The Organizer
The Organizer
| 25 October 1963 (USA)
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The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia is sent by (presumably) the Socialists to help them organize their strike and give form to their struggle

Reviews
KasparM

The difference between this film and a lot of other strike/union related films, is that it has a sense of humor and is not taken with its own self importance. As a matter a fact, the film is quite measured and cautious in its outlook. There are no heroics here, everybody is a full fledged human being with his/her weaknesses and strengths. Mastroianni is particularly wonderful here in a very nuanced performance, where he goes from nebbish professor to inspirational and powerful leader in matters of seconds. The script is very strong and Rotunno's cinematography is excellent. Monicelli injects the film with so many details that hit their mark, that he has gone from a very good director to a great one in my estimation. The early scenes at the factory are truly remarkable in a uniquely cinematic way. They hardly contain any dialogue and put you in the workers place in a remarkably efficient way.Highly recommended.

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swissguy-176-727028

This movie is an amazing study of human behaviour from the sheer selfishness and greed of the exploiters to the fear and desperation of the exploited. It is a testament to the weakness of humanity be it the weakness of greed leading to lack of compassion for one's fellow on the one hand and to the weakness of the exploited to allow themselves to be exploited for fear of losing the very little they have. The Organizer is the exception. He is not weak. He is compassionate. For this he pays dearly. Hated by the exploiters and not understood by the exploited. Perhaps he does not even understand himself. A powerful film and a must for anyone concerned with the current horror of Neo-Liberalism and global warming.

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dscott2

Today, as one "great" corporation after another collapses under the weight of its own deceit, I Compagni should be seen by everyone. For at least 20 years, we have been told that unions and regulations are obsolete hindrances to the miracle of The Marketplace. Now that even Alan Greenspan, an enormously powerful acolyte of Ayn Rand and her adolescent mirror-philosophy to Marxism, has testified that "I was wrong." As he admitted that he now sees that unregulated capitalism will inevitably fall under the spell of selfish, unfeeling greed, we find ourselves almost back at the beginning of FDR's reforms. The "American Dream" didn't just happen; it wasn't automatically granted by benevolent businessmen. It was fought for, and won despite enormous obstacles. It is true that the final scene of this film is heartbreaking. But it should not be seen as depressing. A battle has been lost. But the war was eventually won. Many of those gains have been recently tossed aside out of historical ignorance and childish acceptance of corporate propaganda. But if the American people will act and vote intelligently, workers and capitalists alike will regain a humane balance.

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johnwood-2

Along with the U.S. "Salt of the Earth" this is one of the few films from nonsocialist/communist countries to take a deep and sympathetic look at class struggle and the conditions that led to the formation and defence of labour unions. It's an emotionally excruciating film thanks to Mastroianni's greatest performances among so many great performances, and the superb screenwriting and direction.

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