This film was pure trash. Not the worse film ever. If it were to be broken down, the acting was good enough to get the job done but the script was SO out there and so stupid that one was left thinking, "Where did my life go?" Even Vanessa Redgrave~ whom I love (and is the reason I watched this) was wasted. Utterly wasted. She didn't even leave an impression. The directing was so distant that non of the characters left me much of anything, but to see Redgrave leave nothing. Her part was nothing. She was good as a mean boss but that was it. Do depth and she's given depth to small roles~ see Venus and Atonement. I would not waste my time and was upset to have spent the $5 on this movie...I wanted it back. No returns. Skip the film. It'll only bring you grief...and boredom.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Unorthodox journalist Mike Sullivan (Vinnie Jones) flits away his time winding up the local constabulary and trying to romance a member of police personnel. But everything changes when the landlady of the Thames side pub he frequents is found murdered and a transcript of an unpublished novel cum confession by legendary writer Charles Dickens is found. As he digs deeper into both mysteries, he is plunged further into mystery and danger than he bargained for.In 1998, former footballer Vinnie Jones shot out of nowhere and took everyone by surprise with his gangster cult classic Lock, Stock and Two Smoking Barrels. Okay, no one was blown away by his acting ability, but his presence as a hard man looked set to ensure a decent career as a movie tough guy. But it all proved to be a one hit wonder, and all he really achieved after this was supporting role status amongst far more acclaimed actors in films like Gone in Sixty Seconds and Swordfish, before descending into the realm of straight to DVD hell, the latest being this muddled and labourous thriller, which might have been okay had he not taken other acclaimed and promising new talent stars like Derek Jacobi, Julie Cox, Vanessa Redgrave, Jason Flemyng and Mel Smith along with him. What caused him to fall from the dizzying heights of success so quickly (apart from maybe being a one trick pony) is anyone's guess (a dodgy personal life being a possible guess) but here he is.A script as far fetched and incomprehensible as this would have been a task in anyone's hand, but with a miscast looking Jones in the lead, it's even more of a task to fathom. Jacobi's juxtaposing roles as a former thesp tramp and Dickens himself talking directly to the camera through-out are obviously hints building up to something and the script is predictable in other areas too. Add to this cheap looking production values through out and debut director (also writer) Brendan Foley has made a bad first impression.What exactly did I expect with something that came free with The Daily Mail? *

You know Vinnie Jones from playing tough and silent characters that suddenly speak wisdom. While I applaud the attempt to act outside that label, I don't think he did very well in this film. Him and lovely Julie Cox had no chemistry at all. Or maybe I'm just jealous :) Anyway, the script is interesting enough, with a journalist trying to uncover a mystery regarding the death of one of his friends, while in parallel we get a short story/confession written by Dickens himself. Vinnie works so hard not to show up as tough that he gets beaten a few times, forgets dates, gets dumped, is hopelessly goofy and even makes a deal with the obnoxious character.I will give the start of the movie a decent 7, the rest of the film falling slowly, but surely towards a 6, while the ending was completely bonkers: 5. Result: under 6.5 = 6. And I feel bad about it, because this is not a stupid movie. It just tried to be more than the team could do. Sorry.

This is a small London thriller with a good cast including Vinnie Jones and Julie Cox about a journalist turning detective and a missing Charles Dickens novel.While I agree with the comments that say some of the plot is confusing, I actually really liked seeing Vinnie Jones in something different. Julie Cox is very good opposite him in quite an understated role, usually getting to the clues one step ahead of Jones.I wasn't wild on the Victorian scenes, which were a bit stagey, but they might appeal to a Masterpiece Theater crowd more than me.But Vinnie plays just enough of his usual self to keep it real while moving away from his usual hardman role though I loved him in Lock Stock. I liked that he did not change back to his hardman role at the end, but tries to talk his way out of a tough spot. I would like to see Vinnie Jones given a chance in a really good romantic comedy.