A leading hospital surgeon and his prominent patient are discovered dead, leading to a police investigation involving suspicious hospital personnel and a formula for a revolutionary anesthetic. Okay whodunit, without being anything special. Sleuthing programmers were popular in the 30's, probably because they were cheaper to produce. Warner's mounted this entry, and note the competency of studio craftsmanship, especially with acting and pacing. The 67-minutes is filmed in straightforward fashion that could have used more suspenseful atmosphere, but I guess that had to await the 40's. The mystery part is pretty complex so guessing the murderer is like a shot in the dark. Fortunately, the murders are reconstructed in detail at the end, tying together the many loose ends. Comedy relief comes mainly from a patient who drinks his rubbing alcohol rather than applying it, while Mary Treen makes an amusing nurse. There's not much action, mostly talk. At the same time, events remain limited to hospital rooms and elevator. Nonetheless, the characters are interesting enough to maintain involvement, much like TV's popular Perry Mason.

At 67 minutes, "The Murder of Dr. Harrigan" is clearly a B-mystery film...albeit a pretty decent one. Bs were films that usually ran from 55-70 minutes and were meant as a second film at a double feature. They usually had simple plots with rather quick resolutions...and they were made by all sorts of companies ranging from the tiny to big studios like MGM and Warner. The Bs made with the bigger companies tended to look a bit nicer and were more likely to have a bigger name actor or two in the flick. And, since this was by Warner Brothers, they put stars Ricardo Cortez and Mary Astor in this one...making it a bit nicer than the average B.Shortly after the film begins, you learn of several people who have plenty of reasons to kill Dr. Harrigan as well as his patient, the rich crank, Peter Melady. However, unlike most B mysteries, this one features TWO murders! As for the police, they're a bit dim (though not as overtly stupid as they are in most B mysteries) and they need the help of some smart folks--in this case Dr. Lambert (Cortez). Overall, a clever and pretty typical B mystery--one that is worth seeing and harmless (unless, of course, you are Harrigan and Melady).

The Murder of Dr. Harrigan (1936) ** (out of 4) Fast paced Warner mystery has Dr. Harrigan being murdered in a hospital right before he's about to do surgery on a man who has also disappeared. Dr. Lambert (Ricardo Cortez) and Nurse Keating (Kay Linaker) decide to do some investigating on their own and realize that just about everyone in the hospital is a suspect and that Harrigan was working on a new form of anesthetic. THE MURDER OF DR. HARRIGAN isn't the best murder-mystery out there from Warner but even with all its flaws it's still worth watching thanks in large part to the nice cast of characters. Cortez is always hit and miss among film buffs but I thought he was rather charming here. The actor certainly didn't have to over extend himself but he did enough to at least keep you entertained in his character. Linaker, just signed off of Broadway, is actually very good in her part but sadly the screenplay gives her very little to work with. Character actor Joseph Crehan does a fine job at the main detective investigating the case and we also get fine support from Robert Strange, Phillip Reed and Anita Kerry. Then there's Mary Astor who according to the trivia section of IMDb turned down the lead part and to punish her the studio gave her a supporting bit. The role is certainly below her talents but she's good in the part and certainly helps make the film better. With that said, the plot here just isn't interesting enough to really pull you in and I'd argue that the direction isn't up to par either. Still, fans of the cast members will still want to check it out.

"The Murder of Dr. Harrigan" is a glorious example of the sort of low-cost quickies Hollywood churned out in the 30s to satisfy the double feature pipeline. It is almost entirely set in what has to be the sloppiest hospital in America. Here, a doctor reschedules an operation for midnight without bothering to assemble a surgical team. Nurses haphazardly wander in and out of patients' rooms. And when the only elevator in the place stops running, nobody's much concerned until it starts up again -- and a dead body turns up inside. For comedy relief, the orderlies stomach pump the wrong patient. Oh, those wacky hospital staffers! The plot centers on an eccentric millionaire who arranges for a doctor who hates his guts to perform a delicate operation on him, using a new anesthetic that's better than ether; it puts patients out for three days so they can heal painlessly. Somewhere in this melange of mayhem and malpractice, there's Ricardo Cortez trying to save the nurse he loves from being charged with murder by the usual myopic cop. But the mystery zips along and as a throwback to a bygone era, it's at least entertaining. And for trivia buffs, there's Mary Astor in a relatively small, thankless role, purportedly her punishment for bucking the studio system.