It's good to have this film in its complete version on an Alpha DVD, minus the two brief dialogue scenes in which Fairbanks steps out of character to address the audience. Mind you, the Alpha print is a bit distracting as the movie has been scrupulously reconstructed from an excellent Kodascope cutdown, fleshed out with not-so-well preserved footage from the complete version. Mind you, it works rather well – and for $5.95, who's complaining? Fans are more likely to complain that the three musketeers have so little to do in this version – but that's the way it was written by Dumas himself! And that's one reason "The Iron Mask" has never been even half as popular with readers as "The Three Musketeers". In fact, in my childhood days, I always thought D'Artagnan was a somewhat flawed hero. He spends a whole book fighting Cardinal Richelieu and his hired thugs, but at the end of the book, what does he do, but join them! However, the lead character of The Iron Mask is actually not D'Artagnan but Richelieu, here so charismatically played by Nigel De Brulier, reprising his role from the 1921 "Three Musketeers". The villain, the man in the mask himself, is brilliantly played by William Bakewell who differentiates between the two princes most adroitly. They certainly look alike, but Bakewell always ensures the audience knows who is who – even if the characters on the screen do not! Produced on a grand budget, and atmospherically photographed by Henry Sharp on sets designed by William Cameron Menzies, "The Iron Mask" rates as absolutely must-see entertainment!

Eighty-five years after it was made, The Iron Mask retains its luster, its magnetism, and it's delightful storytelling. Despite its veering from the plot of Dumas' great novel, The Iron Mask is a highly entertaining adventure in its own right. Of course, with Douglas Fairbanks as the D'Artagnan character, the film has an advantage right out of the gate. It has less over-the-top action than in earlier Fairbanks swashbucklers, and Fairbanks's acrobatics are more subdued than in his earlier actioners. But at age 46 he could still bound and leap and climb and buckle a swash better than the best men half his age, better, in fact, than almost any man of any age. And what an actor! Just his smile could make his audience joyful. His tenderness, his sincerity, and his depth were irresistible convincing, capturing every emotion he wished to convey. Although this was his last silent film, it contained a brief sound introduction to Part 1 and another to Part 2, both with shots of Fairbanks narrating in a stirring, proud voice. A few elements of the film are dated, most notably the shots of the evil royal twin, who emoted in the hammiest sense. Little items like that do not detract from the appeal of The Iron Mask. This was the first time I'd watched it. I will watch it again.

This is without a doubt, the best version of Dumas' classic work on celluloid. Every time I see the ending, my eyes mist, especially as I realize we're seeing Fairbanks'last silent work, which makes it all the more touching. Allan Dwan was a master, and an unappreciated one. This is more than likely his finest work, and one that doesn't seem to get its proper due. It's a tale of camaraderie, love of country, and . . . well heck, it's doing the right thing. Today's cinematic 'heroes' just don't do that any more.There are no fiery explosions, four-letter words, car crashes, etc., but the action is wonderful. The humor is magnificent, and the script id done well. If you want to show a silent film to someone who's never seen one, this is the one to show them. (Then, after they've loved it, show them a Lon Chaney or DeMille's KING OF KINGS.)

Emotional end to the silent era. ERA