It took forever to find and purchase, but I am glad to complete my 'Phantom of the Opera' collection with this. This is a wonderful adaptation. Sandor Korvin is now the Phantom, disfigured by acid as with several other film versions. The music, mostly from Gounod's 'Faust', adds a powerful backing to this film. There are tones of several stories, including Faust, Orpheus, and several other classics. Though it may begin different from the original story, it blends in wonderfully later on, almost becoming entirely from the Leroux original. And remember, without various adaptations, there would be no creativity in the world. The Phantom has yet to fail me.

This was a horrible and disastrous version of Gaston Leroux's love story. There are now completely different characters, which means goodbye Erik Destler, goodbye Christine Daae, and goodbye Roaul de Chagny, and there is also a completely new storyline. Let me make the comparison.Gaston Leroux's Version of the Story:A hideously deformed "phantom" known as Erik Destler is born with facial deformity and distortion, which causes him to hide his face away in a mask. When he sets sights on the beautiful Christine Daae, a soprano at the Opera Populaire, he decides that he loves her and therefore teaches her to sing and gives her lessons daily. This is all well and good up until the point where Roaul de Chagny, a man who is also in love with Christine and was childhood sweethearts with her, comes into the picture. Then a love triangle forms and a war begins because of it.This Version of the Story:A man loses his wife to suicide after she receives a bad review, and as a result of his anger and frustration, he is burned in a chemical spill. The burn causes his face to appear horrifying and frightening, and he hides it away with a full face mask and returns as The Phantom of the Opera five years later to avenge his wife. He sets sights on a woman who possesses almost identical features of his wife and falls in love with her, but unfortunately, she already has a lover, which results in the final showdown. This version of the story is distorted and untrue, which brings the value of the movie down by far. It is also incredibly boring and slow-paced, and that's a lot to say coming from an obsessed freak of the story. 5/10

I wonder why so typically French a story was transferred to Budapest. In the novel, the opera house is as much a star of the story as the characters. It makes no sense to shift the story.The acting is OK at best and often quite silly. Overall this is a rather cheezy and lame attempt at the story, with the usual attempts to rewrite and revise the story.I often wish that someone would attempt a version that is truer to the original book, even though it was penny-dreadful claptrap. All too often they try to make the Phantom so sympathetic that they lose sight of his psychopathic side. However, in the original novel Christine is such a stupid drip that she does get quite annoying.

I love this movie, is very close to the original novel, and the actors, Oscar winner, Maximillian Schell (from DEEP IMPACT)Jane Seymour (from Judgment AT NUREBERG) and Michael Your (from THE HAUNTING OF HELL HOUSE) are fantastic!The set was wonderful, and the music is good to! I think, Schell makes the most darkest and original Phantom, this time named Sandor Korvin, a deformed maestro, who lives on the catacombs below the Budapest Opera House. This is the best phantom, but why do not have it Oscars? This is the only disappointment thing. But this don't stops to make this film, not only the best, but with best actors of all!I really recommend "The Phantom of the Opera" of 1983 to any, one, I am saying, really any one! And remember this is the best!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!