The term "post-human" refers to the postmodern status of the human being transcending beyond the boundaries of biology and genetics and into the cyborg reality of ultimate reliance on technology. That reliance is translated as more of a symbiotic relationship than that of an addiction or psychological dependency. Information technology is at the forefront of analysis into post-human critics and thinkers, as humanity has seemingly willingly jacked itself in to a hive construct with mass communications and productions of personal computers, cellphones, and other networking devices. Front and center, really, of all that is the Internet. Tied in to the Internet is its industrial-military beginnings. And where most of humanity seems to generally accept these new ways of living with only cursory glances as to its implications and consequences, for the most part there is still an undercurrent of unease running under and through the signals shot around our atmosphere. For some people, this unease is the source of a desperate need to look at these technologies and ask the question of what they are doing to us, instead of for us. This movie, The Net, is simply the best documentary on that vein I've yet seen.What this movie is essentially is Lutz Dammbeck dialoging with Ted Kaszynsky and his victims. Center to that is the relationship between technophobia and technophilia, the integrated relationship between that technology and contemporary history, cyberpunk mentality, and our new way of viewing ourselves as information carriers as opposed to psychobiological vassals. All of these concepts provide the bigger picture. The details are disturbing, but still open to interpretation. Dammbeck is not interested in placing a specific value into his documentary, but traveling around the nation and letting the values speak for themselves. He even has a woman narrate his role, kind of like Chris Marker in Sans Soleil. All along he keeps a written correspondence to Kascynsky, which makes for an interesting character study in and of itself.A good point is made within the movie that as technology changes, our relationships and perspectives of ourselves change with it. This is meant to detail the reason why the Internet has interdigitated itself into our lives, but it also should be understood to mean that these ideas might justifiably change. Who knows what the future holds for us, really? The issue at stake is, as always, do you use technology as a tool, or a weapon? --PolarisDiB

This documentary nailed me to the seat, because it explores the social links with great care and shows just enough for me to get the big picture. Kaczynski, no matter what you think of him, no matter what his victims think of him, has a very, very valid point. Philosophically, his goal could only have been to deconstruct society, make the links fluid, then reconstruct it in another way. It is only sad that he thought he had the power to do so, since the society, the whole world works in a uniform way, we are all, with very few exceptions driven by instinct through mind to obtain wealth, status, partner, family, luxury, security, and this is intertwined in such a way, that the common denominator is simply: mo'better. More and better, more of better, better and more of it. This inevitably means that everyone will be inclined to actively and passively seek shortcuts, most come by means of new inventions, technology. This is the driving force behind technology and an individual, or even a group of individuals, cannot possibly challenge that. It strikes me a bit odd that one of Kaczynski's victims dismissed his theories simply because he is a murderer. The difference between him and a soldier who kills is that the soldier has a mandate from the state to do so. Both are widow/orphan makers, but only one was allowed by the state to do so. Is he therefore not a murderer simply because the state allowed him to kill?A historic fact is that former USSR and Nazi Germany were quite equal in ideology, but the reason we don't hear that is because Russia has been too powerful to be challenged like that. Because of politics, Russian holocaust of Ukrainians, for instance, was overlooked. It's the state that decides what you may do, what you may know. You see, things aren't always black or white and this movie is trying to show just that.If you're thinking about the world, where we're going and just want your eyes to be able to perceive more, watch this documentary.

"Das Netz" seemed like an interesting subject matter in the first glance, but the movie is fundamentally flawed by the fact that the author has no profound knowledge about the topic. He's giving obscure statements about the internet being "an agglomeration of machines with indefinite size and power" and his not even partial knowledge about mathematics (and especially Gödel's theories) are hilarious. The scenes in which the director is drawing the "big picture" are completely pointless and it's extremely rude to confront a victim of Kaczynsnki (who lost an arm in a bombing) with the statement that he'd been a victim of a legitimate fight against the "system".

Where does technology lead us? Ted Kaczynski, the ex-Mathematician who lived a secluded life in the woods until he was arrested and convicted as the "Unabomber", believes that it will be our doom.Lutz Dammbeck confronts us with a puzzle, looking for connections between technological positivism, mind control experiments and the hippie movement, all traced back to state power interests developing as results of World War II. However, the links are weak, and instead of presenting us with a final conclusion resulting from his research (as other documentarists would eagerly do), Dammbeck simply leaves us to solve the puzzle by ourselves, strengthen or break the links as we find appropriate, raising interesting questions on science, technology and human's role in society along the way.Thus the movie's subject reaches far deeper than the "Unabomber's" biography, which is, in Kaczynski's own words, irrelevant. The movie provides a platform for Kaczynski's critique on technological positivism, which Dammbeck seems to at least partially sympathize with. However, the final decision is left to the viewer, who is aided by additional background and research material on the movie's website.Dammbeck is coming from an artistic point of view, consciously and deliberately breaking the limits between what is art and what is "real life", creating a disturbing, thought-provoking documentary. It is admirable and a sign of true plurality that publicly financed institutions such as SWR and arte stand behind an unconventional project that handles such a provocative subject seriously.