The Sleeping Tiger
The Sleeping Tiger
| 21 June 1954 (USA)
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A petty thief breaks into the home of a psychiatrist and gets caught in a web of a doctor who wishes to experiment on him and a doctor's wife who wishes to seduce him.

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Reviews
MartinHafer

"The Sleeping Tiger" is a film so flawed by its premise that no matter how good the picture is, it is automatically cursed to be second- rate. Think about it...a thug with a gun breaks into a psychiatrist's home and the doctor then invites the criminal to live in his home! The only way this MIGHT have worked had they made there a latent homosexual undertone to all this. But there wasn't and the film often makes no sense at all!Dirk Bogarde plays the crook, Frank, and he plays him very well. This is no surprise, as Bogarde played many sociopathic creeks and played them well during this era. He does his best with the material. As for Alexis Smith, her character as the Doc's wife is terrible--and clichéd. And, the husband, played by Alexander Knox, is the worst of all...a man who makes himself a virtual eunuch in his own home! The bottom line is that while the film has its moments, the plot is simply hopeless and a couple dumb characters make it all the worse. You could do a lot better and I'd recommend you try some of Bogarde's better written sociopath films such as "Cast a Dark Shadow".

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Spikeopath

The Sleeping Tiger is directed by Joseph Losey (using the alias Victor Hanbury) and adapted to screenplay by Derek Frye from the novel written by Maurice Moiseiwitswch. It stars Dirk Bogarde, Alexis Smith, Alexander Knox, Patricia McCarron, Maxine Audley and Hugh Griffith. Music is by Malcolm Arnold and cinematography by Harry Waxman.When criminal Frank Clemmons (Bogarde) fails in his attempt to mug psychiatrist Dr. Clive Esmond (Knox), he is surprised to be invited to stay at the good doctor's house instead of going to prison. The doctor's motives are simple, he believes he can reform Frank whilst studying him at close quarters. Frank is only too happy to accept the offer, even more so when a relationship begins to form with Dr. Esmond's wife, Glenda (Smith). However, as passions stir and the tiger awakens, it's unlikely to end happily...Blacklisted in Hollywood, Joseph Losey would find a home in the UK and produce some superb movies. The Sleeping Tiger has thematic links to two other great Losey movies, The Prowler (1951) and The Servant (1963), a sort of meat in the sandwich if you will. Dripping with psychologically redemptive sweat and pulsing with sexual frustrations, it's a film very much concerned with tightening the spring until it eventually explodes. And when it does it's well worth the wait, for there is no pandering to happy days endings, this has a kicker of a twist and it beats a black heart.In the interim some patience is required as the key relationships at the centre of the plotting are steadily drawn, with Losey and Frye tantalising us with shards of character interest at regular intervals. Frank drifting on and off the rails livens proceedings, with the good doctor Esmond's loyalty putting some surprising spice in the story, while Frank's courting of Glenda (horse rides together, taking her dancing at a seedy jazz/blues club) and bullying of the maid, Sally (McCarron), keep us fascinated as to where this will end up.Visually it's firmly in noir territory, more so in the first and last thirds, where Waxman (Brighton Rock) ensures shadows reflect the tonal shifts of plotting and the character's mental health. Arnold's (Academy Award Winner for The Bridge on the River Kwai) score is heavily jazz and blues influenced, mixing sorrowful beats with up-tempo thrums. Cast are excellent. Bogarde and Losey would compliment each other greatly and this is a good indicator of what would come during their five collaborations. Knox (Chase A Crooked Shadow) is wonderfully assured, while Smith (The Two Mrs. Carrolls) owns the movie with some deft changing of character gears.The plot's a bit out there man, and Losey's slow teasing in the mid- sections may annoy those not familiar with his non American work. But this is very much a little ole devil worth seeking out. 7.5/10

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BILLYBOY-10

Alexis Smith, wife of busy psychiatrist-psychoanalyst-psychotherapist Alexander Knox is sexually frustrated because she is a hot, steamy 33 year old and he's older, and not hot. One day, hubby brings home a young thug, Dirk Bogarde, to rehabilitate who is also hot & steamy and immediately you know the two are going to make steamy together, which of course they do after riding horses and getting all steamed up.Much scenery chewing and steaming later, hubby makes a breakthrough with Dirk regarding mommy, daddy & step-mommy issues and Dirk feels so guilty about steaming it up with his wife that he tells her it's through..over..finished..kaput and leaves the house to start out a new improved life of his own. Well, Alexis ain't taking this sitting down so she jumps in her car, gets him to climb in. Hubby gives chase in his car and several sharp curves and speedometers later, Alexis crashes thru a fence and over an embankment, the car turns over, it's wheels dramatically spinning and Alexis, the wife, is dead Dirk however is alive and the camera pans to the hole in the fence where they crashed thru. Above the hole is a huge poster of a leaping tiger. Ah hah. The movie title of course is Sleeping Tiger and it ends with a leaping tiger. Get it? The tiger! Wow. The End. I liked this movie because it was 50's black and white British and simple, predictable & plausible. Interesting Dirk is suppose to be younger than Alexis and he does look kid like and she is sort of matronly older looking but according to IMDb he was actually 3 months younger than she. I'm gonna give it six points cause it didn't bore me.

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Hitchcoc

It's just a bit too much. The good doctor is attacked at gunpoint. He disarms the bad guy, then brings him home to dinner, where his high strung wife spars with the guy. Of course, the two eventually begin a movie long tryst. Dirk Bogarde is a bad boy who is a bundle of anger. He usually gets what he wants but carries more baggage than a porter at an airport. Alexis Smith is the femme fatale. She is older and bored with her psychologist husband, who is determined to resurrect the lad. He is willing to allow this man to do whatever he wants: bringing women to the house, bossing around the help, robbing jewelry stores and businesses. He is pursued by a cop who is on to him but has respect for the doctor and backs off on an arrest. It's hard to believe that this man should give a rip about Bogarde, but somehow he's willing to withdraw. The weakest part of the movie is when it all falls into place. It's so pat. A contemporary film would have built the house a card at a time; this happens in milliseconds. Then we have the denouement which I will not spoil. Let me just say it was a disappointment. The movie is visually sharp and the acting is pretty good. I never really like Alexis Smith much and she is a little grating here. Still, it's a decent performance and the subject is a little ahead of its time.

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