Monica Bellucci adopts a young Asian child. Years later Bellucci begins having nightmares and someone or something seems to be interested in her son, who it appears has a great hidden power.I love the idea of Bellucci and Catherine Deneuve in a movie together. I only wish the pairing wasn't in a movie as dull as this. Its a been there and done that film (I mean how many films are there where the adoptive parents didn't know their kid was special?) that has nothing new to offer. Its such an "exciting" film and I was so "intrigued" by what was happening that I didn't bother to finish the film when the DVD I wigged out and wouldn't play, I simply put it into the returns slot and let someone else deal with it. I'm guessing that thats whats been happening all along with that particular copy of the DVD. Don't run the risk of getting the bad DVD thats floating around, don't see this film.A snoozer.

I selected this film from the Blockbuster new release shelf b/c I like foreign films and well crafted horror/suspense movies.Catherine Deneuve was very impressive as mother Laura's friend Sybille,a lady who is disarming yet distant,she is easy to picture as quite comfortable strolling a white beach on a winter morning."the Stone Council" is effective in it's climax,timing,and presentation.I would recommend to fans of older films of the genre such as "Rosemary's Baby" and the original "the Wicker Man".Monica Bellucci deserves honorable mention for her portrayal of a mother who won't be stopped from saving her adopted son Liu from his kidnappers,who believe their ancient sorcery will make them immortal (come on you creeps - who really wants to live forever....?)

Monica Belucci's fully committed performance, as well as her commendable willingness to appear as unglamorous as possible (with very short hair, limited or no make-up, often bloodied-up and dirty), are wasted in this semi-supernatural thriller that suffers from a muddled script (just like a previous adaptation of a Jean-Christophe Grangé novel, "Crimson Rivers" - maybe his books are just too hard to condense in under two hours of screen time), an incomplete finish that feels like a set-up for an (unlikely) sequel, cold direction, plodding pacing, and a completely humorless tone. I honestly found it a bit of a struggle to get through. It will probably be watched / remembered only for the first "cross-generational" on-screen meeting of Belucci with Catherine Deneuve. (**)

first, i'm not sure those who commented previously (and badly) on this film have seen other Jean-Christophe Grangé's adaptations - if you had, you'd admit LE CONCILE DE PIERRE is by far the best. Grangé's books - besides sucking - are hard to adapt, caus way too dense and not cinematographic; that's why directors/writers usually take lots of liberties w/th the storyline, turning it into a big farce w/th a grandguignolesque denouement (remember LES RIVIERES POURPRES and L'EMPIRE DES LOUPS?). knowing that, i expected the worse, but was pleasantly surprised. Guillaume Nicloux managed to keep his own distinctive style, creating a sticky, haunting atmosphere. now about Monica Bellucci... she's good, period. yes, she moans, cries, looks sad/lost, but damn, she's credible. it's totally refreshing to see her in a different role. as for Catherine Deneuve's being over the top, i never thought she was that much of a good actress, so no comment. rest of the cast was OK, and it's nice to see Moritz Bleibtreu in a french film.so basically don't expect too much from this movie and (maybe) you'll be pleasantly surprised.