In the flatfooted psycho-religio thriller "The Ministers," John Leguizamo plays Scripture-spouting twin brothers - one with a scarred face for purposes of differentiation - who've made it their life's mission to gun down those responsible for the deaths of their parents and brother, leaving religious tracts with the bodies as calling cards. Florencia Lozano plays a beautiful cop from the Bronx whose father, also a cop, was dispatched by the hood-and-mask-wearing boys years earlier for reasons that aren't entirely revealed till the end.This Avenging Angel scenario has pretty much been done to death at this point, and "The Ministers" brings nothing new or interesting to the genre. Franc. Reyes is responsible not only for the contrived, melodramatic screenplay and lackluster, pedestrian direction, but also for eliciting some of the worst performances of their careers out of Leguizamo and that crusty, battle-scarred stalwart, Harvey Keitel, as a veteran cop with a secret. After all, with material this lame, it's rather hard to lay too much of the blame at the feet of the actors.

In New York, Detective Alberto Santana (Benny Nieves) comes with his partner Joseph Bruno (Harvey Keitel) to meet his wife Gina and his daughter Celeste (Gabriella Fanuele) to celebrate her eighteenth birthday. Out of the blue, Alberto is shot in his head on the sidewalk by a man wearing a hood that delivers a religious message from the Lord. Many years later, Celeste (Florencia Lozano) is a detective of the New York Police Department and partner of Joe Bruno. When the crooks Alden and Jeff Kane, who had torched their buildings to receive the insurance, are released from prison, they are executed by two criminals in the same modus operandi of detective Santana, and the police department concludes that they are the same killers. Lieutenant Diaz (Wanda de Jesus) assigns Detective Manso (Manny Perez) and Detective Demarco (Saul Stein) from narcotics to investigate the case, for the deception of Celeste. Then the drug dealer Chino and his gang are executed in Manhattan's Lower East Side by the killers Dante and his deformed and deranged twin brother Perfecto (John Leguizamo), and Lieutenant Diaz teams up Joe and Celeste with Manso and Demarco. Meanwhile, Dante meets Celeste in the church and they date first and have a love affair. When Perfecto decides to kill Joe, Dante argues with him but the dysfunctional brother does not listen to him."The Ministers" is a film with a good police story ruined by a messy screenplay and a melodramatic direction that transforms a gloomy story with great potential in a soap opera. John Leguizamo and Harvey Keitel have reasonable performances, but Florencia Lozano does not convince as a detective and does not show any chemistry with John Leguizamo. This film really deserved Abel Ferrara in the direction. My vote is six.Title (Brazil): "Justiceiros de Deus" ("Vigilantes of God")

If The Ministers had a point to make, it didn't make it with me. After watching the film, I'm still puzzled as to what exactly it was all about.Young Florencia Lozano loses her detective father Benny Nieves in what was a hit carried out by two hooded men who have killed before and leave these Bible tracts at the scenes of their crimes. Years later she is now a detective partnered with Harvey Keitel who was her father's partner and her supervising detective is Wanda DeJesus who was trained by Lozano's father.The two killers known as The Ministers are also accused in the shooting deaths of a whole drug crew, a rather bloody bit of business that Sam Peckinpah would have been glad to choreograph. The two Ministers are played by John Leguizamo in a dual role as twins. One of the twins was badly burned in an apartment house fire as a child.In fact Leguizamo has a whole agenda of scores to settle, but he also gets himself involved with Lozano, the non-scarred twin that is.The Ministers has a confused message, a whole lot of violence and not a lot of rational sense to the plot. Seems a terrible waste of a lot of talented people.

I don't understand why Harvey Keitel agree to act in such primitive film. The film about revenge, police and perverse religiosity, which was so many times used in American films. All passions in this film is so many times exploited that you know what will happen in advance. Franc Reyes takes all Hollywood cliché which must guarantee film success, but indeed he make jumble. Even corrupt police officers were included, but why I didn't understand- no connections, no intrigue, totally nothing. At the beginning , even the film start like all such kind of films (the police officer was killed at sight of daughter and wife... the daughter grew up and become the police officer... and so on) but the film was made in stile of '80 and this fact interest me and in perspective I thought the film can unroll, but...