'Le Serpent' certainly starts well: a smart, stylish thriller with an intriguing set up and a skillful use of changes of pace. The cast are all excellent; and the cinematography captures a picture of modern, commercial Paris, not exactly run down but cold and devoid of charm. But for all its promise, it can't escape its generic (and essentially uninteresting) premise: that of one man pitted against an all-powerful psychopath, who cares about nothing except ruining the hero (but who eventually, to his own cost, prefers talking about his crimes to finishing them off). There are some similarities to 'Tell No One', another classy but ultimately implausible story.

Despite a raft of clichés and see-it-coming plot twists, French movie The Serpent is an intelligent and stylish thriller, which delivers its intentions without popcorn gloss. Yvan Attal is the anti-hero photographer who is framed by a beautiful model and thereon in blackmailed by and old boyhood 'friend' who is, surprise surprise, a psychotic killer (Cloris Cornillac) out for revenge after a traumatised youth perpetrated by his old pals. For good measure, he is still obsessed with his recently deceased mother, and regularly visits her glass coffin to pay homage (just in case we really wanted a big neon sign as to who the psycho is or will turn out to be). Yet for all that, the movie still delivers with an assured confidence, and the cast do well and lift it to very decent heights.

Let's face it. This script was made for Hollywood and no doubt, the producers want to sell it to them for a remake.This doesn't mean it's a bad movie. It's a "classic" thriller, with the classic Cape Fear ingredients, but it certainly is by no means clear there it leads you. Clovis Corvillac is the splendid bad guy here and not a square character. Very dangerous, but also with trustworthy weak points.There are some somewhat stupid action scenes to be found, but apart from that, this is about real people. OK, this couldn't happen in real life, but that doesn't matter. As I said, it's a classic thriller.

A short comment to express all the pleasure I've had watching this film. Actors are very good; specially Cornillac who gives a disquieting credibility to his character, but Attal is impressive too in the role of the "not so good" hero. Barbier enjoys to revivify all our inner terrors (dark, death, madness ...) and sets the end of his film in a particularly spooky place. I regret I haven't read the book of which the film is inspired but I am sure the quality of the scenario is no wonder. I am pleased to see that the French can venture in a genre that we leave generally to the American cinema. I hope this film will be received worldwide with all the success it deserves.