I can't imagine, how this film could manage to gather the actresses like Charlotte and Natasha but meanwhile to make up such a meaningless story. Calling itself a thriller, it was just able to produce a minimal atmosphere that a typical thriller movie needs, and the ending is absolutely disappointing. I think, the script writer must have lost his last little bit creativity and logic to write down such a ridiculous bedtime story. Besides, there are too many useless roles and branch plots. Give me the scissor, I will cut it from 90 min to 30 min, without making the movie worse. All in all, this time travel stuff is not an easy cake, the logic behind these kind of movie is questionable. The only way to let the audience forget asking why this why that is a good, captivating plot. But this film has definitively not one.

David Bailey, a well known photographer, tried his hand at directing by turning Brooke Leimas' novel, which we read some time ago, into a mystery film. The screen play is by Jamie Brown, and it appears his adaptation is the basic flaw with the finished product.We are given a premise that has been used before with better results. The second wife who comes to live in an unhappy place where the ghost of a dead woman comes back to haunt the new wife and make her life impossible. After all, even from a grave, don't play with a woman's sense of possession, she will come back to haunt whoever dares.Stella, who is only seen by Catherine, a French young woman who has married Nick, a composer of music for the movies. Everything seems to go bad when strange things are happening in the couple's apartment. It doesn't help that most of Catherine's new friends seem to be in some sort of conspiracy of silence and will not tell her anything about the past and what kind of marriage Stella and Nick had together.Charlotte Gainsbourg is an actress that deserves better. Her Catherine shows some good moments, but like everyone else, she is bogged down by a scenario that doesn't make much sense. Natassja Kinski, plays the enigmatic neighbor that seems to know what is behind the things Catherine seems to be experiencing, but doesn't tell her. The rest of the cast don't have much to do.

Girl(Gainsbourg) marries boy whose first wife has passed away in mysterious circumstances.But did she really die?Her spirit ,her soul,seems to linger here in the luxury flat which the newly -weds share.And everybody's talking about the dear departed,besides the cleaning operative is sinister-looking.Doesn't it sound familiar?"Gaslight" (Dickinson,1940;Cukor,1944)is plundered as well,as Gainsbourg begins to feel she's losing her mind.But the screen play has also metaphysical pretensions and even involves quantum physics. David Bailey's direction is self-conscious,and the cinematography "chic magazine" style,with a lot of snow all over the place.Charlotte Gainsbourg surely deserved better than this two-bit thriller and Nastassia Kinski is wasted.The ending ,far-fetched to a fault ,includes the de rigueur "and if...", maybe in anticipation of "The intruder 2"A busker,playing the saxophone comes back from time to time;the connection with the plot escapes me,I fear..

It was a nice movie in the beginning. It was teasing enough to keep watching Although it was a bit too dark; it was as if it was always night and the lights were off all the time. But when the end was approaching there were too many errors in the story to enjoy it any more. The ending was really unsatisfied because of the errors in the story.