I learned about the existence of this movie after watching Ghost In The Shell. Being a fan of the franchise, I thought other work from Mamoru Oshii would be at least as good. So, I stumbled upon Red Spectacles. Inspired by "1984" it said, so my interest was picking up. And then I watched it and was left disappointed, to say the least.I'm not going to say why I like Ghost.. because this review will turn into review of the anime. Japanese anime and movies have tendencies to confuse the one watching more often than not, and while this is not always a good thing, there is always something that grips you to try to understand it. This movie is just confusing, and there never is a sign that something is going to happen that will explain things. It's just more confusing junk piling over at every corner, intertwined by pretentious quoting of Shakespeare and toilet humor.Yes, toilet humor. There are scenes actually when the protagonist is struck by diarrhea. While the first time this happens it is amusing and you can attribute it to the quirkiness of Japanese culture, but by the third time you come to question the the director's fascination with it.Second thing i don't get is why is considered dystopian, Orwellian, and other words connected with that meaning. At the beginning, it really sets the story in that direction. But by the end, (here come spoilers), you realize it may all be happening in the protagonists head. So why exactly am i watching this? It reminds me of another also pretentious western movie with Tim Robbins now that i think about it...The only thing that made me give this movie 4/10 is the visual style, witch were this a different movie with actual plot would be great, and the score by Kenji Kawai. Besides that, nothing makes this movie worth your time.

I recently purchased Mamoru Oshii's Cinema Trilogy Box Set. This was the first film, and I must say that I was more than pleasantly surprised. I was expecting action and sci-fi... and while I got a little of that, I also received a huge helping of intelligent, thought-provoking mystery and a large dose of entertaining slapstick comedy. In truth, this film is a throwback to silent film (Just as Quentin Tarantino's films are often throwbacks to pulp fiction, blaxploitation, chop-socky, spaghetti western etc. films)... It truly is a silent film with dialogue. The actions and expressions of the actors are excessive and exaggerated, techniques commonly thought of as "primitive" in the cinephile community are used, and there's, of course, the sepia tone that covers most of the film.Shigeru Chiba is definitely the shining star of the film, portraying qualities that Hollywood action, drama, and comedy stars would kill to have. Chiba is also featured in the other two films in the box set, and definitely carries all three films with his small yet enormous presence.This film, along with "Stray Dog" and "Talking Head," does not spell out each and every little thing for the viewer... Mr. Oshii trusts the audience to be able to come to its own conclusions. I definitely respect that and would recommend this film to anyone who would listen.

I too am a big fan of Oshii's anime work, but I have to admit I went into this movie expecting an action packed movie such that it starts out as, and it ends up being something akin to Lynch's Mullhuland Dr. I was perfectly willing to accept that, and I enjoy all kinds of movies, and would particulary enjoy a very high brained live action anime type flick, and the visuals where spectacular in many scenes. However, I wish someone who saw this film would explain in depth more about what exactly was going on, as they saw it. I have to admit that I didn't get half of what happened in the last half of the film, and I would consider myself pretty versed in metaphoric interpretation of film.According to others what was being shown is a reflection of the confusion of the character trying to find out what happened to his friends who he left and let die? Perhaps only in that the viewer is confused by what they're seeing?I don't know, but if you consider when this movie was made, in 87, it was extremely advanced in quality of the film.

As a fan of Mamoru Oshii's action-packed, yet intellectually provocative anime films, like "Ghost in the Shell", "Patlabor", and "Jin-Roh", I was expecting something interesting from his live-action films. I started by watching "Avalon," which lived up to my expectations. I then decided to watch "Red Spectacles" next because it takes place within the same alternate world of "Jin-Roh".While "Red Spectacles" starts off with a full-color live-action shootout that could've been straight out of "Jin-Roh", that's about as far as the similarities between "Red Spectacles" and its animated kin go. What follows the opening credits is a sepia-toned black & white genre-bending tour de force reminiscent of Jean-Luc Godard's "Alphaville".Veteran anime voice actor Shigeru Chiba plays Koichi, a former member of the elite Kerberos police unit who has returned home after spending several years in hiding only to discover that the world he left behind has totally changed in his absence. "Red Spectacles" is constantly shifting genres, from action to slapstick to thriller to tragedy, and though these mood swings can be jarring at times, the film always maintains a surrealist tone. Oshii uses the language of film to cinematically convey Koichi's confusion and paranoia as he fights to uncover a government conspiracy that still wants him dead.I won't give away the ending, but I will say that the last 5 minutes were visually breathtaking. The cinematography is especially remarkable at the end and Oshii introduces a metaphor in the final frames of "Red Spectacles" that he explores in detail a decade later in his screenplay for "Jin-Roh".However, I must warn people who are expecting an action flick; "Red Spectacles" will probably bore and/or confuse you. I personally appreciate avant-garde film, so I loved "Red Spectacles", but my bloodthirsty anime "otaku" friends spent the whole film scratching their heads and begging me to fast-forward.The next film at the top of my "To-See" list is Oshii's 1991 live-action sequel-of-sorts to "Red Spectacles" called "Stray Dogs: Kerberos Panzer Cops" (aka "Jigoku no banken: kerubersu").