Don Knotts star in this wacky comedy/western.Knotts plays a Philadelphia Dentist who head west to bring oral hygiene.he gets more than he bargained for,in the process.Dr. Jesse Heywood's penchant for being timid nervous,and bumbling provide some pretty funny moments.Knotts is pretty funny here,but i really Barbara Rhoades as Penny.i loved her spunky,and her take no guff attitude.she is the perfect foil for Knott's Zaniness.while this movie won't change your life,it should make you laugh.even if it wasn't funny,i think it would still work as just a western.for me,The Shakiest Gun in the West is a 7/10

It's easy to overlook the societal importance of "Shakiest". Most academics consider it a vapid re-make of a "superior" Bob Hope film. However my consensus is that Hope's movie simply Overemphasized the comedic aspects of the story and downplayed the sociological importance and mythical underpinnings of it. I don't fault Hope since his comedic talents are such that only his fully grasping of the genre and paradigm in its epistemological sense would allow him the proper frame/reference to "dim" his comedic talents enough to let the nuances of the story's deeper meanings emerge. Not so with Don Knotts. His performance is neo-subtle in the sense that he draws attention to the pre-Scorsesian templates of story entwined with yet separated from, meaning, by overexagerating Hope's performance to a Vonnegutian level. Example; his performance as Painless Jesse in the film's opening sequences underscore the relationship of Man the Creator with Man the Destroyer and Man the Dentist. In Barb Rhoades we see an equal but lesser voice representing tenets of Post-modern imperialism as well as Proto-Schwarzeneggerian grandiosity. Yet, it is Knotts, initially passive who redeems himself in the end, triumphing over Rhoades and all she symbolizes as well as echoing the pan-universal theme of the hero transformed by "plumbing" his own depths. This is shown particularly in the mine scene, where we read "mine" as "Subconscious Id". Simply put, not sense "The Incredible Mr. Limpett" has Knotts blended Transformational Mythology with Wellesian Cinematography and Jerrylewisian slapstick. BRAVO!

I love this movie. It is hilarious. Don Knotts proves once again why he was so beloved by audiences, especially children. His winning, comedic character is so sweetly vulnerable. He is a great example to today's comedians, who rely on vulgarities and smart-Alec comments to "entertain" audiences. There are many wonderful supporting players on hand, such as Carl Ballantine, Pat Morita and Donald "Red" Barry. And of course the lovely Barbara Rhoades. Seeing this film as a little boy in the theatre, I thought there was no lovelier creature on the planet-- especially in that green velvet dress!I hope this commentary is more helpful than the inane, pseudo-intellectual ramblings of the previous comment, which, if it was not made in jest, should have been-- there is no other excuse for it. At least we both agree-- this is a terrific film!

Not as well made as the original Bob Hope film "The Paleface" (this remake pretty much uses the same script but loses the song "Buttons and Bows"), but better than it's sequel "Son of Paleface." Don Knotts plays his usual nervous character without the Bob Hope pathos making for a sitcom style comedy (think "F-Troop"). Don Knotts would do several other comedy westerns in a few years including "The Apple Dumpling Gang."