This movie uses the assassination of President Garfield as a plot device. The makers never intended to tell a historical story. It's an allegory to explore the JFK assassination and the Viet Nam war. Garfield's assassin was an erstwhile ally turned insane. He died because of incredible medical incompetence, 12 weeks later, and it happened in D.C. So, it's a plot device, not an historical movie.And it works as a Spaghetti Western. It's among the best of the genre. I'm the kind of anorak that sits there and thinks about every detail, every shot, and I put this in the top 10 most important of the genre. The Italian version is much better than the English one, imho. I've never seen an Italian version of it with English subtitles, so good luck with that one. Bottom line, if you like to sit there and be a know-it-all and pick historical holes in what isn't a historical movie, or like something mindless, you probably won't like it. If you understand the complex cultural statements coming out of 1960's Italy about politics and violence, you will love it.The Italians loved it. It's total revenue puts it at the 28th biggest grossing Spaghetti Western in history, 1.273 billion lire (no clue what year's lire that might be). That's about 1/3 of each of the Man With No Name trilogies receipts, which is pretty darn good for one that is virtually unknown here.The reviewer that said it was a brain dead version of Stone's JFK has missed the point so many ways...well, the person must be a contortionist to get one's head so far up their own backside. I'm imaging some gen Y twerp that yells "Nu-uh!" to everything. And the length...those type usually love the sound of their own voice.

Cool Spaghetti full of fury , action, portentous shootem'up and interesting screenplay by the usual Ernesto Gastaldi. This clever and successful Spaghetti Western that owes a considerable debt to Leone (it's realized by his disciple Tonino Valeri) deals with an ex-Union soldier named William Willer(Giuliano Gemma) who finds his father (Antonio Casas) has been killed. Then arrives in Dallas an occasional visit by President John Garfield (Van Johnson and wife Maria Cuadra) . The ex-soldier discovers a scheme to assassinate President in 1881 Dallas, Texas, plotted by a powerful group (all-star Spanish cast formed by Fernando Rey , Julio Peña, Angel Del Pozo, and Jose Suarez as the Vice-President). The film, a "political" Spaghetti, is a very overt mirroring of the JFK Assassination in 1963. Meanwhile, Willer befriends two journalists (Manuel Zarzo, Francisco Sanz)and acts as protector of a humiliated African-American (Ray Saunders). The gunfighter teams up with McDonald (Warren Vanders) against the powerful band and then Willer carries out a personal vendetta versus the father's killers .The film displays psychological characters-in deep, shootouts, action Western, political suspense and being enough entertaining. The movie contains typical particularities Spaghetti, as is full of fury, sadism, bloodbaths, and portentous close-ups of encrusted faces. The film blends violence, blood, tension, high body-count along with politic deeds and it's fast moving and quite entertaining .Gulianno Gemma is good as unfortunate Union soldier, he is very fine, he ravages the screen, he steals the show as gunslinger seeking revenge , in addition investigating the events about the assassination and ultimately takes the law on his own hands. Benito Stefanelli (customary master of arms) as a cruelly baddie role as nasty sheriff is terrific , subsequently the would play similar roles in other oaters . As secondaries appear usual Spanish actors Jose Calvo(Silvanito in ' A fistful of dollars'), Angel Alvarez (Django), Antonio Casas (Once upon a time in the West) , Fernando Rey (Return of Magnificent Seven) Jose Canalejas , Frank Braña , Lorenzo Robledo and Italian players as Ricardo Pizzuti ( ordinary in Terence Hill and Spencer movies ), among others .There are many fine technicians and nice assistant direction and excellent production design by Carlo Leva with a magnificent scenario plenty of barren outdoors, dirty landscapes under a glimmer sun and a fine set filmed in Calahorra (Granada) and Tabernas (Almeria), furthermore interiors shot in Elios studios(Rome) , as usual and correctly photographed by Stelvio Massi .The picture is full of nice sound by Luis Bacalov , he composes a vibrant soundtrack in Morricone style and well conducted , he subsequently won Oscar for ¨The postman and Pablo Neruda¨ .The motion picture is well directed by Tonino Valeri who was Sergio Leone's assistant. Valeri managed to make a fluid, witty and agreeable SW. Tonino Valeri's so-so direction is well crafted, here he's less cynical and humorous and more inclined toward violence and lots of killings . He proved his experience in Western such as ¨The hired gun ¨ , ¨My name is nobody ¨ with Henry Fonda and Terence Hill , ¨The day of anger ¨with Lee van Cleef and ¨ Taste of Killing¨ with Craig Hill and George Martin .

Tonino Valerii's "Il Prezzo Del Potere" aka. "The Price Of Power" is an excellent and enthralling Spaghetti Western that mirrors the Kennedy assassination. A great leading performance by Giuliano Gemma and an excellent score by Luis Bacalof are just two of the many reasons to watch this movie.In 1881 Texas is divided into those who appreciate the abolition of slavery and just want to live in peace, and those who, after 16 years, still want to reinstall the confederacy. In spite of warnings, President James Garfield, who wants to establish a new policy of equality, decides to visit Dallas, where corrupt law enforcement officials are planning his assassination. Bill Willer (Giuliano Gemma) and two of his friends, a black man named Jack Donovan (Ray Shaunders), and a crippled guy named Nick (Manuel Zarzo) are determined to prevent the President's murder. Since James Garfield was not assassinated by racists, who wanted to reinstall the confederacy in Texas, but in Washington DC by mentally unstable Charles Guiteau, the storyline of "Price Of Power" is, of course, historical nonsense. Since the movie, however, doesn't claim historical accuracy, but tries to allude to the 1963 Kennedy assassination in Dallas, the fact that the story is fictitious is legitimate. Giuliano Gemma delivers an excellent performance as the main character Bill Willer, Benito Stefanelli is great as the villainous and corrupt Sheriff Jefferson. Some other good performances are those of Ray Shaunders as Bill's black friend Jack, Warren Vanders as Arthur McDonald, the president's adviser, and Fernando Rey as Pinkerton, a villainous rich businessman. The Score by Luis Enríquez Bacalov is great, the cinematography and locations are great and (such as in Valerii's earlier "Day Of Anger") remind a lot of Sergio Leone, for whom Valerii used to work as an assistant director for "A Fistful Of Dollars" And "For A Few Dollars More". All said, "Il Prezzo Del Potere" is, after "Day Of Anger", another excellent Spaghetti Western that shows both the great talent of Giuliano Gemma as an actor and Tonino Valerii as a director. "The Price Of Power" is a must-see for Spaghetti Western fans, and I also highly recommend it to everybody else. 8/10

After the civil war, Willer (Giuliano Gemma) who was 4 years in prison for treason, lives in Texas when president Garfield (Van Johnson) comes to visit the unruly state. Although the president was his judge in the trial years ago, Willer rescues his life from assassins. But there is quite a big conspiracy going on involving sheriff Jefferson (Benito Stefanelli) and the owner of the bank of Texas (Fernando Rey) who blackmails the vice president, so plans for a new attempt to murder the president are made immediately.Good quality western by Tonino Valerii who shot "Day of Anger" (also with Gemma) the year before and went on to make "My Name Is Nobody" with Henry Fonda and Terence Hill. "The Price of Power" may not be historically accurate (and by the way, the sweet little nothing the saloon dancer is almost wearing comes straight from a 1969 nightclub), and it plays too obviously with the similarities to the JFK assassination case, yet unlike many Italian westerns it rarely drifts away into a bizarre anti-hero fantasy world, the exception being the duel rituals between Willer and Jefferson.