While the world continues to struggle to understand the constant schism between Palestine and Israel and yet permutations of that unsettled hot fire whose coals continue to smolder between aggressive flares, along comes a film such as this one - THE OTHER SON or Le fils de l'autre - and provides some insights that at least for the moment offer a better understanding of a very long struggle. Based on an idea by Noam Fitoussi who wrote the screenplay with Director Lorraine Lévy and Nathalie Saugeon, this is a gentle film about resolution of conflict - at least on the family level. It is a French production filmed in the West Bank and Israel under the sensitive direction of Lorraine Lévy.It's not uncommon for those who rightly resent being biologically categorized on government questionnaires, to defiantly write in 'human' when asked to indicate their race. And the same holds true in its own compelling but curious way for the switched at birth DNA-driven identity crisis drama, The Other Son.The relative stability of the two families in question - the Israeli Silbergs (Emmanuelle Devos and Pascal Elbéand) the Palestinian Al Bezaaz (Areen Omari, Khalifa Natourkin, and older son Mahmud Shalaby) in the West Bank - is shaken up when eighteen year old Joseph Silberg (Jules Sitruk) puts his musical aspirations on hold to report for mandatory military duty. But an army blood test confirms that he could not be the child of his parents, an odd stratagem, that a military on such permanent alert would be so thorough, especially since Joseph's father is a high ranking commander. But during a Gulf War missile attack near the Haifa hospital where Joseph was born, a Palestinian mother gave birth at the same time. And in the ensuing confusion, the babies must have been released to the wrong women. Joseph's distraught parents first waver, then seek out the Al Bezaaz family. And Yacine (Medhi Dehbi), their designated 'other son' in question, who has returned home for a visit from his medical school studies in France. While alternately fearful and hopeful mixed emotions become entangled, compounded by a profound cultural divide along with two fathers into deeply disapproving denial. Yet it is the coming together of the three 'brothers' that offers a ray of nope that in time this festering conundrum may be resolved.The cast is splendid, especially Jules Sitruk and Medhi Dehbi whose humanity holds the story together. Highly recommended. In French, English, Arabic, and Hebrew with subtitles. Grady Harp

This is about the journey of of two young men from a unfortunate beginning to a life to cherish. It is not a film about two families, in the end it is about the whole world, about the human kind in totality. The story is set in the perspective of Israel-Palestine conflict. The two young men are forced into a state of severe identity crisis. They question their existence in society. But ultimately they find the answer. If they are living each-others' lives, then they should do that for the best. That is the affirmation of human capability for good. The conflict between nations is a manipulated enmity, there is no rivalry among common men. This is the inner social message conveyed.

The French film, "Le fils de l'autre," was shown in the U.S. with the title "The Other Son" (2012). It was co-written and directed by Lorraine Levy. As the title suggests, the movie plot hinges around two young men, born at the same time in the same hospital, who were switched by mistake. To make the situation even worse, one set of parents is Palestinian, and one is Israeli.Once everyone comes to the realization that the mistake truly happened, the men are faced with the knowledge that their "parents" aren't their biological parents, their religion is not what it would be if the switch hadn't happened, and their position within the Palestinian-Israeli conflict has been reversed.The only good news is that both sets of parents, and both of the young men, are people of good will. They all want to work out some sort of arrangement that will make this bizarre situation a little less painful.The knowledge about the switch is a life-altering event for all six people. How they survive--or don't survive--this event is what makes this such a fascinating film. This movie will work well on DVD. I suggest you seek it out and watch it. It will repay the effort

I'd reached the point some time ago where I stopped watching films about the holocaust and the intractable Palestine-Israel situation. Then I saw a review of this film that suggested something other than bleak, bleak, bleak and get out the razor for humanity's wrist. So I watched it.It took the life-affirming premise that even in the worst of situations, which the dispossessed Palestinians have been enduring for more than 60 years, people generally want to live, laugh, have friends, love and, most of all, stay alive. Strapping explosives to your chest is NOT the norm there, even for impressionable young men.What I saw was a very human story of parents and children trying to come to terms with a sudden reversal of reality. Messy, untidy, forcing a rethink of lifelong prejudices in the face of a farcical bureaucratic mix-up.The mothers ache with a visceral sense of loss. The fathers quietly rage (and in one sequence not so quietly) in their dumbfoundment. The kid sisters take people as they find them. The boys are stupefied .. to begin with. Then the everyday takes over. Having to absorb it all, then go on living. And all get wiser, a little more worldly, a little less inclined to stereotype. A little richer.Unlikely? I don't think so. As has often been observed, "Travel broadens the mind." And there's nothing like a good emotional somersault to do exactly that. People can and do change. It didn't feel like a film, more like watching through hidden cameras as life unfolds.