RELEASED IN 1951 and directed by Lewis R. Foster, "The Last Outpost" (re-released in 1962 as "Cavalry Charge") chronicles events in Arizona during the Civil War where two brothers, officers for the Confederacy and Union (Ronald Reagan and Bruce Bennett), have to settle their differences to protect the outpost/town of San Gil from an Indian attack. Rhonda Fleming plays the former's maybe babe. The old-fashioned style of filmmaking takes a while to acclimate to if you're used to newer movies. It doesn't help that the talky, contrived story is so convoluted that it takes forever to become engrossed into the characters and events. But there are some highlights: It's great seeing Reagan when he was young; and curvy Fleming is jaw-dropping. The climax is action-packed, but with those eye-rolling stunt hits (i.e. someone gets shot or arrowed and throws his hands in the air in a melodramatic manner, falling to the ground). THE FILM RUNS 1 hour & 29 minutes and was shot in Old Tucson and surrounding areas (e.g. Sierrita Mountains). GRADE: C

This isn't one of those "researched" cavalry Westerns. This is just a fun fest. It's everything that is cool in a film. It is Raiders of the Lost Ark, only it's an old fashioned Western.First, we have the "cool" Robin Hood style hero, this time in the guise of a Confederate officer, along with his cool merry men, particularly the affable Noah Beery.Then we have his old sweetheart married to a sneaky bad guy.Then we have the older brother as a more officious officer on the Union side. Naturally, they clash.Then we have the noble native American chiefs. This is middle of the road in treatment of the Indian. The Indians are treated with great dignity and respect, and like most old Hollywood Westerns, they are never bad, but misled by evil white men.However, as many note, this is almost like two different movies from the first two thirds to the last third. In the end, although the evil guys are a pair of white men, the Indians get the brunt of the assault.The other major problem is that the main bad guy is killed almost immediately, and we're left without a villain, until a towns-person takes the role, but it looks like an afterthought, as though there was a contract dispute with an actor somewhere. It is a novel idea, but not dramatic, and certainly not Hollywood.However, this is an Indiana Jones style adventure, filled with humor and pathos along the way. We know a few good men will die. We aren't sure who, but there are clues that give us good ideas.This isn't a "look for reality" movie, nor does it pretend to be. It is a barroom brawl fun-house film, made to be cool. And it succeeds.

In the later part of the Civil War, or War Between the States, if you will, one might have found few or some rebel officers dashing around in clearly dazzling tailored uniforms, but, in this movie, even the lowest enlisted men looked like they were ready for inspection, not dirty as they would have been after several charges into enemy ranks, nor did their uniforms and boots appear haggard or well-worn as they should have been after 3 years of close conflict with the Yankees in several well-fought campaigns. As an avid reader of related literature, I know that the southern soldiers were unmatched in dedication and loyalty to their cause, and that they had little money to splurge on spectacular articles of clothing. A good portion of the southern troops wore their own clothing. I imagine that Hollywood financed this company of men to look good, and they did. I was impressed, and this movie is probably why I personally preferred the uniforms of the Confederacy to those of the North, even though I was born and raised in New England. Remembering this movie after 30 plus years, and then seeing it again recently has only confirmed my appreciation for the looks of those gray uniforms, but not the overall content of the movie. Ronald Reagan was a top box office draw when he made this movie; he demonstrated to me that a gentleman of the South could still be a good American even if he was not a soldier of the Union forces. These words are only my opinion, and were not intended to offend anyone, but, there it is.

Reagan is star top-billed in this Paramount oater from 1951. Non- big budget movie was a surprise big hit in 1951. It also stars Rhonda Fleming, a woman it was could not photograph badly from any angle, and it shows in this movie, though her role isn't major. She plays the girl. She wasn't exactly known for her acting chops. The plot has the makings for a great Western, two brothers take different sides in the civil war. Reagan is a Confederate while Benett is a Union officer. Also involved is a certain benevolent look at the Indians - in the fifties, one can easily see the changing tone of Hollywood's outlook on the Indians; from snarly wordless caricatures to humane three dimensional characters, mainly highlighted by the James Stewart movie, Broken Arrow. Dances with wolves, this is not but it tries, as it has a white man as the Apache chief, an ex military officer who turned Injun after marrying an Indian. He was ousted from the army for this. Also, to be noted, Reagan and Bennett don't have anything really negative to say about the Indians. They are just interested in their war and just want to keep the Indians from getting involved. It is the supporting characters who are portrayed bug-eyed yellow in their thinking of the red man as the colloquial connotations go. But a notorious third act finale bruises all the good will the earlier sessions had earned. In this act, Bennett and Reagan, that is Confederate and Union team up to slaughter the Indians in a battle that was superceded by the white man. You can argue for this scene, in a pseudo " man must survive" argument that states that even if I'm on the wrong, I shouldn't just stand by the chop me to pieces. Man must defend himself. But staging of the battle is certainly cliched and flimsy as the Indians ride straight into a gauntlet set up by the allies. Right smack into it as they are shot of their horses. And do they change strategy? No. They keep running into the awaiting bullets. It should be noted that earlier, Bennett notes they are outnumbered 50-1. How original? Good entertainment especially the first two-thirds that focuses on Regan's derring-do.