The secret life of Bob Monkhouse is a review of the life of this comedian who was very funny, had longevity, professional but never had the adoration from the public like Eric Morecambe had. Maybe he was always too professional and smooth.As for the secret life, it focused more on his desire for recording television shows or his film collection that was vast. In fact some lost television material only exists because of Monkhouse's collection such as the first television appearance of Lenny Henry.The dark side was rather left out apart for his devout support for the Tory party. Monkhouse had a rather wild sex life thanks to his friendship with Diana Dors who held regular orgies which she apparently also secretly recorded.What we get is a race through his early days in show business which also included writing gags for Bob Hope, his break into acting then game shows. The darks days of being fired from The Golden Shot and that bitter last episode which he presented. Monkhouse returned to game shows and also become a famous after dinner speaker and club comedian. In fact to get confidence in public peaking I actually once purchased his book because it came with added jokes.We had contributions from people who knew him, who used to manage him and collaborated with him. Not sure for the reason why Joe Pasquale was doing there.There was very little new here for me, maybe because I have seen other shows about him and read articles. Monkhouse was rather open and even honest about his life in interviews especially in later years. I read about his love for gadgets years ago, one of the early adopters of satellite dishes when they were big gigantic things you had to set up in your back garden.However Bob was one of these guys you only truly appreciated after he was gone.

The title of this BBC documentary is a bit of a misnomer: we learn little about THE SECRET LIFE OF BOB MONKHOUSE from Andy Humphries' work, even though we have a lot of analysis of his public life.Monkhouse was an obsessive; someone who studied carefully the work of the great American comedians of the post-1945 era, and as a result developed his own unique style of rapid-fire gags that was quite at odds with traditional British music-hall values. He was immensely successful at a young age, forging a scriptwriting partnership with Denis Goodwin, and later branching out on his own as a comic and writer. His movie career was a bit of a damp squib - apart from a leading role in the very first Carry On film, CARRY ON SERGEANT (1958), he did little of note.Monkhouse reached his peak of fame in the late Sixties and early Seventies, as temporary compere of Sunday NIGHT AT THE London PALLADIUM and as host of the long-running quiz THE GOLDEN SHOT. Uniquely capable of covering up even the largest fluffs on a live show, he transformed the latter show into a Sunday-afternoon fixture; when ATV sacked him from the program, due to a bribery scandal, its ratings abruptly declined. Monkhouse was clearly upset by the decision, but he managed to continue his television career as a quiz show host, and later on as a chat show presenter. When he died at 75, he was still one of television's most bankable stars.The documentary paints a clichéd picture of a man with a perpetual smile on screen and a complicated private life. In his younger days he had to cope with a son who had cerebral palsy; in latter life, his first marriage fell apart. What was perhaps most interesting about him was his passion for collecting: matchbox tops, food tins, tapes, LPs and videos. When his second wife died, and the contents of his house were revealed, his relatives found over 10,000 VHS tapes. Some of them contained unique records of TV variety, much of which had been wiped from the BBC and/or ITV archives.Watching some of the crackling clips in black-and-white was like entering a different world in which variety still held sway in British television. Monkhouse was one of the first comics to move beyond those restrictions and become a genuinely televisual personality (even though he was equally capable as a stand-up comic). We shall not see his like again, sadly.