The Hoodlum is a good example of what Mary Pickford produced when she was totally at the helm of her pictures, and it shows, as the actress was just as concerned about the quality of her films as she was with her acting. This film was Pickford's second fully independent production and it gives the very best photography of the time, direction, scenarios, lighting effects and the finest attention to detail. Even Sidney Franklin's career as director of this film was elevated by working with Mary Pickford. Reviews at the time were glowing, with one stating; "After 8 years she is still queen of the screen". During the production of this film, Mary was struck by the influenza epidemic that had killed many people worldwide. In the spring of 1919, she was out of action for 4 weeks, but so dedicated was the actress that she returned to work against doctor's orders. Others have already written very adequate synopsis about the story, so I will add, Mary plays Amy Burke, the spoiled rich girl with so much spunk and liveliness, it's just plain fun to watch her. I thoroughly enjoyed this very delightful movie and encourage anyone interested in Mary Pickford, to have a look at her performance in this fine film.

I have never seen a post-WWI or post-WWII film begin like this one. Pickford begins with a cute little promo to STILL buy war bonds in order to pay for the war even though it has ended. I am surprised that in the restored version of this film that they included this and it's a nice touch.This is apparently the second film produced by Mary Pickford and its title is a bit odd--sounding less sweet than the usual Pickford film! And, in many ways, Mary plays someone who, uncharacteristically, is NOT sweet but a real spoiled rich brat--though in keeping with her usual roles she does play a young girl (despite being awfully old for such a part at 27). She lives with her grandfather, who is a cut-throat industrialist. He spoils her rotten and seems quite content to have raised a little monster.One day, Mary's father returns from abroad. Apparently he's some sort of sociologist and likes studying and writing about the poor. He offers his daughter a chance to come live with him in the slums of New York and she accepts, as she longs for her father's attention. However, the jerky grandfather feels betrayed and disowns her! Nice guy, huh?! Once in the slums, Mary is STILL a snob and has no interest in the people around her. But, eventually, in an almost magically fast transformation, Mary not only reaches out to the poor around her but becomes one of them--a real ragamuffin. Eventually, when the grandfather learns about her, he is at furious. What happens next you'll just have to see for yourself in this well-acted and fun film. But, like many of Mary's films, it is low on the believability scale, so please just sit back and enjoy without questioning how ridiculous some of the film becomes. It's still a fine old fashioned melodrama. Not among her best, but still a very good effort--plus the plot is a bit unusual for a nice change of pace.By the way, how DID they make the cat do all those acrobatics? I sure hope the cat wasn't harmed to make it do that!!

Despite the rather reckless-sounding title, the Mary Pickford feature "The Hoodlum" is actually an entertaining and thoughtful movie that resembles many of her other films, with a few touches that make it different and worthwhile. The story-line is a bit too far-fetched on some occasions, but otherwise the movie works very well.Pickford gets to play the kind of high-spirited but innocent character at which she excels, and she makes full use of the material. After her character moves in with her father, some of the scenes of her transformation are quite amusing. Pickford had the rare ability to bring out a character's yearning for change and desire for experimentation without making the character come across as self-righteous or rebellious.The production and the rest of the cast are solid, but it's mostly Mary's show, and she pulls everything together. Her interactions with her grandfather are nicely done on both ends, and add some real substance to a movie that was already entertaining. The settings are believable, and especially so in the slum neighborhood. The story is relatively simple (if implausible at times), but it is thoughtful and worthwhile.

Mary Pickford's appeal as `America's Sweetheart' is very clear in this film. While many of her fellow actors use an excessively theatrical style, she is totally natural. She inhabits her character completely and, contrary to the stereotype of her films, that character is anything but sweet for most of the movie. In fact, much of the delight of watching her is in enjoying her bad behavior!Another impressive facet of the film is the authentic-looking slum where Amy Burke (Pickford's character) spends most of her time. Although created at a Hollywood studio, the slum almost smells like old New York.The film does employ some ethnic stereotypes common at the time – but the poor characters are generally treated with affection, while the rich are seen as uncaring and in need of enlightenment. Also, it seems notable that Amy associates with ALL the kids of the slum neighborhood, not just those of her own ethnic group.