The Warner Archive print of The Single Standard is not in an immaculate condition, but I'd give it 9/10 nonetheless. This time, Nils Asther has a more complex role, but either he or director John S. Robertson decided that the part should be played with little depth so as not to distract viewers from the Garbo character who rightly occupies center stage. In fact the only actor whose role rivals Asther's is Johnny Mack Brown. Mr. Brown is awful, as usual, but he doesn't come across too badly because Robertson artfully places him in Garbo's shadow, thus diluting his excessive hamming to a point where he often (but not always) seems reasonably tolerable. All the other roles are small. Third-billed Dorothy Sebastian has such a miniscule part that most viewers would be unaware that she's in the picture at all. Aside from the three leads, the only players who make any impression are Joel McCrea as leader of the opening party-goers, Wade Boteler in an unusual role as an umbrella snatcher and Fred Solm as the hapless chauffeur. This time, the alluring Garbo is photographed by Oliver T. Marsh. In both this films and "Wild Orchids", she is costumed by Adrian. And both films have delightfully atmospheric music scores composed and conducted by William Axt. Oddly, Wild Orchids also has lots of sound effects, but Single Standard, though released later in 1929, has none at all. Not even a lion's roar!

Before I will comment on this significant film with Greta Garbo and Nils Asther, let me make a short biographical notion.Many biographers of Greta Garbo, including Barry Paris and Karen Swenson, note that she came to Hollywood with her mentor Mauritz Stiller in September 1925... Although she was already a trained actress (having made two significant projects in Sweden and Germany), what she found in MGM was very different from what she experienced in Europe. The roles she was given, though being sometimes very successful roles (including the ultra popular Felicitas in FLESH AND THE DEVIL), were in majority the roles of vamps and temptresses. But Garbo...she disliked playing 'bad women.' When, in her prolonged contract, Garbo started to have a word in the roles she played and rejected some unattractive ones, more sophisticated projects appeared... One of such refreshing projects was, undeniably, THE SINGLE STANDARD. One the one hand, a movie appears to be ignored in many analysis of her film career (it appears to be forgotten by some Garbo fans as well); on the other hand, the movie is strangely an 'oldie' that many modern viewers find entertaining and appealing.It seems that the reason why this film is, at least, "known" among the fans of silver screen productions, is the pairing of Greta Garbo and Nils Asther. Indeed, both give tremendously convincing performances that still, after those decades, maintain their desirable authenticity. Who can possibly skip their unforgettable moments on the islands of eternal sunshine? How can we ignore their memorable chemistry when experiencing the Philosophy of Love? Who can ignore the perfect tension when the hearts are there but duties elsewhere...? Yes, Nils Asther appears to be one of the best co-stars Greta Garbo could ever play opposite.Another reason, I think, is Greta Garbo herself and her unforgettable moments throughout the film. Although the close-ups are not that outstanding like in her top productions of the 1930s, there are pretty pearls that should not be skipped at least by Garbo fans. For instance, this is the moment of her walk in rain when she humorously states: "I want to walk alone..." These are her unforgettable facial expressions when 'naughty men' come filled with wit having dated their delicious mistresses. This is, generally, the feeling she put in any kind of portrayal she did before the camera. But, here, let me concentrate more deeply on the role of Ms Stuart that Ms Garbo so beautifully portrays since there is one more rarity about the Swedish Sphynx: the power of THE SINGLE STANDARD lies specifically in the "refreshment" of Garbo's masterful acting. Arden Stuart is a woman who, on the other hand, wants to be independent from men but, on the other hand, learns to understand what living for others means. Although she wants to walk alone, she does not live her life all alone (though she has some great time on All Alone ship). She does not accept any "half measures" and treats life seriously being very genuine in what she does. As a free woman, Arden opens her heart to...love. However, this love will make her stand before the most important decision of her life... Among many scenes that remain in one's memory, including Arden's scenes with her child, I would like to share one moment with you, the moment that truly left a trace in my mind and in my heart. This is the moment when Arden has a trip with a chauffeur and she says that there is no difference whether it's a girl, a man but both have right to... life. It is the viewpoint that very well fixed to Garbo, to her powerful belief in personal freedom and happiness. Although some say that "Garbo plays a normal woman" in THE SINGLE STANDARD, I would say more: "Garbo plays a sophisticated human being" in THE SINGLE STANDARD, a human with her fears, her feelings, her decisions and reflections, her heart.Other aspects are, perhaps, not greatest merits of the movie (with some exceptions). It is true that the cinematography is not of top quality. The same may be said about some supporting roles. But here, two things may also work well for the film nowadays: firstly, it is the short length of THE SINGLE STANDARD which does not bore people; secondly, it is the tension - the viewers' attention is kept thanks to the wonderfully roused interest.At the end of my review, I would like to add one thing from me, personally. I would like to ask you not to treat my words as the ones said by a Garbo fan who tries to convince viewers to see yet another "oldie" with the greatest actress of all time. Although I consider myself a great Garbo admirer, I say it with all my heart: you do not have to be very knowledgeable about Greta Garbo and you may still see this film with great pleasure finding something for yourself. That is what I wish you from my heart. I rate the film 8/10

Greta Garbo envies the freedom acceptable for men, but not permissible for women - the sexual "Double Standard". She asked her chauffeur to take her for a ride. When they are caught returning from a rendezvous, the chauffeur is fired; then, he commits suicide. Somewhat disenchanted, Garbo takes off with exciting Nils Asther for a long romantic trip aboard his ship - the "All Alone". Garbo wants to marry, but Asther must travel to China. Back home, Garbo is romanced by, and does marry, millionaire Johnny Mack Brown. Later, Asther returns… Garbo loves Asther, but is married (with child) to Mack Brown. What will she do? "The Single Standard" is beautifully photographed and silently performed. The subject matter must have been considered daring at the time. Today, it's fairly standard stuff. Still - Garbo, the photography, and briefly twisted ending make it look like magic. ******* The Single Standard (1929) John S. Robertson ~ Greta Garbo, Nils Asther, Johnny Mack Brown

Garbo is an absolute revelation in this outstanding silent film (the video has a beautiful musical score). Garbo plays Arden Stuart, a beautiful young woman who rejects the sexual double standard and feels free to engage in affairs with any man she likes. She takes up with famous artist Packy Cannon and travels 'round the world with him on his yacht. After Packy dumps her, she marries Tommy, who had always adored her, and has a child. Then Packy returns...The kinds of themes sounded in "The Single Standard" were completely blotted off the screen by the Production Code, Hollywood's self-censorship scheme which became fully operational around 1934. The movie explores female liberation and sexuality. It grapples with the issue of whether marriage is a loveless institution of mutual support or a vehicle for love and fulfillment. This is a very adult film and a great one. Films like this were not made again until the 1970's--and nobody ever surpassed Garbo in this kind of role."The Single Standard" was adapted from a novel by Adela Rogers St. John. Rogers St. John was the daughter of the famous trial lawyer Earl Rogers, who was the most famous criminal lawyer of the early years of the century and who died a hopeless alcoholic. She never went to school, and simply hung around her father's law office, but later became a famous author and journalist. The great film "A Free Soul" (1931) is based on Rogers St.John's autobiography and chronicles her life along with her father's. Rogers St. John was, in her own life, very much like the heroine of "A Single Standard" and embodied the ideals of women's liberation in the 1920's.