Artistic, mysterious, erotic, deeply romantic, exciting....I've run out of adjectives for this compelling portrait of modern love."Tale of Rampo" was based in Japan shortly before World War Two and enjoyed huge audiences in Asian and European film theaters. Yet, its first run in the USA disappointed critics and audiences, who became puzzled and even annoyed by so many twists and turns in the plot.Since then, "Tale of Rampo" has enjoyed more and more favorable word of mouth from a growing number of those who love avant-garde films. Many, like me, may have had to watch it more than once on DVD's or at art theaters before they could completely figure out what was happening. Yet, they mostly agree that the reward was worth the effort.Like many first-time viewers, Rampo (Naoto Takenaka, actor), the intelligent but indecisive narrator, seemed surprised and even shocked by the tale as he wrote it down, and with good reason. For example, Rampo's deranged antagonist, as portrayed so boldly and brilliantly by Mikijiro Hira, went completely into orbit.Most viewers, however, must have immediately appreciated the inspired graphics, brilliant cinematography, and lush musical score.Above all, nearly every scene is dominated by the glowing and compelling spirit of the romantic lead, shown so convincingly by the lovely Michiko Hada. She floats along elegantly but mysteriously until the end, when she finally explains that she was "simply hoping to be in the dream of someone she loves." That clinched it for me. I likewise hope to see her in one of my dreams...soon.

One of the most thought-provoking, elegant, and creative films ever made. Those who fail to come to grips with its complexity will be disillusioned by it, and they will be tempted to dismiss it as dense and pretentious. I urge them to view it again and dig deeper. If they persevere, they will find an exquisite film, rich in meaning and subtle in temper. A fantastical tale that speaks directly to man's need for self-expression in a world grown callous and intolerant. This is a deeply satisfying film - a psychological mystery that provides greater riches each time it is viewed. The soundtrack is gloriously evocative and perfectly suited to the film.

"The Mystery of Rampo" with its lush colors, mysterious and sensual (Michiko Hada is simply captivating) storyline, and dream-like sequences is the most beautiful film I've seen in the last 10 years. Every scene in this film could be framed and sold as an art poster. I don't want to give the impression that this movie is simply another demonstration of "form over substance," there is a story to tell here, a strange one worthy of Rampo ("the Japanese Edgar Allen Poe") himself, but what really makes this film stand out is the way it unfolds: the direction and cinematography are innovative. There may be many who fault this movie on its really weird/kinky/convoluted plot -- but this is one film I could watch over and over again.

This movie I had to watch three times in two consecutive days. Not because it is overly complex (it is complex). Rather because it is a sumptuous sensual treat. They showed it only for two days at University theater and the movie has to be seen on a big screen. Love, lust, betrayal, murder, Freud, artist and society - all have found suitable place in the script.