Kathleen Hanna, the talented lead of a 90's punk band makes waves appealing to a niche audience of punk rock fans that admire or agree with a feminist stance. No, stop...it wasn't the music (aside from her)turning people off - it was because the group is admittedly horrible and unapologetic about it. I'm not invested in this film, nor have I ever heard of them. I just find it odd that Kathleen scrawls "Incest" on her chest before live shows and then bemoans the consequence when people think she suffered from it. (go figure).This was during the 90's? What serious systemic anti-feminist movements were occurring? She goes on to state her boyfriend made jokes around inequality. So she dates him on the sly for years.I would never sexualize this woman. I don't need to, to make her and the band to become irrelevant.

'THE PUNK SINGER': Four Stars (Out of Five)Documentary film about Kathleen Hanna; an iconic punk singer, poet and feminism activist. The film combines archive footage (of Hanna, her band members, people close to her and the many musicians and fans that she's inspired) with interviews (of mostly the same people) filmed in 2010 and 2011. It was directed by first time feature film director Sini Anderson and features many popular musicians (in recent interview footage) like Joan Jett and Adam Horovitz (of 'Beastie Boys' fame, who Hanna married). Not knowing much about Hanna (and being a big fan of punk music) I found the movie to be very informative and interesting.The movie follows Hanna's career from her beginnings as a spoken word poet, through her fronting two bands ('Bikini Kill' and 'Le Tigre') to her solo musical career (as Julie Ruin). It examines the impact she had on the punk music scene, as well as her many feminism causes, and how she helped start the 'riot grrrl' movement. We see awesome video of her bands performing live as well as fascinating behind the scenes footage and involving interviews. Through the movie fans can learn about her troubled childhood (for the first time) as well as why she suddenly quit music (and the medical diagnosis behind it).I love punk music and seeing Hanna perform (in this movie) I know I could be a big fan of hers and her bands. I also think she seems like a really beautiful, strong and admirable woman and when people like her develop a big following (and really inspire many others) that's always a good thing. So I really enjoyed learning about Hanna, and her music, in this movie. Had I already been a fan of hers, and known a lot of the information given in this film, I can't say I probably would have enjoyed it as much. The subject matter is fascinating but Anderson has a few more things to learn about directing and putting together a movie. Still, for a debut film, she didn't do a bad job. I was definitely entertained.Watch our movie review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=JYWAOd_o4Sk

While I listened to Bikini Kill and Le Tigre I never sought out that much info on Kathleen Hanna, especially since that was much harder to find in Bikini Kill's active years. Watching this documentary made me fantasize about going back in time and begging Bikini Kill to let me carry their equipment before quietly slipping away so they could have all female Riot Grrrl meetings.Nothing is left out that needed saying. The trauma of her past is acknowledged without morbidity, and her success is tempered by the realities of Bikini Kill's grueling tour life. The movie does a great job of giving equal time to her days with Le Tigre and Julie Ruin, as well as her relationship with Adrock.I have to admit I found myself a little ashamed of how stricken I was by just how beautiful Hanna is and was. I know this movie isn't about her looks but I hadn't seen most of the live show footage before and honestly I was taken aback. The movie doesn't shy away from acknowledging how Kathleen used her sexuality on stage and the criticisms against her by those who thought a feminist had a responsibility to be non-sexual.This movie is a must for anyone who loves punk, American feminism, riot grrrls, or ever had their lip split open in a pit.

"I'm your worst nightmare come to life! I'm a girl who you can't shut up!" On an old home video in a tiny living room, a woman screams about pain, feminism, and the aggression of men in Olympia, Washington, in 1991. It's the voice of Kathleen Hanna, who will front groundbreaking punk band Bikini Kill and feminist party band Le Tigre, help launch the Riot Grrrl movement, inspire a mainstream grunge rock scene dominated by men, and courageously and emphatically serve as the mouthpiece for every girl who thought she could only whisper things in her bedroom.Over 20 years later, Hanna is finally given her day in rock history in director Sini Anderson's award-winning documentary THE PUNK SINGER. The origin stories this born leader, third wave feminist icon, and ultimate low-fi artist are brought to life through archival footage, intimate interviews, and commentaries by Kim Gordon, Carrie Brownstein, Ann Powers, Adam Horovitz, and former bandmates. Hanna's in-your-face activism—through lyrics, zines, and manifestos—moved women to the front, literally and figuratively. Two decades later, Hanna is still ripping down barriers of music and gender and art, still proudly saying "Stay out of my way!"