"Our Man Flint" director Daniel Mann's western "The Revengers" resembles Henry King's horse opera "The Bravados" (1958) about a vengeful rancher who tracks down the evil gunmen who murdered his wife and then gradually becomes as callous as the men that he killed. In "The Revengers," a peaceful rancher rides off, leaving his family behind briefly, to track down a wounded mountain lion that his son had shot earlier. Our hero found the mountain lion dead. During his absence, however, a gang of barbaric Comancheros attack his house, massacre his entire family. One of his long-time ranch hands dies, too. The protagonist of this adventurous western, John Benedict (William Holden), heads down to Mexico, assembles a half-dozen dastards that he bails from a dirty Hispanic prison a la "Dirty Dozen," and sets out after the white man with different colored eyes who wiped out his wife, two daughters, and oldest son bound to attend the West Point Military Academy. The better-than-average cast includes Ernest Borgnine as scene-stealing scumbag named Mr. Hoop and Woody Strode as a cantankerous ex-slave who takes his own sweet time making up his mind about his decisions. Benedict and his gunmen search Mexico for years until our protagonist becomes so callous that one of his old friends not only doesn't recognize him but also shuns him for what he has become. "The Revengers" evokes memories of "The Wild Bunch," and some of its scenes are played out in "Wild Bunch" locations. "Death Wish" scenarist Wendell Mayes wrote the screenplay based on Steven W. Carabatsos' story. Carabatsos is best known for the Lee Van Cleef & Jim Brown western "El Condor." Susan Hayward shows up about three-quarters of the way through as a nurse who takes care of Benedict after he is shot and left for dead in a cantina by one of his own men. This film marked Hayward's last big screen role. The chief with "The Revengers" is the slipshod ending. You expect that the reformed Benedict plans to pick up her, but all we see at fade-out is a long shot of his sprawling ranch as he drives horses to it. The Pino Calvi orchestral score is excellent. Essentially, "The Revengers" has a Spaghetti western sensibility to it and Calvi's score alludes to throughout its 148 minutes. Producer Martin Rackin has done an excellent job making this western look prestigious. Prior to making "The Revengers," Holden played a wanderlust cowpoke in Blake Edwards "The Wild Rovers" with Ryan O'Neal. "The Revengers" marked Holden's last appearance in a horse opera.

The Revengers is directed by Daniel Mann and written by Wendell Mayes and Steven W. Carabatsos. It stars William Holden, Ernest Borgnine, Woody Strode, Roger Hanin, Reinhard Kolldehoff, Jorge Luke, Jorge Martínez de Hoyos, Susan Hayward and Arthur Hunnicutt. A De Luxe Color/Panavision production, music is by Pino Calvi and cinematography by Gabriel Torres.Colorado rancher John Benedict (Holden) hires six chain-gang convicts to find the white comancheros who led an Indian raid that massacred his family and friends.It is pretty much a Western Dirty Half Dozen, with Holden getting to play the Lee Marvin role and Borgnine, stripped of the weight he was carrying when The Dirty Dozen was made in 1967, getting the chance to be one of the crims on a mission instead of the cameo role of General Worden in Robert Aldrich's macho magnificence. Nicely filmed out of various Mexican locations, film is essentially dealing with a man so hell bent on revenge he comes to resemble the criminals he now rides with. But even crims have codes and ethics as well! Director Daniel Mann never really gets to grips with the character dynamics, leaving hanging the themes of surrogate fatherhood and slave stoicism, while an interim part of the play that sees Hayward nurse Holden back to health actually bogs down the picture, coming off as an excuse to pitch the two great actors together again.Oh the performances of the cast are enjoyable, especially Borgnine who is having fun as a sly old grizzler, and Holden is as stoic and sternly professional as always, but nothing ever advances beyond being a bunch of blokes traversing the landscapes in readiness for a siege. Is the anticipated siege worth the wait? Actually yes it is, and it goes some way to explaining why the film hasn't fallen into the trough of stinky waters never to be used to quench the Western lovers thirst. But then! Something happens to make you think the Production Code was back in boorish operation. Pah! I imagine Peckinpah and Aldrich shed a frustrated tear at this point... 6/10

Just saw this movie on Saturday afternoon network TV. That's where this movie deserves to be. Rated it a 4 because the scenery is magnificent. Speaking of which...didn't the movie seem like a cheap knockoff of the Magnificent Seven? The movie borrowing a lot of ideas from other westerns (family gets wiped out and Good Guy's out for revenge), has-been Susan Hayward trying to look sexy and play it up in the going away scene, generally bad actors acting with generally bad dialog, actors that look like someone (thought Tarp was Nick Nolte and the lieutenant was David Soul) but really aren't anybody, a truly dead ending (just riding away after NOT shooting the bad guy and saying "Maybe I've got squigglies in my heart") leads me to say... why'd I give it a 4 again?

At first glance this would seem to be just another violent western of the same class as "The Wild Bunch". Look more deeply into the characters and you will find several interesting changes over the course of the movie. Each character shows a human and sometimes frail side that belies the hard person that they have become.