The Man of the Year
The Man of the Year
| 01 August 2003 (USA)
The Man of the Year Trailers

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

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Reviews
gradyharp

Murilo Benecio is a young Brazilian actor who just keeps turning out fine, solid and very different character roles. As the leading character is this well made film by director Jose Henrique Fonseca from a script written by his father Rubem Fonseca in turn based on the novel 'O Matador' by Patricia Melo, Benecio molds a memorable portrait of a man of low self esteem who is strangely and inadvertently raised to the level of hero in the most bizarre of circumstances.The setting is Rio de Janiero and Maiquel is a loner looking for an identity. On a bet he decides to have his dark hair bleached by the beautiful beautician Cledir (Claudia Abreu) and finds that as he steps back into his world he is the object of notice. After a cruel teasing by thug Suel (Wagner Moura) he buys a gun and almost unwittingly kills Suel who dies in the arms of his girlfriend Erica (Natalia Lage). Despite Maiquel's fears of his arrest he finds that the neighborhood rewards him for ridding them of a criminal and Maiquel becomes a hero. Not only is he rewarded with gifts (including a pet pig he names Bill after watching Bill Clinton's visit to Brazil on TV!), he is also given free dental work by Dr. Carvalho (Jorge Doria) in exchange for agreeing to kill an enemy of the dentist. More and more people ask Maiquel to whack bad people making Maiguel's new blond persona a hit man and man of the year. How he ultimately begins to spiral downward when his life is complicated by a marriage and family and holding a regular job forces him to initiate his own choices of violence and return to his original hair color to alter his destiny! If the story sounds odd, it is really a depiction of life in the city of Rio where the police are impotent to control the violence that prevails. Maiquel becomes the Robin Hood/Batman type who brings a degree of safety to his community. Wisely Benecio holds our attention and our compassion as he performs his many murders, creating a man in whom we can believe and applaud despite the grim things he does.The cast is uniformly fine and the cinematography by Breno Silveira and the musical score by Dado Villa-Lobos (an important guitar player, relation to composer Heitor Villa-Lobos unknown!) is classy. This is yet another fine film from Brazil, in Portuguese, and one that deserves wide attention - especially for Murilo Benecio's superb performance. Recommended. Grady Harp

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jotix100

I stumbled unto this film by mere coincidence. I had no idea what to expect, not being acquainted with the director, or any of its excellent stars, although I've seen quite a few Brazilian films. Director Jose Enrique Fonseca works miracles with this movie and in the process gets amazing performances from all of his cast.This is a film where there is a lot of violence, but it also works as a moral tale. When all seems to be lost in the Brazilian society, we get a sort of paid avenger that will get rid of the bad element terrorizing the 'hood. This is the underlying theme of the film. Maiquel, as played by Murilo Benicio, is a cool cat with no apparent scruples. Deep down, he strongly believes he is doing the right thing in helping people get revenge with what the inept police doesn't even bother to do. Mr. Benicio gives a controlled performance with funny moments. His relationship with the pet pig he receives from a satisfied customer, gives comic relief from his otherwise well known underground activities.Claudia Abreu, a beautiful actress plays Cledir who eventually will marry Maiquel, the man she helped to give a "new blond look". Also in the cast, Natalia Lage, another gorgeous young woman who reappears in Maiquel's life only to transform herself when she discovers religion and wants him to join in the evangelical movement, something he never does. Some people have compared this film to "City of God", and frankly, there is no basis for the comparison. While the latter film showed the life in the poor favelas, the characters of this film are lower middle class people with a different set of values in life. They're not completely destitute, or as hopeless, as the poor young people of the other film.Mr. Fonseca, the director, shows great promise. We look forward to his next film.

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David Eastman

After City of God, any Brazilian film will get a good reception. This movie has now been released as "Man of the Year" in UK cinemas.The low key start, where we see an angry kid shooting a man we later find out is detested in the community, gives way to escalating situations which owe quite a bit to Scarface. Like many similar films, a lot of time is spent looking at the consequences of immoral behaviour - not attempting explanation. The film walks the now familiar fine line between entertainment and moral relataivism quite successfully, mainly because the characters stay undiminished throughout.The performances between the principles is really good. But it is the way the film starts rooted in a halting reality that makes it so watchable. Watching our protagonist brooding in his small flat with the girlfriend of his first victim, and a small piglet - neither of which he has control over - is what films are all about.

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Ferdinando

I have seen this movie in its brazilian premiére. If I had to say that this motion picture is about how some people loose control of their lives and get led by the hands of fate I would not be misunderstood. Sometimes we are taken through strange ways that lead to an obvious ending. Sometimes we're not. Get ready to know some particular characters and know all the reasons that turned a simple man into a busy and respected personal killer that all the crime bosses wanted to hire. The well-built script is a real pearl and its rare sense of humour and nonsense leads the story to some unexpected and hilarious situations. Murilo Benício (Máiquel) plays his character in a very decent and talented way and so does Cláudia Abreu (Cledir). However the best performance must be credit to Natália Lage. She's really amazing as the essencially funny and delightful part of this bizarre love triangle. Although her former succeed carreer in supporting roles in several TV series she is the best surprise of this motion picture. Absolutely. At last but not at least: do not try to help falling in love with Máiquel's tiny little pig. I'm afraid it's impossible. Hey, Miss Piggy... I guess you got a date!

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