This film begins with Richard Widmark being chased by a posse. In the process, Widmark kills several of the deputies until he is ultimately captured. The sheriff (along with Widmark) soon meets up with a wagon train and tags along with them until he can get his prisoner back to town for a proper hanging. As for why Widmark did all these nasty murders, he is supposedly part Comanche (he sure doesn't look it--that's because he was a white orphan raised by the tribe) and has a total disregard for society--and somehow this entitles him to kill with abandon.Problems soon develop with the settlers. They are devout people and can't stand the way the sheriff takes pleasure in tormenting Widmark (who is now handcuffed to a wagon wheel). What happens next with Widmark and the sheriff is something you'll need to see for yourself.Soon another parallel story begins as well. One of the ladies in the wagon train is angry because her father was previously married to an American-Indian and she has a half-sister as a result. There is obviously much hatred of the 'half-breed' sister and the racist feelings the white sister feels is a parallel to the story of Widmark. Occasionally this tension seems a bit overdone--especially since you'd think the angry white sister would have come to terms with her half-sister and the white settlers would get tired of using words like 'savage' so much. Subtle its message ain't and the one young lady in particular plays a character too unlikable and annoying to be real--the one and only real deficit in an otherwise good film.Unfortunately for the wagon train, the land they eventually enter is Indian land. Soon, it appears that the Indians are angry about their land being invaded and it appears that all of the settlers' lives are about to be snuffed. At this point, the tables are turned and it's up to the cold-blooded killer, Widmark, to save the day--escorting the survivors to safety and teaching them to live off the land like natives.By the way, as you watch Widmark chained to the wagon wheel and doing some stunts as well while connected to the wheel, you are impressed by how much he was willing to do for this role. Occasionally, you assume it's a stuntman doing some of the scenes but in many cases it is clearly Widmark being tossed about in this very uncomfortable manner. What a guy...and what a good film.Overall, a very good film that is worth watching for its fine performance by Richard Widmark as well as an interesting and thought-provoking script. As I already said, the story isn't always subtle nor are a few of the characters, but it still is an earnest and enjoyable flick.

Alas, this is another victim of over hype. It was shown as part of the London Film Festival and the brochure talked a great game. Any film with Richard Widmark is, by definition, never a total loss but even actors of his calibre can't work miracles. Likewise helmer Delmer Daves has some fine credits yet somehow these two A-listers managed to concoct something ho-hum. It was probably daring at the time (1956) to have Widmark shoot a man in the back in the very first scene - by this time Widmark had graduated from the psychopathic killers (Kiss Of Death, No Way Out) that had made his name to four-square heroes so we know there has to be a damn good reason for what he did. There is, but we have to wait til the final reel which sees Comanche Todd (Widmark) on trial for murder to discover that three brothers raped his Comanche wife then killed her and his two sons. For his trouble in the opening scene Widmark is 'captured' by brutal 'sheriff' Bull Harper (George Matthews) and winds up tied to a wagon wheel, part of a wagon train of pioneers heading West, yet is still able to bury an axe in Harper's head. When a group of the younger people sneak off for a midnight swim they return to find that Apaches have killed everyone except Widmark who is halfway down a cliff still tied to the wagon. There's really only one way for the story to go from here; Widmark must lead the survivors to safety through Apache territory and they are evenly divided between those who like him and those who hate him. Given that it's a 'journey' movie everyone learns something about themselves. It's watchable because it revolves around Widmark but there isn't half as much chemistry as there should be between him and leading lady Felicia Farr (on the other hand that was the year she married Jack Lemmon so maybe she had other things on her mind) and of the three prominent females Susan Kohner walks away with the acting honours.

As with the same year's BACKLASH, star Richard Widmark puts his stamp of authority on what otherwise might have been a routine Western. He ends up guiding what's left of a wagon train family to safety from the Apaches. Most of the survivors are not exactly thrilled with this wild and wooly frontiersman leading them anywhere, and it is all Widmark can do to keep them from painting big red targets on each other's chests and backs for the Indians to shoot at. LASSIE's Tommy Rettig is the juvenile in the group. The female leads are great to look at in a 1956 kind of way. With the exception of Nick "Johnny Yuma" Adams, none of the rest of this cast is particularly well known, but veteran director Delmer Daves keeps them in line and believable as a group of frightened tenderfeet. James Drury, who would go on to fame as THE VIRGINIAN on TV, is in the film for bit.

I saw the movie as a child and I was fascinated. Richard Widmark is very sexy in his role as a white man who has been raised by the Comanches. It is a movie that shows drama, history, and a nice love story. The movie addresses quite a few issues. I prefer the old westerns over the new ones anyway. My oh my, that's all that I can say about Richard Widmark in this role. I think the movie is interesting for children and adults alike. When the movie starts, Richard Widmark gives the impression of being a bad crimina. In reality, he took the law in his own hands, and he killed 4 brothers that have been responsible for the death of his loved ones. In the end it is the criminal, who teaches the people that feel hate for him, how to survive.