Queen is a documentary detailing the events that happened behind the scenes of the 1967 Miss Gay America pageant in New York. Personally, I have only watched this film because it was a recommended when I had watched another famous LGBT documentary (Paris is Burning). Their actually pretty similar in content. Though I found Queen less connected with its subject. Nevertheless, Queen is a great example of the Cinema Verite tradition of the time. No sensationalism here. We see the contestant to their barest bare to their lushest maquillage as they talk of different things such as sex reassignment surgery, discrimination or the damn nasty bitterness of defeat. Only their personally lifting the mood of each scene. Making it an even more interesting time piece of a pre-AIDS/Stonewall LGBT scene wherein being out means scorn and discrimination. Interestingly, it also proves that the clothes had changed but the attitude and flair remains pretty much the same. [3.5/5]

I give t a 10 for what it captured. It is raw, rough and imperfect, but delivers a unique view into what was the pre-Stonewall era. Other reviewers here don't get it. See: Boys in the Band. This is as real as it gets, and makes several touching points about serving in the military/the draft, what it means to be homosexual, and early thoughts about gender identity in an era when gender reassignment became a possibility. This is not a drag show. It's a film about people who do drag/female impersonation. And it's a poignant film and should be a required watch for anyone in the scene or homosexual or in drag today - a part of history that few know anything about. Keep in mind: although this was the 'lberated' 60s, the NYPD could have very well showed up and arrested all these people. A great piece of history, without someone's re-interpretation.

I got a rare chance to catch this film projected on 35mm film back in 1994 at the Castro Theatre in San Francisco. It was totally cool to see a reality slice of the NY underground drag world at that time, esp. before the Stonewall liberation riots. I highly recommend this film to anyone that is interested in underground cinema from the 60s thru the 80s. Its different than 'Paris is Burning' in that this film almost seems as though they decided to just put the footage together after it was shot and make a film. The footage is rough and shaky and most of the film is hand held. I think that this quality gives the film much more credibility as a true account of the times rather than one that was geared just to entertain the curious public. ANDY WARHOL makes a cameo appearance in one of the shots in the film as the camera pans onto the audience sitting down, THERE HE IS, sitting in a chair in the audience. Its very quick, so keep an eye out for his platinum wig!!! HIGHLY RECOMMENDED.

You can't get much stranger than this 1967 documentary that takes a look at a New York drag show where contestants compete both on and off stage for the crown. Running just over an hour and filmed with hand-held cameras, THE QUEEN is tacky, vulgar, distasteful, embarrassing, and often quite funny as it peeks behind the scenes of the event. But the film is more than accidental camp humor--it really is a historical artifact.Very few gays or lesbians were "out" before the 1969 Stonewall riots, and the contestants shown here are among the few... and not only were they out, they were out as drag queens, doing the unthinkable by stomping across the stage in evening gowns, heels, and eyeliner. This is not the sort of drag that has entered popular mainstream entertainment via such performers as RuPaul: this is in-your-face, I-am-what-am, I-don't-care DRAG as performed by skinny teenagers with bad skin, fat guys with bald spots, and tough men with hairy chests and tattoos. This is big hair, big make up, and big attitude, and it is all the more unnerving because it isn't just a character that the contestants put on and off. This is the reality that sparked a thousand stereotypes.Much of the film's entertainment value is accidental. There is nothing funnier, or more painfully embarrassing, than a chunky drag queen in out-of-style clothes. THE QUEEN is really too superficial to be called significant, too tacky-funny to be taken very seriously--and yet, it does make you wonder about the lives of those before the Stonewall Riots, the Gay Liberation Movement, the Anita Bryant hysteria, the advent of AIDS. And therein lies its power: it is a time machine, badly filmed, yes, superficial, yes, but a time machine just the same, capable of giving us a glimpse of what it was like to be gay, a drag queen, and in New York in the mid-1960s. It won't be to every one's taste, but it is worth a look if you can find a copy.Gary F. Taylor, aka GFT, Amazon Reviewer