not great, not impressive. only interesting. a love story who has care to explore the roots of feelings, expectations, the delicate pieces of relation and motivation who defines it. Isabelle Huppert is the same and the mixture of passion and cold emotion has a splendid translation in her performance. Vincent Lindon is maker of a seductive character for its balance between worlds.and Vincent Martinez is the ideal choice for a vulnerable, selfish and in search of his sense of life guy. it is a film of details and than fact makes it in a different cinema work and, in same measure, reminds the virtues of European art. it is an exercise to rebuild a new-old form of realism. more than story/atmosphere itself, essential are the silence slices. the looks, the gestures, the untold words. so, a special film. or, maybe, just interesting.

Director Benoît Jacquot (Right Now) has taken a script by Jacques Fieschi, based on a Japanese novel by Yukio Mishima, added superstar Isabelle Huppert (The Piano Teacher) and Vincent Martinez, in his first acting role to give us an interesting and satisfying look at the older woman/younger man romance.While having a younger man was satisfying for Dominique (Huppert), the effort to keep him was physically and emotionally exhausting. It did not help that Quentin (Martinez) earned a living being available to men as well.Huppert is a guarantee for a good show, and she can act, too - a satisfying combination.

Isabelle Ann Huppert is a gorgeous, mature woman. She dominates this film, and even though a strong cast supports her, she still dominates. Her motive for sticking with this jerk remains cloudy, unless he is the world's greatest lover. I was mesmerised by Huppert, however, and I will look for more films with her in them, and there are quite a lot of them.

This film is near the top of my list for best films out of France. It is a superb production. The scenes between Dominique (Isabelle Huppert) and Quentin (Vincent Martinez) are completely convincing with natural conversation and sensitive mood changes. While the disparity of ages between lovers is not a new theme, it has never been handled more expertly than here where the older woman wants to "possess" the young call-boy but he is determined to remain a free spirit. What is so arresting in this story is that we know so little about the characters and their past. But information is gleaned bit by bit from their conversations, and never very much, so we hunger for more as the story unfolds. The dewy-eyed Isabelle Huppert in the final scenes reveals her talent as a fine actress. A wonderful piece of cinema that holds you to the end...and what an ending when the two characters realize that their dream has ended and they now face the harsh realities of life.