The Perfect Human
The Perfect Human
| 14 June 1968 (USA)
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An elegant and humorous film—in the guise of a serious anthropological treatise—spotlights "The Perfect Human," a model of the modern Dane created by our wishful thinking.

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Reviews
schinichirospike

When watching this film, do not expect it to provide a satisfying ending, nor expect it to spell everything out word for word. The purpose of this film is to get the viewer to think.Leth's framing of shots is meticulous; each and every angle is designed to draw the viewer to a more appreciative and intimate understanding of the perfect human. His heavily repetitious narration and slightly mismatched word/picture relations creates an atmosphere of awkward feelings; yet, the actors provide a warm, comical relief by doing every day things that we can relate to in sometimes silly manners. The dialogue, although brief, is heavily weighted and contributes to the characteristics of how we view man and woman.However, "what" the perfect human is supposed to be is left for you to decide. Consider very carefully in this film the relationship between man and woman, the imperfections that contribute to a man's perfection, things man takes for granted, and what man truly longs for. This is an excellent film in which Jorgen Leth designed a question for "you" to interpret in your own feelings and manners: What do you think the perfect human is?

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deliogul

It is really easy. Just leave a small portion of your day to see this short film. The acting, the setting and the rather blurry theme are all great, works of a master. I learned about this one thanks to von Trier who sent Leth to a mission in order to remake this film. You can have a look at "Five Obstructions" for more details about that project and I highly recommend you the part which takes place in Cuba.Whatever, I found the original "Perfect Human" on internet and watched it. Then I watched it once again. In a timeless and "in-the-limits-of-simplicity" setting, the viewer sees a master class art. You will question what ordinary people accept as "perfect" for mankind and how this average view lacks detail and more than detail, the dark sides of the model. If you go after such a model, you will see "how the perfect human falls".

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MartinHafer

When Jørgen Leth made this short art film, I'm sure he was very pleased with himself as all the intelligentsia agreed that it was brilliant. After all, what's better than a Danish-language film made in black & white that consists of no plot but a man and woman who are non-emotive and do lots of moronic repetitive actions set to a pointless narration? This is the height of greatness for the artsy-fartsy folks who like to watch incomprehensible films and laugh in a self-satisfying way when others say they think the film is a waste of time. While I have seen many, many international films and have done a ton of reviews on IMDb, I just can't see much point to this sort of stuff BUT at the same time I hate the fare that Hollywood has been churning out for some time. Can't you want something different and yet not have it be as banal as DET PERFEKTE MENNESKE? Watch this film only if you have a tremendous need to be self-satisfied or if you actually enjoy being bored out of your mind. Don't say I didn't warn you.FYI--This banal little film is included on the DVD for THE FIVE OBSTRUCTIONS--a series of updated versions of this film. While not much fun to watch, THE FIVE OBSTRUCTIONS is better and more watchable (though this isn't saying much).

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jessebogner

In every sense this short is an absolute gem. It reveals something very realabout humanity. Jorgen Leth is technically a masterful director, who has never created an overly impressive feature, but this film exemplifies our obsessions with our self and the image we create for ourself in order to reach some kind of true perfection. The woman is beautiful and the actor takes this simple script and inevitably makes him seemlessly leap off the screen into the mind of the viewer. The most pertinent and important scene is a scene where he eats, the beautyand grace in which he eats his food stays true with the viewer. Lars Von Trier criticizes his mentor Jorgen Leth, for embodying his image of perfection. Thus he lives a lone in Haiti in his depression, but his artistic touch in this film shows how human Leth is and how humanity can be embodied in absolute perfection.

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