The Nomi Song
The Nomi Song
| 14 October 2004 (USA)
The Nomi Song Trailers

Looks like an alien, sings like a diva - Klaus Nomi was one of the 1980s' most profoundly bizarre characters to emerge through rock music: a counter tenor who sang pop music like opera and brought opera to club audiences and made them like it. The Nomi Song is a film about fame, death, friendship, betrayal, opera, and the greatest New Wave rock star that never was!

Reviews
MartinHafer

Before I saw this documentary, I'd never heard of Klaus Nomi--even though I lived through the time period in which he gained underground fame in New York and abroad. What I remember instead are the New Wave acts that followed in his footsteps--groups that imitated his weird stage routine, makeup and costumes. Probably the closest to Nomi that I remember was Grace Jones, though the hair and costumes of A Flock of Seagulls also had to have been influenced by Nomi as well. As for David Bowie, it's hard to tell how much Nomi influenced him or vice-versa as both had a rather similar "other-worldliness" about them in the 1970s.What completely set this man apart, including from the people listed above, was his bizarre singing. Having had aspirations to do opera and having a very, very high-pitched voice (almost like one of the castrati), his singing was something unmatched then or today. Some of this could be because few could imitate the style and some because it was so strange and outside the mainstream you wonder if there'd even be a market for this sort of music. It was interesting and wild--though, to me, not especially something I would like to listen to for long.This documentary is about his life--particularly after he came to America in the early 70s. His life in Greenwich Village among the artsy crowd, his rise to prominence in what was to be termed the "New Wave" and his ultimate fall when he just started to achieve fame are all chronicled here. A sad piece, but I also appreciated how the film makers didn't just whitewash the man--giving a hint to the darker aspects of this strange man (such as the repeated theft of his friend's music).How the story was told was done well, though there were limits since the video recordings of Nomi were often of poor quality due to the technology of the time. Also, in a VERY strange move, old audio interviews with his aunt were used but in an odd way. Since they had no video, they created sets and used a large cut-out of her! Weird, but considering Nomi's legacy, probably appropriate.Considering that I didn't know about Nomi and was not so taken by his music, you'd expect I wouldn't really care for the film, but this would be mistaken. It was nice from a nostalgic point of view for this 40-something guy and the film was well-constructed. Well worth a look if you like documentaries AND want something different....VERY different.

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actorman_us

Klaus Nomi was certainly an interesting character. Possessing a unique look and a phenomenal voice, he seemed poised for a measure of stardom during the early 1980s. Alas, Nomi was to be one of the first people of note to be struck down by AIDS.This documentary does a very credible job of not only giving us a glimpse into Klaus Nomi, but also giving us a look into the world of the "New Wave" in New York during the late 1970s and early 1980s. It is replete with footage of Nomi in performance, showing off his truly bizarre look and his unbelievable singing voice (Nomi's performance of "The Cold Song," an arrangement of a piece by Henry Purcell, is one of the most beautifully haunting pieces of music I've ever heard).Andrew Horn does a very good job of interspersing interview footage and performance footage. He does, however, misstep in a couple of areas. The use of 1950s Sci-fi footage, used to augment Nomi's ruse of being from outer space, is overdone. Horn apparently feels the need to hammer this motif into the ground. More unusual is the use of paper mache cut-outs used to represent Nomi's aunt, seen as we hear her many comments throughout the film. It is a device as obscure in its intent as it is distracting and annoying in its effect.Overall, this is a good documentary with a pervasive sadness. We lost an amazing voice before it could be heard by the world. It is a well done portrait of a unique character, a colossal talent, and at heart, a lonely man with a sweet, sweet soul.

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k_wedge

This is a remarkable compilation of interviews, live shows, home videos, and more all bringing together the short but phenomenal career of Klaus Nomi.Though it seems blatantly low-budget, it keeps in vein with the atmosphere of the time and the storyline falls into place artfully but logically. I was very impressed by the vast amount of material that was found to put into this documentary; being a Klaus Nomi fan myself I know it's extremely hard to get your hands on this sort of thing... well, here it is!The only thing I could've asked to improve as far as this movie goes was a better remaster of the audio - a lot of it was out of sync, a common problem that is easily fixed. Maybe we can look forward to that on later releases or perhaps the DVD? In any case, I still love it, 9 out of 10 stars.

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denise-luccioni

This is a personal vision from a filmmaker who obviously knows what he's talking about when he approaches music, show business and the 70-80s. He succeeds in delivering a film hovering between fiction and documentary, respecting the original character, Klaus Nomi, all along, while offering a personal perspective on the man and his era. Because he interviews actual witnesses of the time, the result is a realistic and phantasmagoria dive into the life and death of a charismatic individual with the destiny of a shooting star. This film has all the potential of a cult movie.

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