A new highway threatens a Chicago neighborhood, so to protest the residents throw a block party.Roger Ebert gave the film one-and-half stars (out of four), calling it a "good-hearted muddle" but opining that "they must have left half the script back in Hollywood." Ebert did note with pleasure that the film's business justified opening the balcony at the now-demolished Roosevelt Theater, where he had not sat in four years. He is spot-on here. The film never really seems to have a direction and just sort of meanders. This can work on occasion, but does not seem to here.In 2009, "Black Dynamite" star and co-writer Michael Jai White cited "The Monkey Hu$tle" as a major influence, telling the Los Angeles Times, "It was just brash, unlike anything I'd ever seen... I remember these bigger-than-life characters, who reminded me of my uncles, and it was the first time I saw anything familiar in my life on the big screen." This adds a little weight to the film that it does not provide itself, as "Black Dynamite" is truly impressive.

When I give a movie a 4, I mean it is really bad. This is the kitchen sink mentality of these movies with the violence, glamour and pimps all taken out. Instead we have a now very dated formula of a small time hustler hanging around a group of kids with oversized afros and egos. The best part of it, is Rudy Ray Moore(Dolemite) appearing as Goldie featuring a shirt made out of gold chains, whether hes a hustler, gangster, pimp or leader we will never know. But he steals the show withs his larger than life, style (You're my main man!!). The children do little more than try to make money and use outdated jive lines such as "Slick the slick" and there are the antics of a 12 or 13 year old boy called the kid who has a gang of synchopant kiddies who hang around trying out all sorts of nickel and dime shit. It is funny at least in its use of the cheesiest disco soundtrack possible. The roller skating scene is very funny with the disco music heavy on wah wah guitar and kids with oversized afros and flares dancing around in a bright red rink. The kids fight and steal but there is no real violence or sex involved. Overall the acting is cardboard, storyline tapering and a piece of claptrack that is an embarassment from start to finish. Its only saving graces may be the Keystone cop and Goldie, otherwise its schtick. I think too it portrays African Americans as greedy and over sexed simpletons who just want to make money and have a good time.

Story takes place in Chicago involving a hustler (Yaphet Kotto), who recruits four teenagers to perform rip-offs for him in exchange for pocket money. The other central point is a soul food restaurant owned and operated by Kotto's lady friend, played by Rosalind Cash, and Rudy Ray Moore as an underworld type who owes Kotto some big undisclosed favor. Good cast also includes Randy Brooks, Frank Rice, Fuddle Bagley, Donn Carl Harper, future producer/director Thomas Carter (pre-White Shadow), Kirk Calloway, Steven Williams, a small uncredited role by Robert Townsend and a young Debbi Morgan. Townsend and Williams also appeared in Cooley High.

This movie is worth renting just to see Goldie and his Goldie Mobile! Not a bad plot, and the song "Monkey Hustle' is a riot!