Silent and early talkie star Rod La Rocque lacks in real screen magnetism in this murder mystery where he's involved in the family scandals with a rich man, shot and killed through a window as they spoke. The murdered man had made threats to disinherit certain family members, giving plenty of people motive for murder. There's even more suspects as this convoluted mystery gets underway, with presumed members of the underworld doing their best to get their hands on the will. It's slow, pondering, creaky with long pauses, and only passably acted. The insinuations of a series never came to fruition, fortunately, perhaps because of the success of the unrelated radio series, and mostly because of the obvious necessity to replace La Rocque had they decided to go that route. Only a minor actor playing an amusingly tough butler gives this any spark, with the romantic and family angles of the mystery never interesting enough to really get the audience to be in invested in really caring "Who done it".

The story, "The Shadow Strikes" is based on "The Ghost of the Manor" by Walter B. Gibson. The film is not all that bad but not as good as I was hoping or expecting it to be. Still worth watching if you like crime mysteries in general or the old radio show.Lamont Granston aka The Shadow is on a murder case. There is a robbery attempt Granston is on the scene but when a murder is involved Granston assumes the identity of a lawyer in order to crack the case wide open. Granston is found out but that does not stop him from becoming The Shadow and solve the mystery.Not as good as the radio show but still a fun watch.6/10

Not bad...now I know why the 1990s Shadow had no mask ever. The twin 1911 Army .45s were also missing. My problem was that I had initially read the Shadow as the early 1970s comic book. So I was very disappointed/angry that Hollywood would emasculate and unmask my daring, two-fisted gun-wielding hero with a totally forgettable character/plot in the 1990s. Then this year I viewed a copy of the suave,dapper mustache, no-mask, no .45s "Shadow Strikes" and last week the blond-haired/ no mustache/ no guns 1964 comic version. Recalling that my heart had been broken when my subscription check was returned in the 1970s and lawyers blamed...I was mollified and not angry anymore. Perhaps the estate lawyers sold the "Strikes" version to cheap-skate Hollywood moguls who never wanted a gun-wielding masked avenger in the first place. The usual pox be upon them until the third generation. I also recall that Hollywood, being easily confused if not demented/senile, may have decided that the Shadow was a "Cowboy type", ignoring the fact that he had no cowboy "get-up" or costume, holsters, or "six-guns". The Shadow should be armed with a pair of .45 AUTOMATICS as if ready to shoot Hitler and a few henchmen SS agents. Perhaps the Shadow could fight a new menace/fascism brother/sisterhood called Islamofascism. But I suppose Hollywood would have to grow a brain as well as reproductive danglers in a bag to be so bold and assertive. I'll not hold my breath for that to happen! I think "they" also forgot that time-travelling Nazis or a Nazi-era setting would sell a lot of tickets. The general public wants to see Nazis beaten back/captured if not shot to death. Recall that Roosevelt dealt with Nazi spies in WWII...three I think were executed for their crimes.

This is a fast-paced B feature with Rod La Rocque, in the role of "The Shadow", getting involved in a fairly interesting and unpredictable mystery. In several respects, it doesn't really have the expected feel that goes with "The Shadow", but in itself its not bad at all. La Rocque works all right as a mild-mannered, secretive hero, with his manner and even-toned voice conveying calm.The story in this one starts with "The Shadow" breaking up what seems to be just another petty crime, but quickly becoming involved in a wider and more serious mystery. He must assume additional extra identities, playing a risky game with the various suspects and witnesses.La Rocque's restrained style makes it come off naturally enough, and while the rest of the characters are mostly one-dimensional, there is enough going on to keep things interesting. While it has a noticeably different feel from the "Shadow" of stories or radio, in itself it's a fairly entertaining way to pass an hour for anyone who enjoys these old B-movies.