I don't often review films. Frankly, with the advent of "quantity over quality" which has taken place with free streaming on major providers, I find that movies of the horror and/or psychological thriller seem to be just recycling the same themes and storylines over and and over again, with cheaper and cheaper production budgets. I just find that it's much harder to suspend my disbelief these days - and maybe that's because I've seen so many horror films/thrillers at this point. Let me tell you, don't be thrown off by the fact that this is a foreign film and contains subtitles. IT IS TERRIFYING. The characters are easy to identify with, as is the storyline. For those who enjoy the outdoors, they can relate. And for those who do not, well, this movie will only drive them further away from the woods! I just have to say that this film was jarring. The twists, the turns, none of them were typical of the genre, and the writers were/are brilliant. The acting was top notch, and the filming was wonderful. The scenes were cut perfectly for the style and fit the scenery and context well. I literally couldn't stop watching, the film kept me on the edge of my seat. OH, and I tried to eat dinner during it. Don't do that!

The Netherlands always had a thing for horror, a few classics came out of that country, the best known one must be De Lift (1983). From that moment the name Nederhorror came to life. De Poel is classified under Nederhorror due Jan Doense being involved. He's known as Mr Horror in the Dutch era so this flick did had an easy promotion and distribution. But to be concrete , was it all worth watching. Well if you think you will see a gory flick or a slasher then skip this flick. If you do like ghost stories and people going berserk by dreams they have then this is your stuff.I must say that I do had mixed emotions about it. The positive thing is that the acting was above mediocre but the story did lack suspense. Don't get me wrong, there are things going on but after a while it's a bit predictable. After eating the fish things go rather wrong at the camping era and from there you can say, well, this and that is going to happen. The last 7 minutes do offer a bit of slasher horror with one nice killing, but i won't spoil it over here. Even clocking in at 76 minutes it's a rather short flick but it was enough due the predictable parts. Even the ending wasn't a surprise. But the way it was shot and the effects used did upgrade this flick a lot and for some the score used will do the scary part I guess. Nederhorror? Just on the edge.Gore 0,5/5 Nudity 0/5 Effects 3/5 Story 2,5/5 Comedy 0/5

Well, there's a surprise; another Dutch movie that only receives a mediocre rating on IMDb (5.8 on the day this review was posted). It is quite a fact that everything which is Dutch and not directed by Paul Verhoeven has a tough time in the cinemas. 'De Poel' (The Pool) received quite some positive reviews and was hailed as proof that Dutch horror movies can work; however, advertising for the movie was predictably lacking, so this movie probably only saw the inside of a few cinemas for no more than 2 weeks, with only a handful of moviegoers and some copy pirates as its sparse public. But you would at least hope that a good movie, even a commercially failed one, ultimately gets its due credit here, like The Shawshank Redemption. Alas, no such luck.Did most people who rated this movie take the time to actually watch it? I kind of doubt it. There has to be an audience for this movie, a rare type of Dutch film that takes its matters seriously, and doesn't feel like a low-budget, low-scale imitation of a better American original. It is not that Dutch cinema has a rich tradition of horror movies. 'De Lift' (The Elevator', remade as 'Down') is a rare example from the 80s. Not much worth mentioning was made in the 90s, and in the zeroes, a few attempts were made to revive the genre with 'Doodeind' and 'Slachtnacht'. However, these two, although enjoyable, were obviously made from the archetypical American example, the slasher horror (or 'Dead Teenager Horror' as the great Roger Ebert liked to call it). The Pool, however, seems to take its inspiration from (IMO) one of the best British horror movies of the last decade: The Descent.The Pool has the same basic premise: a couple of friends venture into a forbidden area, but a succession of adversities slowly turn them against each other. And while the psychological tension rises, a hidden evil that dwells in the surroundings starts to pick its victims, one after another. In this case, experienced camper Lennaert (one of Netherlands' finest character actors, Gijs Scholten van Aschat, who also co-wrote the screenplay) goes on a camping trip with his wife, sons, his good friend and the friend's daughter. He convinces the rest to stray from the beaten path and enter a forbidden area to camp in, next to a giant pond. It doesn't take long before a succession of events, ranging from strange, unnerving to downright disturbing, convince them that there is something terribly wrong with the place. Of course, Lennaert gets the blame for this, which causes his relation with his family and friend to take some turns for the worst, with dire consequences.The great difference with 'The Descent' is that the outside threat does not come from a few cave-dwelling monsters, it has a more supernatural origin. However, the biggest strength of the movie is that it doesn't lose itself in exposition. No time is wasted on endless explanation; it is almost like the makers rely on the audience's familiarity with supernatural movies like The Grudge, The Ring and The Shining; we only see glimpses and images of what may be visions, hallucinations, memories, feverish dreams, or reality, and the audience has to fill in the blanks for itself. I saw a few deleted scenes on the BluRay disc that explain way too much and kill much of the mystery, so the creators were right to cut them out. It also helps the movie to pick up a pace unusually fast for the genre. Within 30 minutes, we are in the second act, and after one hour, it turns into the highest gear, so the mere 85 minutes of run-time certainly don't feel short.The absence of monsters doesn't mean a lack of gore. The visual horror scenes come sparingly, but are all the more effective and visceral for it. The special effects look really great, given the low budget of the production. Still, the movie remains evenly balanced between character scenes and gore, right to the end. I would have hoped for a climax that had me gasping for air, but unfortunately, the ending is quite tame compared to the rest of the movie. The actors, with leading man Scholten van Aschat up front, have no problems being convincing without being flashy or going into hysterics, which adds perfectly to the tension. I've heard people say that the dialog is bad, but I think that is because Dutch simply doesn't sound as cool as English (both our words and sentences are longer, which makes it hard to make cool-sounding quotes).You could say that the movie is assembled from parts snatched out of other (sometimes better) movies, but I feel that you can make a fresh new dish from old ingredients, as long as you don't snatch it from one recipe and flavor it enough. The stew created for The Pool is good for my taste, so I certainly am hungry for more. I wouldn't be surprised if it starts to make money when Hollywood is eager to buy the remake rights.

'De Poel' got some good press and as such I was reasonably excited to see this film. An actually suspenseful Dutch horror film; almost too good to be true. As it turns out, it was too good to be true. From the very first scene the acting is unbearably unnatural, the dialogue is clunky and the timing as far from subtle as possible. There is no motivation for what's happening to the group of campers and the "other" perspective (somewhat reminiscent of security camera footage) does nothing to create suspense. Because I don't want to sound bitter for the sake of it I will say that some of the acting between the sons was believable, as was some of the (funny) bickering between husband and wife. When the screening I attended was over, the audience collectively made a sound of disbelief and laughter.