In the mid-16th century, Englishman Francis Barnard (John Kerr) travels to the Spanish castle of Nicholas Medina (Vincent Price) to try and uncover the details surrounding the sudden death of his sister Elizabeth (Barbara Steele), Nicholas's wife. Soon after arriving at the castle, Francis begins to suspect that Nicholas is hiding the truth, but what he eventually discovers is far more terrible than he could have imagined.I'm not the greatest fan of the Roger Corman/Edgar Allen Poe cycle of films, finding their combination of creaky Gothic trappings, trite atmospherics and overwrought melodrama just a little too cheesy to be wholly effective; for much of the time, Pit and the Pendulum is just the same, with Price hamming it up and Corman laying on the eeriness with a trowel.Thankfully, the film is short enough to prevent boredom kicking in and is saved somewhat by a great final act that provides one or two neat twists, some well handled excitement (the razor-sharp pendulum of the title finally making an appearance, swinging to and fro above a shackled Francis) and a befitting closing shot (I won't say what it is, but it's a corker).

We will start out by saying that Edgar Allen Poe's story has nothing to do with this movie. All that connects it is the giant killer pendulum. A man comes to a castle to find out what happened to his now dead sister. Vincent Price is in the middle of all this, having been involved in her death, but realizing the there are some weird circumstances. As the story progresses, Price gets more and more weird and unhinged. We are led on a merry chase by the resurfacing Ms. Steele. Of course, the old torture chamber is going to come into play at some point. I need to mention that the final scene of this film has stayed with me for decades. Thank you Roger Corman. I think this may be your crowning moment.

Edgar Allan Poe's 'The Pit and the Pendulum' - it's been a long time since I have seen it - I recalled bits and pieces of the film and remembered it was good, then I re-watched the film recently and I have to say "It really is a terrific mystery-horror classic!" It's even better than I recalled it to be.Vincent Price is outstanding (as usual) as Nicholas Medina - the tormented soul who witnessed the fact his parents had a dark secret as a child of 10. I cannot say more or I will ruin the film for first time viewers. I must mention the costuming, sets and over all atmosphere - they all are gorgeous! The film feels like a Gothic period piece as it should. The movie is well worth watching if you enjoy Price's films, Poe's stories/poems and a good classic mystery-horror.What an ending! What I recalled most vividly about the movie was in fact the pit and the pendulum. That pendulum is unforgettable!! 9.5/10

Like most Edgar Allan Poe adaptions, The Pit and the Pendulum only the barely resembles the original text. But if you have read any Poe you could hardly be surprised by this seeing as his stories were very short and had very limited plot-lines. They were more a case of a single horrible idea with a small amount of story surrounding it. In this case, the screenplay was adapted by Richard Matheson who was the writer famous for the novel 'I Am Legend'. He does a good job of fleshing out the story, adding more interesting detail while still incorporating the central idea. It's not until the excellent finale that we really see the material taken from the book but it's well worth the wait as the ending is very strong both in terms of suspense and visual artistry.On the whole, for a low budget movie this looks quite sumptuous. It's consistently nice to look at with great use of colour, including some monochrome flash-back scenes. The sets, costumes and quality of actors are of a high standard. In this sense, it mimics the approach of the Hammer films, whose low budget Gothic horror films similarly had a very polished feel on a similarly low budget. I guess director/producer Roger Corman was intentionally aiming for this and he himself directed a further handful of Poe adaptions for his company AIP; all of which followed the same basic template and were equally impressive productions on a small budget. Of course, it is never going to hurt a film to have Vincent Price on board. He always delivers quality in my opinion and here is no different. He is especially good in the final third once he goes insane and believes himself to be a reincarnation of his infamous father, a notorious torturer from the Spanish Inquisition. Additionally, it can also never hurt a film to have Barbara Steele in it either. She was the queen of 60's Gothic horror and starred in a number of productions. In this one she only has a small role but it's very important and memorable.It's probably a movie that is best defined by its excellent ending though. The first two-thirds build up the tension and intrigue but events spiral to a crescendo in the final third. It's really once we meet the terrifying wonder that is the pit and the pendulum that the movie moves into iconic status. Overall, this is certainly one of the best examples of 60's Gothic horror.