit put off by the amount of talking but that is what let you get behind the mentality of the characters. I liked this movie enough to watch it again soon. There is some breathtaking scenery of Texas to be seen. Enjoy.

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dougdoepke

Plot-- Mysterious Kid Wichita arrives to help two brothers Tom and Jeff defend their ranch from cattle rustlers. Trouble is the Kid creates more problems than he solves. So why does straight arrow Tom put up with him.Anyone doubting that Texas has a scenic part needs to see this Western. The Palo Dura Canyon in the Texas panhandle looks like a smaller version of the Grand Canyon of Arizona and makes an eye-catching backdrop. In fact, the movie skillfully weaves the action into the red rock slabs, especially the big shoot-out, bull whip and all. There're a lot of cross currents to the plot, making the story sometimes difficult to follow, but the central characters—Preston and Sterling—remain clearly drawn. The script only fills in important information in dribs and drabs, which means we have to keep up with why some people are doing what they do as best we can. Thus some patience is needed, but I think it does pay off.Preston is obviously enjoying his charming bad-guy role, playing it for all it's worth. His Kid Wichita may be one of the biggest, most booming, personalities in Western annals and probably the only singing villain. Wisely, his opposite number, Sterling, underplays his part as Tom, the reluctant good guy. This makes for a good dramatic contrast and helps build tension for the inevitable showdown. Apparently, Jack Elam helped get financing for the film (IMDB) and so got his first acting part. He sounds a little shaky, but then his cuckolded husband, Earl, is supposed to be. And, of course, there's Chill Wills lending his reliable "aw- shucks" brand of character color.Anyway, there's a lot of entertainment in both the scenery and the characters, making this a generally under-rated little Western.

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classicsoncall

The summary line above, spoken by James Cloud (Robert Preston) to his brother Tom (Robert Sterling) just about says it all. Jim, AKA Kid Wichita, has a way of making things happen, only trouble is, he usually leaves dead bodies where he's been. Not the sort of mentoring Tom envisions for younger brother Jeff, who likes what he sees in Jim, especially when defending their ranch against local Texas cattlemen.The opening credits state 'Introducing John Barrymore Jr. as the Younger Brother', in this his very first screen appearance. That seemed rather odd to me, particularly since he was addressed as Jeff almost immediately into the story. Approximately eighteen at the time of this movie, he bears a passing resemblance to Sean Penn. No stranger to personal and legal problems throughout his career as well as estrangement from his family, I was left wondering if his daughter Drew Barrymore might have ever seen this picture. I'm inclined to think not.On the subject of resemblances, I was also struck by the thought that the young Robert Sterling looked a bit like Roy Rogers early in his career. Knowing Sterling previously only from his role as George Kerby in the early 1950's TV series 'Topper', I thought he looked out of place in a Western, but that might just be me. His character becomes emboldened by his brother's resourcefulness at creating trouble, and provides some of the edginess to this not so typical story. Minor subplots abound, including the relationship rancher John Gall (John Litel) has with his son the Sheriff (who Kid Wichita kills), and the troubled marriage between Kathleen Boyce (Cathy Downs) and her husband Earl (who Kid Wichita kills). Chill Wills rounds out the main cast as one of Tom Cloud's hired hands, and figures in the somewhat predictable finale.What's not quite predictable is how things eventually wind up there, and for that reason, this Western earns points for following a less traveled, hence not quite as formulaic a plot as a lot of good brother/bad brother Westerns do. Combined with the eclectic casting of the principals, it's one I'd recommend, even if you have to endure some of the jump cuts and sloppy editing that I experienced with my copy.

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bkoganbing

It's entirely possible that the VHS that I watched of this film was badly edited because the film seemed to begin in the middle. The Cloud Brothers, Robert Sterling and John Drew Barrymore, have settled in some country where there's a nice range war in progress. They've got both big cattle baron John Litel and a group of smaller ranchers against them. All they want to do is be left alone, but neither group will allow that.A third brother, Robert Preston, arrives on the scene. He's a noted outlaw named Kid Wichita and he really ratchets up the violence quotient. That also includes killing the sheriff who is Litel's son and Jack Elam who's married to Cathy Downs who he's taking a fancy to.This is a nice cast and John Drew Barrymore certainly showed he had the potential to be an earlier version of James Dean. The heritage of that name proved too much for that man though. One of the more ambitious undertakings from Eagle-Lion Studios. But The Sundowners was flawed in the execution.The Robert Mitchum/Deborah Kerr Sundowners was far better.

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