Just watched this Oscar-nominated animated short by Caroline Leaf on the National Film Board of Canada blog as linked from Warren Leonhardt's blog. It's basically an autobiographical look at the childhood of the writer, Mordecai Richler, as he relates the last days of his grandmother's life and his mother's devotion to her. Except for what his sister mentions what possibly happens when someone is hanging, this might be a good educational experience for an under-12 to watch with a parent if that child wanted to know what dying was like. The watercolor images on glass are really compelling here. So on that note, I highly recommend Caroline Leaf's The Street.

This short film financed by The Canadian Film Board was about, I assume, the writer's childhood and his recollection about his grandmother and her eventual death. While I'm sure many will find this film profound, I was left feeling a bit disappointed. Instead of meaning, the movie left me with the opposite, as instead of celebrating the life of the grandmother, she seemed to be more of a burden than anything else to everyone in the family but her devoted daughter. Perhaps others ascribed more meaning to it than this, but this left me very sad. In this sense, the film was good but certainly far from a "feel good film"! As far as the technical merits go, I liked the style of the narration but found the animation itself not all that interesting. A decent film but that's really about all.

This short, nominated for an Academy Award, (I'm surprised it lost, though I've never seen the winner, as far as I know) is a funny, sad, sweet look at life through the eyes of a child growing up in Canada. An excellent adaptation (by the author) of a story by Mordecai Richter and yet another feather in the NFBC's cap. Caroline Leaf is a marvelous director and this is one of her best. Most recommended.

Thanks to a well-told story, believable characters, and a highly unusual look, I can certainly recommend this solid Canadian short. If you're looking for Disney-like animation, you will be sorely disappointed, but the crude paintings fit the film well, and the story moved along at a fast enough pace to keep me interested. This isn't one of the National Film Board's best features, but it was still enjoyable, and it is worth a look if you ever come across it.