"The Reward" (1965)is one of the most interesting and well photographed and directed westerns that I've seen. Director Serge Bourguignon ("Sundays and Cybele") proves he's a distinguished director with this tale of two men who try to bring a posse out after a fugitive for the $50,000 reward and end up having to agree to split the reward with the three other men, a sergeant and an Indian and another Mexican. Bourguignon shows his strength just in his casting decisions that he is a top-flight director. In the cast, as his protagonist, a pilot, (Max Von Sydow)paired with Gilbert Roland as an captain, with Emilio Fernandez as the sergeant, Henry Silva as the Indian and Nino Castelnuovo as the other Mexican. Yvette Mimieux plays the girl accompanying Emphrem Zimbalist, Jr. as the fugitive. The cinematography is very well realized by Joe MacDonald in Color By Deluxe. Bourguignon's directorial flourishes abound, the matching of image to sound and the cutting from scene to scene are skillfully wrought. Film Editor was Robert Simpson. Of course, the English subtitles for the Spanish should have been retained. The script was by Bourguignon and Oscar Millard based on a novel by Michael Barrett. Produced by Aaron Rosenberg. There was always a question after "Sundays and Cybele" that it could have been a fluke the film was as good as it was winning Best Foreign Film, (After all it had Patricia Gozzi as the star) but "The Reward" certainly cements his reputation and makes me interested to see his other films. Yes, I think the film should be revived. It is probably more important today than initially upon release. It was a 20th Century-Fox film.

Max van Sydow and Yvette Mimieux in a western? With Efrem Zimbalist? What were they thinking? Even the presence of Emilio Fernandez (the great Mapache from "The Wild Bunch"), Gilbert Roland, and Henry Silva can't rescue this strange re-make of "The Treasure of the Sierra Madre".The story itself is not so bad and with different actors and a different director it might have been better. Director Serge Bourguignon is a Frenchman best known for "Sundays and Cybele" and "Two Weeks in September", not exactly the kinds of films that you think of when looking at someone to work in the Western genre.When you think of the good westerns made in the mid 60s ("Ride the High Country", "Man Who Shot Liberty Valance", "A Fistful of Dollars". "Cheyenne Autumn", "Cat Ballou", "Shenandoah", "Sons of Katie Elder", "The Wild Bunch") this film pales in comparison.

The only way to see this is a rather cropped version of Fox's movie channel, but that version does have all the Spanish language sub titled. Though that fact that "our heroes" don't know what is being said around them is also part of the plot. I assume the film had subtitles when it was released but it's possible it intentionally didn't--a bold move that might not have worked--again I don't know, the subtitles I saw on the film looked to be added for TV.It's often fascinating to watch and beautifully shot with some striking aerial shots and complex staging. Sydow is very good though his character sometimes slips out of being the central focus of the film. the ending is rather abrupt and more like films from the 1970's than the 1960's which may have been part of what kept audiences away.But there is real tension and a good set up for the story that develops as the group on their way for THE REWARD slowly divide into rival sectors. The sparse use of music is effective much of the music being source (a guitar and flute) played on screen. It seems to be building to a big pay off which doesn't happen and it loses steam towards the end and then ends too quickly. It is a modern day western perhaps that puts people off as well. Too bad there isn't a perfect version of it to see as it looks to be shot in a very wide Cinemascope aspect ratio, but it could prove to be an undiscovered pleasure for film fans who want to find new films to like--long after box office success of failure matter. Give it a try.

A good cast, interesting premise and catchy direction all come to not-very-much here. Max Von Sydow and Gilbert Roland do very well in off-beat parts as a weary pilot desperate for money and a sickly Mexican Cop unwillingly heading up a rag-tag posse chasing across the desert after Ephram Zimbalest as a wanted killer. Emilio Fernandez and Henry Silva add solid support, and Yvette Mimieux is nice to look at, but as the movie goes on -- and on -- there's not much for anyone to do. Serge Bourguignon's direction has its moments, but he apparently didn't care much about keeping up the pace. The result is a film that's sometime interesting to look at but not to watch. It also has the disjointed look of a film that was chopped up rather badly before release. The print aired recently on the Fox Movie Channel also lacks subtitles, which may make the long stretches of conversation in Mexican rather tedious for viewers who don't speak Spanish.