a war story. special for the manner to reflect it. for the scenes of confrontation, for the minimalist and impressive performance of Sophia Loren, for grow up of his character of William Holden and for the flavor - mix of cinnamon and ashes - . its great virtue - the inspired equilibrium between slices of docudrama and a love story who escapes to the easy definitions. result - a memorable film, exploring the war theme from provocative angle, giving an inspired portrait of states and emotions, work of a wise director who knows use , with great impact, the story for a delicate and precise , admirable result.

'The Key" is a good movie but I sometimes wonder why so many films are made with wartime psychological themes. Probably it is simply because authors and film makers find wartime a ripe territory for drama. I have two problems with this. First, it is just too blatantly obvious that wars cause intense emotions and psychological issues. Wars always cause heroic but also desperate and aberrant human response. Second problem- war fighting is necessarily a morbid process. Carl Forman's hard hitting style is applied to the emotional swamp that is wartime psychology in "The Key". Fortunately it is an extremely well acted film with excellent performances, and also features well staged Atlantic ocean battle sequences with real ships on the bleak, menacing North Atlantic. Wide screen black and white filming is excellent for the Atlantic war action and it is a fact that color filming is not necessary here. And black and white suits the downbeat nature of this story which will of course include nothing sunny or upbeat. "The Key" is a serious, relentlessly grim drama that will probably hold your attention despite being a little slow in spots. Malcolm Arnold contributes one of his masterpiece film scores. Arnold was a genius.

Absolutely miserable film despite the wonderful Bill Holden, Sophia Loren and Trevor Howard starring in it.This picture never takes off. Holden, in the Canadian army, goes over to England to work on a tug only to meet old-time pal Howard. The latter is sharing an apartment with Sophia Loren, who appears to tragically jinx everyone she is involved with.We have some bombings, mass destruction but what is the basic story line here?How fortunate Howard was to be a victim of a blast here. In that way, he could get away from this nonsense.Sir Carol Reed many some many fine pictures during his long, distinguished career including 1968's Oscar winning "Oliver!" This film, "The Key," is a dud in every respect.

It's both surprising and disappointing that this 1958 film has been virtually forgotten. If for no other reason than the amount of talent involved in its making, it deserves continuing recognition. The script, for example, came from Carl Foreman, (adapted from a Jan de Hartog novel), Sir Carol Reed directed, Malcolm Arnold provided the score and Oswald Morris photographed in black-and-white CinemaScope. Heading the cast are William Holden, just fading from his #1 status, and Sophia Loren, just nearing her #1 status. Trevor Howard provides fine support.Despite all these assets, however, the movie doesn't quite take off. It's consistently interesting but never really engrossing. Scenes alternate between wartime action in the Atlantic and domestic drama inside a small apartment but neither aspect of the movie seems to provide it with a solid core. It all somehow seems a bit tentative and slightly oblique.Michael Caine is said to play a small part here. William Holden has a brief shirtless scene which indicates, at the time of filming, he was still in his shaved-chest mode.