An absolutely wonderful movie that is still one of the best-kept secrets of 1980s cinema. Being a Philadelphian, I love this movie if for no other reason that our city is rarely featured in period piece films. The producers of "The In Crowd" got most of the nuances of 1960s Philadelphia correct-the red police cars, shopping at Gimbel's (they went to the Cheltenham store), adults listening to WIP on the radio(although the announcer they used for it, Ed Hurst, never worked at WIP),and Vicki wearing a Phillies' jacket with the proper "P" logo of that time. Furthermore, the exterior of the school that Vicki attended is Little Flower High School, one of the three all-girls high schools in Philadelphia. Del's school, Cheltenham High, is the alma mater of hall of famer Reggie Jackson, who, according to the time period of the movie, had just graduated the year before. I think the train station the kids hung out in was the Wayne Junction station, but I could be wrong. The movie is wholesome and engaging. The characters are such that you really care about what happens to them. It's a shame they don't make movies like this anymore.Treat yourself and watch this, regardless of your age. Give this 5 stars!!

The time:1965. The place:Phiuladelphia. The movie:The In Crowd. A fun and enjoyable timepiece about the time when Americans enjoyed and loved seeing and participating in dance shows in their various local cities. You see this when the movie ,cleverly, shows the beginnings of several dance TV shows from across the country and the hosts of these TV shows (Sam Riddle in Los Angeles, Wink Markindale in Memphis among others).The movie centers on three stories. One having the movie's star, Donovan Leitch playing a character called Del. A bright young man with a bright future ahead of him but he wants to be a dancer on the local TV dance program, "Perry Parker's Dance Party". Del doesn't know it but he has nothing in common with the dancers on Perry Parker's show , except that he is a fine dancer himself which gets him a chance to be on the show.The second part of the movie deals with Perry Parker himself, played by that great actor Joe Pantoliano. Parker .like most people in Philadelphia, feel betrayed that Dick Clark took American Bandstand away from Philaelphia and moved it to Los Angeles.He tries to tell his dancers that if Dick Clark fails the network may want to look for a replacement, like his own show for instance. Parker is like a lot of TV hosts of local shows of that era, hoping to be the next Ed Sullivan, the next Steve Allen, the next Dick Clark, the next Johnnny Carson. Hoping the networks will take him in a make him a big star on network television.The third part deals with Del and his short love affair with Vicky (Jennifer Runyon). Vicky is pretty but is too lowbrow even for Del. This is one movie where the pretty girl fails to meet the expectations of the supposed geek in the film rather than the other way around. In the end Del tries to help Vicky leave Philadelphia and join her Fonzie like boyfriend Dugan (Scott Plank) as they head for Hollywood.The In Crowd has great music using some good soul music in the film that is true to the era and not just the same old music you might have heard over and over again in other films about the early 1960's. The choreography is great and inspired and it makes for a good musical and that is what The In Crowd pretty much is. A musical. The living room dance duel between Del and Dugan is proof of that. The movie told a true tale of how things were changing in America without getting highhanded and clumsy in how they did it. Perry Parker is a prime example of this. An associate producer tells him the show is getting low ratings and that the type of music he has on his show won't work. He should try Mitch Miller instead says the producer. The station manager(Blake Soper) has no use for Parker or his dance show and wants something else. When he brings along a British Invasion like group ,longhair and all to the TV studio and wants Paker to put them on the show, Parker says no saying that,thanks to the long hair, he can't tell if they are boys or girls. He was right, the group was all wrong for his dance show but Perry Parker's days on TV are numbered anyway.Pantoliano is his usual great self here. As with all of his roles he makes Perry Parker his own. The film is a nice timepiece just before everything came apart in the US.The music, the dance numbers, and some decent acting make this a decent movie if you really wanted to know what America was like back in 1965.It is the type of tale that Dick Clark tried to tell himself through the American Dreams TV series but failed miserably because the show was all over the map. It wasn't overwrought and overrated like the NBC mini series about the sixties called The 60's. The In Crowd is a good film that wasn't all that appreciated when in came out in theaters in 1988. Hopefully people shall take a better liking to it when they see it again in the future.

I caught this one while channel searching. At first I simply took a look and then moved on but I found myself coming back and by about the third trip back I was hooked. Yeah it's a little campy and it is a dance movie but I found myself wanting to watch and even dance a little. It is a heartfelt coming of age movie for a young man growing up in the 50 - 60's. Teen love, angst, peer pressure, and the desire to find out who we really are; this movie has it all. I even tried to find it 2nd-hand to buy. I recomend it to anyone who remembers what teen life is all about.

If you lived through the Jerry Blavat Era in Philadelphia [c.1964-1969], this movie is a mirror of life. The locale's, mostly Cheltenham, Philadelphia and Wildwood touch a nerve of conciousness to all who lived through that turbulent time period.It is too bad that there is no sound track album, because it is exemplary. I can still feel the music pounding through my brain when I watch this film, as I did when I danced to it in real life.I highly recommend the film for a reminder of simpler times-and the closing "Like a Rolling Stone" is just the capstone on the end of an era.