A likable if sometimes frustrating portrait of the Canadian musician and composer. It's likable because the artist known as "Socalled" (Josh Dolgan off-stage) is a very creative guy, who mixes hip-hop with Jewish klezmer music, 70s style funk, and multiple other influences in a never ending quest to create new sounds, some of which are terrific. Frustrating because we mostly only get snatches of the music. Enough to see that it's clearly interesting stuff, but not enough to really get a feel for it. "Socalled" himself, also comes off as something of an introvert, and while we learn a decent amount about how he approaches his music, he doesn't let us inside enough to really get a sense of the human being or artist under his skin. Never dull, worth seeing if you're interested in World music, or very creative mash-ups, but it's hard not to walk away wanting even more.

So-called is a compelling subject for a documentary. I'm glad I saw this film in the venue I did -- during the Jewish Film Festival at Lincoln Center in New York City, after which So-called performed with the lovely Katie Morris.So-called is self-deprecating and trenchantly honest about himself, several times calling himself a dilettante. Some of his opinions about Judaism are bound to offend some. Yet to see him rapping in Yiddish is worth the price of admission itself.The main flaw of "The So-called Movie" is that it spends far too little time allowing the artist to improvise or perform. All too often, the movie teases us with snippets of So-called at his craft and then segues abruptly to the next talking head.The director appeared at the screening I saw, and said the movie's structure had been inspired by a similarly segmented film about the pianist Glenn Gould. The segmentation worked pretty well this time around -- I loved seeing So-called working with all manner of unlikely musical bedfellow -- from a classical cellist and "Bagels and Bongos" nonagenarian Irving Fields to virtuoso klezmer clarinetist David Krakauer and a variety of black rap artists.However, a few of the segments could have been deleted. The dream- like sequence involving So-called's idol the trombonist Mr. Wesley was frustratingly time-consuming and dull. So-called also spends a bit too much time in his room rummaging through knickknacks from his childhood. He bravely discusses his homosexuality, but is mum on the fact that his lover refuses to be filmed. Just as we are wondering what's going on there, we're whisked off to the next subject.I was intrigued with the seeming dichotomy between So-called's mother and father. His mom is all animation and admiration, and he credits her with having "forced" him to practice the piano as a kid. Simultaneously his father seemed somewhat stunned or bemused. Does he view his son differently? We wonder, but never find out. Despite such caveats, I'd gladly see this again.

Preparing to go to Hillside Festival on Guelph Island this summer my girlfriend and I did some internet research on some of the artists to check out. So-called was amongst the artists playing and upon hearing such marvellous tracks as 'These are the Good Old Days' and 'Ricce Dicca' were excited to see him live. The show was no let down, as he really got the tent jiveing and even threw some nifty magic tricks into the bargain. A few months later and my girlfriend and I are travelling through Canada from Toronto (we're English on a year's working holiday) and last night, whilst in Winnipeg, chanced upon the poster for 'The So-called Movie' at a local cinema. Needless to say, we zoomed straight in. This documentary-style film is a joy to watch and reveals much about the carefree, fun-loving and infectious nature of his "cut and paste", multi-generic music. Josh Dobin is revealed as a modest, very down to earth, but slightly eccentric character who knows what he finds meaningful in life and, effortlessly it seems, sets out to fulfil it. He is obviously a passionate and talented musician, without ever taking it too seriously, and he is not shy to approach his "heroes" in helping him achieve his goals. It says a lot about his talent, his versatility but also his likable nature, that such apparently estranged artists as old funk legends, Jewish clarinet virtuosos, gay porn directors and classic 1950s piano maestros all find common ground with him, as he provides a musical realm for their various creative talents to flourish. There are some hilarious sequences (including the skim of some of his supremely punning teenage cartoon sketches, some bizarre short films he directed featuring some of his heroes but especially the Youtube tune he persuades the 50s piano star to write) but also some poignant and touching moments too (most notable being the epic boat trip he organised with his parents to provide a more joyful experience for Jewish Holocaust rememberers).All in all, he comes across as a very happy man, with a more unusual talent for musical creation than most. He, quite simply, knows what is meaningful to him and endeavours (very successfully) to provide a space where others can come together and celebrate what is meaningful to them.Very uplifting attitude and a lesson to all. Don't take life too seriously and pursue your dreams! (Wow, I ended that in rather a corny fashion but it's too late to change it now, I'm about to press submit...