This is a movie you should check out. Aristotle said that "It is the mark of an educated mind to be able to entertain a thought without accepting it." Well, going back to the start of the review, even if you think that what Naomi Klein is talking about is pure nonsense, "The Shock Doctrine" is a movie to watch, precisely even more if you don't agree with the ideas it presents.Basically the movie talks about how capitalism aliments itself on conflict and shocks, meaning that it is very good at distracting the attention from the important to some event that is terrible, but not the most terrible. For example, it talks about how the United Kingdom got into the Falklands War, and how that distracted public attention from the strikes and the civil unrest that was ongoing in the country. Does it all sound a little bit conspiratorial? It does, but it is also true that when something like a war happens, people's attention will be centered on that event, and it will become a situation of "us" vs. "others". Even if you don't believe that happens on purpose, it is true that systems, being it capitalism or other, may take advantage of those situations.But that's for a politics or international relations class. Going back to the documentary, "The Shock Doctrine" presents its ideas in a very clear and easy to understand way, and it gives enough examples to see why they say what they say. In that respects it does a very nice job. It also does a good job in making the viewer think and analyze situations. And it is very interesting to try to see things in a different light from the "official" view of things.As Aristotle said, you don't have to accept it. Or agree with it. But it doesn't hurt to think.

This formidable movie based on Naomi Klein's mightily important book, explains how the financial 'elite' uses shocks (crises) for implementing its 'free market' gospel, or, better, to increase its economic power and concomitantly its own financial interests.Economics (general shocks) In his mightily important book 'The Secrets of the Federal Reserve', E. Mullins reveals how the financial 'elite' manipulated market prices and provoked the Wall Street Crash of 1929. What they didn't foresee was the gigantic economic slump and the massive unemployment that would follow the crash. The US government had to intervene in the economy with a 'New Deal': breaking up the banking system and impose regulations and governmental interventions in the economy. The 'New Deal' weakened significantly the grip of the financial oligarchy on the US economy. The 'free market' gospel propagated by the Chicago School of Economics (Milton Friedman) is nothing less than a frontal attack on the legislation provided by the New Deal. The gospel defends deregulation and privatization of the economy instead of regulation and governmental intervention (through its institutions and enterprises). The gospel tries to prove and to justify that free market policies (the old order) are far better than those imposed by a government. The implementation of a deregulated and privatized (by selling off government possessions) economy was first tested in Chile and Argentina after military coups (shocks). It didn't work. The deregulation of the US financial system ended in a worldwide financial collapse of the banking system, which had to be bailed out by governmental intervention (the people's money) at a staggering cost of thousand of billions of dollars worldwide, a mind-boggling anti-shock treatment. Psychiatrics, psychology (personal shocks) The movie starts with the experiments of Ewen Cameron on psychiatric patients in Canada. He tried to control (break) the minds and to reprogram (clear) the psyche of his patients with electroshocks and drugs. His methods are now used on political prisoners ('terrorists'). By creating shocks (heavy bombardments, grotesque lies, false flag operations) and also after 'natural' shocks (floods) the 'elite' tries to instill fear into the population in order to control their will, to implement their policies and, in fine, to prevent or to obstruct the establishment or the functioning of a real democracy.Reactions Reactions against 'elite' shock doctrine policies must come from 'below', from the people, whose money was squandered in order to bail out the reckless speculations of 'too big to fail' mentalities. The solution will not come from those who want to 'fight' climate change by commodifying the atmosphere (trading carbon dioxide emissions).This movie and its extras are a must see for all those who want to understand the world we live in.

"You were such a super lady!" - Mike Yanagita (Fargo)Michael Winterbottom, one of Britain's more daring film-makers, takes a break from feature films to direct "The Shock Doctrine", an interesting documentary based on a book by Canadian journalist Naomi Clein.The documentary essentially says three things. Firstly, that big corporations in search of new markets benefit when governments import a neoliberal economic system, often as a result of pressure from the US, and that this often has catastrophic consequences for ordinary people.Secondly, that political leaders have turned to "brutality and repression" to crush protests against their ideologically inspired programmes of privatisation, deregulation and tax cuts.And thirdly, that certain "shocking events" (The Falkland War, The Gulf Wars, coups in Chile, Argentina and Russia, Hurricane Katrina, 9/11 etc) have been used, or even created, for the purpose of stealthily introducing unpopular reforms in the wake of these crises.So essentially something big and bad is designed to happen in order to distract the populace from some sneaky law being implemented, or some massive privatization deal being granted. IE- capitalists have taken advantage of natural and man-made disasters in order to promote their free market ideals, or outright concocted such shocks.Unfortunately, whatever merits the documentary has are eroded by its overly ominous, overly conspiratorial tone. Winterbottom sees macro plots and macro conspiracies, instead of chaos and confusion. He sees complex plans and careful scheming instead of a more general exploitation of opportunity. Yes, the film offers great analysis of corporatism and various authoritarian governments, and highlights how crises are used by governments to coerce people, but this shouldn't be surprising to anyone who realises that governments routinely use coercion even in the absence of shocks. And of course a focus on macro conspiracies misses the mundane conspiracy of simple, white-bread capitalism and debt based banking.Elsewhere Winterbottom makes a big deal out of Milton Friedman's assertion that reforms are best made during crises. This is odd, since almost every reformer/revolutionary, from Paine to Marx, has said the same thing. Winterbottom also implies that the "crisis equals opportunity" idea is unique to Friedman and that Friendman has "evil intentions", but neither of these claims are particularly believable.Perhaps the most interesting thing about the documentary is Winterbottom's choice of music. He uses the famous theme tune from the Coen Brothers' film, "Fargo". Thematically it's an apt song choice. "Fargo" pretended to be a "true story" but was really a work of fiction, its lead character (a police detective played by Frances McDormand) learning to suspect everyone and not take people and things at face value. Winterbottom's film may not be entirely convincing, but at least it instills a healthy air of distrust and urges us to question our surroundings.7.5/10 - This documentary isn't in the same league as Winterbottom's "Road to Guantanamo" and "Welcome to Sarajevo", two of the better political films out there, but it's still fairly interesting and packed with little moments of insight. Props must be given to Channel 4 for funding, not only this documentary and several of Winterbottom's films, but also for financing some of the more daring British film-makers over the past decade.Worth one viewing.

We're all familiar with economic shock therapy, the idea that sometimes a massive destabilisation of the economy is the first step towards recovery. What Naomi Klein argues in her book, 'The Shock Doctrine', is that chaos is not just an occasionally necessary precursor of reform, but it rather exploited or at worst engineered by reform's proponents, because the consequences of the changes proposed would not be accepted by the people if offered to them a la carte in a less pressured environment. Michael Winterbottom's film develops Klein's arguments, and presents a fairly conventional alternative history of the world. But there are still some interesting details: I didn't know that it was Eisenhower, of all people, who first warned about the military-industrial complex; and it's welcome to see a different interpretation of what happened in Chile in the 1970s to the outrageous story told by Niall Fergusson in his recent BBC series, 'A History of Money'. Yet I still felt slightly disappointed by this film, because while it exposes the lies of the new right to be friends of freedom and democracy (by showing how they need to suppress freedom to get their ideas through), it doesn't address the other part of the argument, namely, whether their economic ideas are basically sound. Perhaps it does indeed take unpopular policies to rescue broken economies; one can dispute that this belief justifies coercion, but should a rational people accept shock as a price worth paying? There are lots of good arguments that say no, but the film doesn't make them; the case that equality is an aid to the efficiency of a country, as well as a moral good in itself, is here taken for granted, although this is arguably the key point of difference between left and right. I fear that this film will not convert anyone while the right's most insidious claim, that a competitive jungle is, however distasteful, the best of all possible worlds, goes unchallenged.