Based on a play by John Hopkins, "The Offence" stars Sean Connery as a violent policeman on the hunt of a child molester, played by Ian Bannen.Much of the film simply consists of Connery and Bannen in an interrogation room. It's a battle of the wills, Bannen feigning innocence and Connery insistent that the man is guilty. Of course, everyone thinks Bannen is telling the truth, except Connery, who's been in the gutter so long he knows the mind of a criminal inside out.Not only does Connery know that Bannen is guilty, but he himself identifies with and understands how Bannen thinks. They share the same mind, they've both been to the filthy depths of humanity, both adept at inflicting hurt on each other.The film ends with Connery assaulting Bannen. Unconscious and on the verge of death, Bannen is taken to the very same hospital that his victim, the molested child, was taken. IE- Connery has become a "rapist" just like the man he hunted.Prior to this, flashbacks show Connery being interrogated by his superiors for killing Bannen. This interrogation mirrors Connery's interrogation of Bannen. The tables are turned and it is now Connery who is being questioned and bullied by superiors. IE- power structures hinge on the very dominant/submissive relationship so favoured by Ian Banner's child molester.7.5/10 – Director Sidney Lumet tries to break free of Hopkins' stage play by using flashbacks, slow motion and wonderfully moody exterior shots, but it's not enough. This is filmed theatre, far too stagy and reliant on dialogue.

I've seen many movies that undertook the subject of evil. They come and they go year in and year out. Some do it reasonably well like Hitchcock's 1960 thriller, "Psycho", for instance. However, if anything, "Psycho" tried a little too hard to be frightening, so that, in the end we came away feeling that the subject was one of fear itself more than of the thing that made us fearful. Michael Powell also released "Peeping Tom" in 1960, a movie about a psychopathic photographer/cinematographer who kills women and films them as they're dying. "Peeping Tom" was certainly creepy and disturbing, but in all the wrong ways. The murderer was treated as a poor, misunderstood man whose upbringing molded him into the villain he became instead of recognizing and acknowledging the self-will that must always be involved in the transgressions of man. The treatment of evil in most other films is either too underplayed to make us think hard about what evil really is, or is a typical Saturday afternoon cinema thriller like "The Exorcist" and its myriad of clones which are generally steeped in outward physical manifestations that all too often seem more of an excuse for showing off their latest special effects arsenal than anything.There are few films which try to show us that "subtle suggestion" that evil plays within all mankind, that essence of a presence which can be felt in your marrow trying to work its way to the outward physical universe as though it's in need of a host to do any real damage to the world. (I'll never forget reading Charles Williams' book "Witchcraft" and his line about how demons "pine for matter", something which still chills me). 1972 brought us, however, what may be the two most notable and praiseworthy treatments of that subtle suggestion of evil within. One was "The Other" about a young boy who seems truly tormented by his own psychopathic inner twin (actually he had a real life twin who had died and which his mind has turned into an inward dwelling entity of destruction)."The Offence" is the other great film on the subject of evil from the same year. The offence mentioned in the title is that of child molestation. There is a molester loose who not only rapes little girls, he does his best to make it hurt, to make them feel some of his own anguish for childhood traumas inflicted on him early in life. But we'll find nothing of "Peeping Tom" and its misplaced sympathy for the villain. Sean Connery is a police officer/detective who, by God, will have none of that! However, the movie takes a very strange turn during the interrogation, and during the second half of the film we get a real honest to goodness glimpse of what God must have meant when he said to Cain just before he killed Abel, "…sin is crouching at your door; it desires to have you, but you must master it." Let me also echo what many film critics have said before me: Anyone who claims Sean Connery can't act hasn't seen this film! He is nothing short of brilliant in this movie. Having said that however, Ian Bannen very nearly steals the show with his performance as the suspected villain. I can't recommend this one enough.

I want the 2 hours of my life back :( This is a pretentious load of crap. I don't understand what all the other reviewers are talking about. Connery's "performance" consists of chewing on the furniture for most of the movie. The film makers seem to think that under-exposed film, bad lighting, and worse sound will make the movie seem deeper. The characters and motivations are totally contrived. Yuck.The film comes in two halves. The first half is a very boring and slow "who done it?" cops and robbers affair, trying to find who attacked some little children. But it is incredibly, painfully slow and tedious. It is not helped at all by the acid-trip habit of inserting random imagery of flowers into scenes that were otherwise intended to be tense.The second half is one of those pretentious dialogs where two characters talk at each other for an hour. This is the scene other reviewers rave about, and I totally don't get it. It is *awful*; Connery and the other guy are both horribly over-acting, and don't look like realistic characters at all. They look like awkward puppets acting out the tedious message of the film makers.Again, yuck. And I even *like* Connery. But this is almost as bad as Zardoz. Almost, because nothing could really be as bad as Zardoz :)

In his 20 years as a policeman Detective-Sergeant Johnson has seen a lot.His memories haunt him, he sees pictures in his head and he is falling into mental breakdown.And now he's investigating a case with a child molester attacking young girls.They find a man, Kenneth Baxter, who could be him.Johnson gets in the room with him.After interrogating him, he beats him up and he dies later in the hospital.The Offence from 1972 is a less known work from Sidney Lumet.I can't see why.This his British film certainly should deserve more credit.Sean Connery gives one of his strongest performances as Johnson.Those moments where he interrogates Baxter and does him violence, or with his wife sharing a bad memory as a cop...in those moments Connery does a very good job leading us into Johnson's psyche.Vivient Merchant does a very good job playing his unloving wife Maureen.Ian Bannen is Kenneth Baxter and he's great in his role.The brilliant English actor Trevor Howard portrays Detective Superintendent Cartwright, who interrogates Johnson.Peter Bowles plays Detective Inspector Cameron.The Offence gives a truly fascinating look at the human psyche.If you find this film, don't miss it.