While working a routine shift as a morgue janitor, a woman finds the quietness interrupted by a series of individuals running from a deranged killer and must find a way to stop his rampage and get out alive.This was just an overall bland and really problematic effort with a lot wrong with it. The biggest issue with this one here is that it doesn't seem to know what kind of film it wants to be as there's so many different elements scattered throughout here that it really doesn't make cohesive sense all the way through. The initial impetus here is that this is a ghost/slasher type of effort, especially with the sightings around the grounds and the backstory of the killed worker providing this with enough of a feel that there's a pretty dark atmosphere here covered through this, yet it's all dropped in the middle with no rhyme or reason to become a psycho-stalker type effort before it's all finally revealed as a nightmarish supernatural-inclined fate-altering type of horror film that really fails to connect these together. This really could've done something good with the ghost/slasher effort by actually making good use of it's spectacular setting in the darkened, seemingly-endless corridors inside a morgue that's just utterly dripping with manic chills. However, each of these different scenarios that play out here are just wholly glossed over without the film really giving it a chance to play out as it shifts from each one to the other so that when it does do something incredibly spooky as the fateful journey through the woods only to wind up no matter what direction chosen to be back at the front-door of the building the effect comes off as confusing moreso than actually chilling the way the concept should've come off. On top of that, the film goes into a ten-minute epilogue actually spelling out everything along the way to showcase how all the events in the film actually played out and how they impacted their real-life counterparts which is just endless and goes on for far too long than this type of reveal really should, beyond the fact that the film actually should've ended ten minutes before as that set-up made for a more perfect ending than what's delivered. These do manage to harm the few good points about this, as beyond the spectacular setting used here the nightmarish quality of many of the stalking scenes in the final half do work quite well. The chases down the long corridors, the killer continually bursting out from behind corners or creeping up unsuspectingly behind them or just plain running throughout the building, these scenes are quite fun and certainly provide this with workable elements that could've been better utilized in a better film.Rated R: Graphic Violence and Graphic Language.

Wow! Finally a supernatural film where alive people don't see dead people! The Morgue is a different film, with a different pace, and, why not to say, strangely interesting. The final twists totally got me on and paid off! Yes, the storyline could be confusing at some points before the "climax", however, every little missing detail were surprisingly tied up in the end. One of the things I really enjoyed was the co-existence of both worlds, "alive ones" and "dead ones", sharing the same places, and, for my surprise, our "world" causing interferences on theirs, and not the other way around! I humbly have to admit that the twists totally fooled me...in a great way. The acting oscillates a bit once in while, but nothing that pulled me off the story. I totally recommend it, but don't expect great scares or cats jumping on the screen.

This could have been a fine horror movie... of course if films like The Sixth Sense or The Others had not been released years before. The ending can be easily anticipated if one has watched the above mentioned films (approximately by the middle of the film). The resource of using the ghost's point of view at the time of departure has become almost a cliché. Also the character named Horace does not fit very well in the story. The most terrifying scene is the one where a shadow of a microphone appears behind the actors in the front yard. I put a 4 instead of a 3 because the little girl character also dies in the film. I must confess they fooled me there.

Six people, including a family with a broken-down car and a couple blood-covered guys, become trapped in a church morgue. As the night progresses, secrets about the group are revealed and a black-clad murderer begins to attack the group in mortician-like ways.I'll be honest: I only even attempted to watch this for Bill Cobbs. He's a great actor and my respect for him made me take a chance on this one. Unfortunately, I was disappointed. This film is just about the definition of 'below average.' While it was nice to see Cobbs and (a surprise to me) Heather Donahue of The Blair Witch Project fame on screen, it was NOT nice to see how low they've sunk. The rest of the cast ranged from subpar to just plain bad. The story was unoriginal and oddly executed. Also, predictability, something that annoys me more than most errors in film, barely begins to describe it. You know it's bad when the 'twist' is pretty obvious no more than 5-10 minutes into the film. The direction was apt as far as the general look of the film, I suppose, but the editing was awful. . . the quick flash cuts and overlapping background dialogue just grated on my nerves by the end. The plot turns could be seen from Mars, and the dialogue was stiff and unrealistic, resulting in an even worse performance from a cast that bad enough to begin with. The film had a lot of problems, but it was watchable enough, I guess, to warrant a viewing if the plot and/or cast interests you.Final verdict: 3.5/10.-AP3-