The IMDb score for this film is under 5--indicating it's a bad film. While I agree it is very slight and has many problems, the film isn't bad and is a decent time-passer.Frank Sinatra is completely wrong for the part, though his singing was great--better than his co-star Kathryn Grayson. He plays a Bostonian who has moved to Mexican California (before it became a part of the US). His thick New Jersey accent sounds completely unlike a Bostonian and midway through the film he is impersonating a man from Spain!! As I said, he's completely wrong for the film.Sinatra moves to California to assume control of his father's inn. However, he doesn't realize that inn-keeping was NOT his father's real job--he was the infamous 'Kissing Bandit'. When the father's old henchman (J. Carrol Naish) informs him he MUST assume control of the old gang and take up the tradition of kissing fair ladies who he robs, Sinatra is afraid--he doesn't think he is up to the task! When he's on his first robbery, he meets a gorgeous lady (Grayson) and ISN'T up to the task--and cannot make himself kiss her. It isn't that he's not attracted--it just seems wrong to kiss a stranger! As for her, she's intrigued...and a bit disappointed he didn't kiss her! The story gets a lot weirder--especially when later Sinatra and Naish pose as emissaries from Spain--and Grayson's father (the Governor) wines and dines them! What's next? Tune in and see.As for the plot, it's really silly--completely silly, actually. And, in this era of political correctness, it's also likely to offend some of the more feminist bent. But it is fun! What isn't fun, however, is the singing. As I said above, Sinatra is great--with a gorgeous voice as you'd expect. As for Grayson, she has a quality voice but it's also VERY operatic--and hard on the ears. Also, most of the songs are completely forgettable. An odd exception is "Love is Where You Find it". I say odd, because only about a week ago, I heard this EXACT song in the movie "A Date for Judy" in which Jane Powell sang the same tune. While IMDb doesn't indicate it, they sounded EXACTLY the same to me--like one was perhaps not really singing the tune but using a recording of the other woman (though which is which, I have no idea). Overall, not a bad little film but a bit silly and the singing was a definite low-point.

Okay, so it's not West Side Story, but The Kissing Bandit is darned cute. There were so many silly musicals throughout motion-picture history, I'm surprised that this one is getting such a bad rap.The 1940's, regardless of how thinly the stories were laid-on, was the most beautiful decade in history for films. The remarkable lighting, set, and costume design of the '40's can make just about every movie enjoyable. Sinatra and Grayson are delightful; any scene in which Kathryn appears is worth watching just because she was so adorable and lovely. Mildred Natwick's role isn't very vivid, but she's a wonderful actress no matter how small the part.If you don't care for the silliness of the "filler", just fast-forward to any scene with singing, dancing, or an actress -- Heck three of the most beautiful and talented women in film are all in the same movie. Just enjoy the pretty colors and all will be well... sleep... sleeeep...

The lavish production values and a few good comic performances from J. CARROL NAISH, MILDRED NATWICK and BILLY GILBERT are not enough to save THE KISSING BANDIT from a witless script.It's an MGM musical in which there are only two compensations: KATHRYN GRAYSON effectively warbling "Love Is Where You Find It" and an interesting Spanish-style menage-a-trois dance routine performed vigorously by RICHARDO MONTALBAN, CYD CHARISSE and ANN MILLER.There's a Zorro-like flavor to the inept storyline that has FRANK SINATRA masquerading as his bandit father, "the kissing bandit," and wooing the lovely governor's daughter, Grayson, who has the camera in love with her most of the time. Sinatra looks uncomfortable throughout and one can't blame him but he does manage to croon a couple of ballads in his easy style.It looks as though MGM had the use of leftover sets from THE PIRATE, but the color photography, sets and costumes are lavish enough on their own to elevate the film to passable entertainment for Sinatra fans and those who fancy Grayson's rather shrill soprano voice.Summing up: The dance trio (Montalban, Charisse and Miller) easily steal the show with their fascinating Spanish dance.

A klutzy young man returns West after being schooled in the hotel business via Boston; he quickly learns his friends in Spanish-colonized Old California expect him to fill his deceased father's shoes instead--that of a romantic thief known for kissing his female victims after robbing them. Colorful but silly M-G-M production has a great deal of talent before and behind the camera, but it never takes off. This might have been fun, second-string material for Abbott & Costello, but Frank Sinatra looks lost and embarrassed in the lead. Combination of raucous comedy and musical interludes are hindered by the poor staging (Sinatra is photographed singing at one point in a mirror, but one doesn't concentrate on his performance so much as noticing how odd the star appears reflected in this way!). Kathryn Grayson is the Governor's daughter who falls for Frank, and her high soprano trilling turns her singing scenes into self-parody. Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless. * from ****