This is a totally by-the-number supernatural thriller that cannot be saved by the aura of its lead, nor by the exotic locales.Le concile de pierre tries hard to hit all the buttons. Tensed atmosphere, amazing locations, some adventurous bits and action... but the wide variety of situations is all poorly thought out and the execution is even worse.It seems the filmmakers were also under the impression that just putting the beautiful Monica Bellucci on screen with a more neglected appearance than usual would turn an Oscar-worthy performance that would carry the film. It is not the case and although Bellucci does have the star power and presence to carry such a film, she turns out an average performance at best. As for the other actors, the performances are even worse, including Catherine Deneuve who goes through the motion and looks like she wanted to collect a paycheck and nothing more.I'd give it a 3 but since some shots are pretty enough, I'll go for a 4.

The Stone Council (as it was titled here in Oz) adds further weight to the theory that, though French filmmakers love tearing American film culture a new one at the drop of a hat, they can't help stealing the Yanks penchant for a loopy, spooky premise should the urge take them.This Monica Bellucci starrer bottles the winsome beauty and captivating on screen presence of the Italian glamour as well as any movie I've seen her in. And as the frantic mother trying to find and rescue her kidnapped son from the clutches of an increasingly menacing (and kinda silly) secret society, her performance commits to all the emotional tics and B-movie nuances this type of potboiler demands. All credit to her for keeping the emotional core of her character strong as the plot becomes wildly unwieldy.Shot beautifully with an eye for detail rarely seen in this type of supernatural hooey, the composition of the frame - from its moody lighting to the shadowy, vast set design - provides the film a further grounding in reality and certainly allayed a mounting sense that the film, despite all its fine elements, was asking of its audience a little too much leeway plotwise.With a central characters journey into a bizarre, ritualized society reminiscent of the cult favourite The Wicker Man, and a wildly fantastical but eerily engrossing story that would have served it well as an episode of Le x-Files, The Stone Council is an above-average white-knuckler thats well worth a look.

In France, the single translator Diane Siprien (Monica Bellucci) adopts an Asian baby named Liu-San (Nicolas Thau) in a foundation directed by Sybille Weber (Catherine Deneuve). Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in German and she leaves Liu with her friend Sybille. However, while going to the airport, Diane finds Liu hidden in the backseat and startles with an eagle flying toward the windshield, crashing her car. Liu falls into a coma and his digital recorder records the boy speaking in an unknown dialect. When Diane searches the translation and the origins of Liu, she is surrounded by mysterious murders. She discovers that the dialect is from the mystic Mongolian Tseven tribe and that Liu is a powerful Observer; further, he is in danger, threatened by sorcerers that need the boy for their Council of the Stone."Le Concile de Pierre" is an intriguing and complex supernatural thriller. However, the story is too long for 102 minutes running time, and the director and the screenwriter use the resource of ellipsis to keep the pace of the movie and a poor development of the characters. What I most like in this movie is that there are very few clichés in the mystic story; the locations in Mongolia and of course the performance of the goddess Monica Bellucci wearing short hairs and very few make-up. My only restriction is to the lack of emotion transmitted by the movie, with a cold narrative. My vote is seven.Title (Brazil): "O Ritual da Pedra" ("The Stone Ritual")

first, i'm not sure those who commented previously (and badly) on this film have seen other Jean-Christophe Grangé's adaptations - if you had, you'd admit LE CONCILE DE PIERRE is by far the best. Grangé's books - besides sucking - are hard to adapt, caus way too dense and not cinematographic; that's why directors/writers usually take lots of liberties w/th the storyline, turning it into a big farce w/th a grandguignolesque denouement (remember LES RIVIERES POURPRES and L'EMPIRE DES LOUPS?). knowing that, i expected the worse, but was pleasantly surprised. Guillaume Nicloux managed to keep his own distinctive style, creating a sticky, haunting atmosphere. now about Monica Bellucci... she's good, period. yes, she moans, cries, looks sad/lost, but damn, she's credible. it's totally refreshing to see her in a different role. as for Catherine Deneuve's being over the top, i never thought she was that much of a good actress, so no comment. rest of the cast was OK, and it's nice to see Moritz Bleibtreu in a french film.so basically don't expect too much from this movie and (maybe) you'll be pleasantly surprised.