The Saint Takes Over
The Saint Takes Over
NR | 07 June 1940 (USA)
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The Saint Takes Over, released in 1940 by RKO Pictures, was the fifth motion picture featuring the adventures of Simon Templar, a.k.a. "The Saint" the Robin Hood-inspired crimefighter created by Leslie Charteris. This film focuses on the character of Inspector Henry Farnack. When Farnack is framed by a gang he is investigating, it is up to The Saint to clear his name.

Reviews
GManfred

This is a better-than-average entry in the Saint series - It holds your interest and, as mysteries should, keeps you guessing until the end and has several suspects to choose from.Many films from the Golden Age are not for all tastes, especially younger viewers. They date themselves by clothing, cars, settings, etc. Who nowadays asks for a highball? Or wears a suit and tie everywhere? And the legal process was so much simpler - must have been a dearth of lawyers back then. Frankly, much of value is missing from those days.In any case, go with it and enjoy. It's good - in an old-fashioned sense.

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Neil Doyle

GEORGE SANDERS is his usual suave self as the smoothly capable man who falls for WENDY BARRIE aboard a cruise ship, but is unable to really connect with her until he finds out the truth about her while he tries to clear Inspector Fernack (JOHNATHAN HALE) of a murder charge in New York City.It's a typical "Saint" story with a predictable wrap-up that has the sinners paying for their crimes. It's a neat B-film entry that benefits from good performances from the cast and some appropriately menacing background music by Roy Webb.Jonathan Hale does a good job of playing the police inspector suspected of several murders and unable to clear himself of the charges until The Saint steps in to help. The story concludes with a downbeat ending that may leave some fans disappointed, but most of the story is done in breezy style with Sanders delivering all of his lines with his usual flair.

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bob the moo

Simon Templar (aka The Saint) decides to go and help when he reads that acquaintance Inspector Henry Fernack has been dropped from the police force for not being able to explain the thousands and thousands of dollars that had been found in his safe. He starts to investigate the suspicion that Fernack was actually set-up by a group of mobsters, eager to get him off their backs in regards a race fixing ring they have going. The more Templar pushes to help his friend though, the more the bodies start to pile up – ironically mostly pointing to Fernack as the murderer.After getting a couple of episodes out under Sanders' control, the Saint series started to make me forget that I had enjoyed the original portrayal by Hayward a lot more than the later films. As a result I enjoyed this Saint film more than I had the last couple I'd watched. It may have also helped that the plot was an original tale (as opposed to an adaptation from Charteris' novels) and that it involved a lot more murders and mystery than other films. This isn't to say that it is brilliant because it is still very much fitting with the b-movie serial feel that the series generally had although it had enough movement to it to keep me watching.Sanders is quite enjoyable and the tone of the series seems to have mellowed to better suit his cool, smooth delivery and style – which is a shame in my opinion but I'll try not to bang on about it. He leads the film nicely although he does tend to suck the urgency and tension out of the story by being so laid back all the time. Support from regulars Hale and Barrie is good along with some nice touches from Guilfoyle and a few others.Overall this is an enjoyable and quite lively entry in the series that will please fans of The Saint and The Falcon. Nothing special and it never aspires to be more than the next episode in a b-movie serial but it is still OK if you meet it at that level.

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Jim Tritten

Excellent entry in the RKO Saint series with well-written original script, good camera work and transitions, good directing to handle some twists in the plot, good editing to keep the flow constant, and good acting. George Sanders is suave and witty. Jonathan Hale simply is Inspector Fernack. Paul Guilfoyle plays a mobster who goes straight (and drinks milk) because he cannot take the pressure. He will return in a later entry in the series. Story begins on an ocean liner headed to the U.S. where the Saint meets but cannot connect with Wendie Barrie. She eventually succumbs to the Saint's charms but she breaks his heart in the end. The Saint assists Inspector Fernack clear his name from a frame. A few bodies fall along the way. Good entertainment and above average for this type of film. Watch it.

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