Copyright 31 December 1962 by Perlberg-Seaton Productions. Released through Metro-Goldwyn-Mayer. U.S. release: 16 January 1963. New York opening simultaneously at the Embassy 46th Street and the Kips Bay theaters: 15 February 1963. U.K. release: 9 June 1963. 5 reels. 8,794 feet. 98 minutes.SYNOPSIS: To transport a dangerously high-octane plane fuel from an abandoned airstrip on a Korean island, is the mission of a four-man navy team, whose base is low on fuel. COMMENT: An unusually talkative and pretentious film from M-G-M, usually the home of slap-happy escapist entertainment. There's hardly enough action for a half-hour TV serial. For the rest of the time, the three principals, led by Kirk Douglas, who is the chief culprit, just stand about yakking on the moral dilemmas of war. True, the few action spots are excitingly handled, but the rest of the film is both stupefying and routine. It is also cluttered with lots of unnecessary close-ups — especially of Mr. Douglas. A bit of location filming helps, but otherwise production values and credits are well below M-G-M's usual slick standard.

Typical and inaccurate Hollywood portrayal of men in a difficult situation during war. Showing the American fighting man the way Hollywood wishes he were. Completely false portrayal of a situation that an NCO with 19 years service, including WW II and Korea could have handled easily. The prisoner would have been kept in the ship's brig or some locked space not in the same room as the soldiers. They would not have obeyed the orders of an ROK officer to kill the prisoner. There would have been no hesitation about ignoring the order. No soldier would kill a prisoner he had under complete control behind the front lines. Another thing, using a B-25 as a North Korean bomber was a laugh. In 1953 the US had complete control of the air over all of Korea South of the range of Chinese MIG-15s.

The intro to this film indicates that this story is universal and could apply to any war...or any country...and this is quite true. And, this universality of the story make this an exceptional war film.When the story begins, some American soldiers are loading trucks with airplane fuel which will soon be transported to the front. However, during this process, a North Korean plane attacks...killing one of the men. The plane soon crashes and a lone man bails out of the craft. Now when the surviving three American soldiers enter the ship, they have a prisoner.Once aboard the ship, the men contact headquarters and are told that they were NOT to bring the prisoner in with them. In other words, they were to kill him! This is clearly a war crime...and is against the articles of war. The sergeant (Kirk Douglas) clearly seems to LIKE this order...one of the men, one of the privates (Robert Walker Jr.) thinks the order is monstrous and refuses to do it. The sergeant takes delight in goading this private but despite this, he will NOT kill the man. So, the sadistic sergeant then tries to get the other private to do it...The story is a great look at human nature...the good as well as the bad. And, it reminds us that the German soldiers of WWII were not the only ones who murdered and chalked it all up to 'just following orders'. A very strong film whose only shortcoming is its pacing (it could have been shortened a bit and that would have made a stronger picture).

I didn't make it through to the end, beckoned instead to the comforting embrace of Morpheus. From the one hour that I saw, there was little evidence that I'd missed much. If you take away the name stars, what you wind up with is an inexpensive and very talky B feature.Kirk Douglas is Master Sergeant Briscoe, in command of two enlisted men, the erratic but compliant PFC Nick Adams, and the humanitarian youngster, Robert Walker Jr. They are the last men to leave a post in Korea, aboard a UN-chartered freighter, captained by Nehemia Persoff. As they leave, they pick up a downed North Korean aviator, half drowned. The Republic of Korea is in charge of the operation and over the radio the commander orders Douglas to kill the prisoner.There are some nice touches. Persoff runs a practical ship, full of highly explosive gasoline, under a neutral Finnish flag. Ordinarily a situation like this calls for a ship crawling with rats and manned by greasy, scarred, and rebellious lascars. Not in this case. Persoff's ship is tidy and he has a French cook who serves up beef Bourguignon, petite pois, and a robust and determined French wine with a fine nose.There are very few action scenes, not particularly well done but a welcome interruption to the drama taking place aboard the vessel.That's about it. The characters argue mostly, but not exclusively, over who is going to shoot and kill the friendly prisoner, Kim, with that .45. Each role is as subtle as a truck. Not even the banter sounds quite right. I suspect the novel might have been better than this adaptation.Most of the time it resembles a staged play. The three soldiers and their prisoner sit in their cabin and argue. Occasionally there is a visit from the captain or the steward. The men are groomed not like grunts who have been in a combat zone but rather like Hollywood stars. Douglas' moussed hair hasn't a strand out of place. All three were shaved that morning by the studio barber.Douglas does all right by the role of the sarcastic and ruthless sergeant, tormented by memories of child abuse. You see, that's why he's so tough on his men, especially the boyish non-actor Robert Walker Jr. Douglas is reenacting the role of his brutal father. (Ho hum.) I hope the Korean kid made it to the end of the movie. That's more than I could do.