Two ex-confederate soldiers, Jerry Brewster and Ken Seagull(pronounced Segal), head home at the end of the Civil war with a stash of stolen government money. However they are caught by union troops and Ken is fortunate enough to escape, although Jerry serves five gruelling years in prison. When he is released Jerry heads home to Texas only to find Ken in a corrupt position of power as a rancher who dominates most of the territory. Jerry becomes increasingly enraged when he learns that his wife was driven to an early grave by Ken who evicted her from her land and took Jerry's baby son. Demoralised and angered by his "friend's" betrayal, it isn't long before Jerry's death is ordered by Ken. Consumed by hatred, Jerry sets out to destroy Ken and his empire.Carlo Lizzani's oft filmed tale of greed and revenge in the old west is a highly enjoyable affair. The Hills Run Red has all the traits of a 50s B western, still it's just a little too violent to be made by Hollywood but definitely not as grotesque as other spaghetti westerns. Some of the performances were rather over-the-top. Little known American actor Thomas Hunter makes for an inspiring hero in Jerry Brewster, his athleticism means the role is tailor-made for him and his obsessive rage is exploited to great effect. Rising Hollywood star Henry Silva was quite hammy as bandit leader Mendez to the point of being hilarious. He wasn't as menacing as I would have liked and his death is overly melodramatic. Dan Duryea was a favourite in Universal's B westerns throughout the 1950s(Waco Johnny Dean in Anthony Mann's Winchester 73 anybody?)and here he makes his only spaghetti western appearance as Colonel Winny Getz, a gunman who aids Jerry in his quest for retribution. The gorgeous Nicoletta Machiavelli was also excellent as Ken Seagull's sister Mary-Ann. The action scenes were nothing short of enthralling. The movie commences with a rollicking horseback chase and later on we have a riotous shootout in the saloon. There's even some fantastic dynamite-tossing action near the end as Jeff and Colonel Getz take on Mendez' gang in a sequence featuring amazing stuntwork. The fistfights were also really good and I was surprised to learn that the film was scored by Ennio Morricone, as always the maestro does it again with a roaring soundtrack that can only be defined as superb. The song "Home To My Love" was rather beautiful, although again it's like something you would hear in a mid 60s Hollywood western. The happy ending was extremely Hollywood-esque, however it was refreshing to see such positivity in a spaghetti western.A terrific spaghetti western with a fine soundtrack and rousing action. Highly recommended.8/10

At the first glance, this seems to be nothing else but a typical revenge story. Brewster (Thomas Hunter) gets locked up a few years in jail while his buddy Seagall (Nando Gazzolo) runs with the money they stole together. When Brewster is finally released, he is looking for vengeance - and his lost son. Seagall sends killers after his former friend. His right hand man Mendez (Henry Silva) is the real villain, a man in black who enjoys to be bad, every minute of it. But a certain Mr Getz (Dan Duryea) helps Brewster without telling him the real reason why...The surprise of this movie is Thomas Hunter who starred for the first time in a western and creates an interesting character here, not the superior Man With No Name, but an angry young man who isn't always in total control, so he needs Getz to help him out of trouble. "The Hills Run Red" is above average for an Italian western due to good production values (comparatively at least), clever director Lizzani ("Requiescant"), composer Ennio Morricone and a great cast which does not only include the above mentioned Hunter, cult star Silva and Hollywood veteran Duryea, but also the lovely Nicoletta Machiavelli ("Navajo Joe") for which two different endings were shot: one in which she dies, one in which she survives for a happy ending. In most versions, the tragic one was used, though.

Carlo Lizzani's "The Hills Run Red" is a Spaghetti western courtesy of well-known, international producer Dino de Laurentiis of "Conan" and "King Kong" fame who provided some better-than-average production values for this six-shooting saga. Dino went on to do several other Spaghettis, some with American talent like Burt Reynolds in Sergio Corbucci's "Navajo Joe," James Garner in the brilliant "Man Named Sledge" and Chuck Connors in Burt Kennedy's "The Deserter." "The Hills Run Red" opens not long after the American Civil War has ended. Two ex-Confederate soldiers now in civilian clothes are driving a covered wagon hell-bent-for-leather across rock-strewn Texas terrain with a band of Union troopers bearing down on them. Ken Seagull (Nando Gazzolo of "Django Shoots First") and Jerry Brewster (Thomas Hunter of "Battle of the Commandos") decide to split up and see if their luck improves. They draw cards to determine who stays and who bails. Unfortunately, Jerry loses the bet. Ken dives off the wagon with his saddle bags stuffed full with $600-thousand dollars in Union money. Ken manages to escape while the Union soldiers ride after Jerry. The wagon hits a rock, and Jerry is thrown off it. The horses break away from the wagon, and the careening wagon plunges over a cliff. The soldiers sift through the debris of the smashed-up covered wagon but they find no money. They rough Jerry up, and he serves five miserable, back-breaking years at hard labor in Fort Wilson. All of this happens in the first half-hour. Freed from prison, Jerry leaves with his holsters empty because the Federals refuse to return his six-guns. No sooner has Jerry left prison than an informant sends Ken a telegram about Jerry's release. Jerry rides away to his home and finds it abandoned, dust on the furniture everywhere and nobody about the premises. He locates his wife's diary and learns that she struggled to raise his son Tim (Loris Loddi of "The Grand Silence") despite encroaching poverty and not a cent of help from Seagull. About that time, gunmen start shooting up Jerry's property. In the barn, Jerry is surprised to find another gun, Winnie Getz (Dan Duryea of "Winchester 73") tosses him a revolver, with which Jerry dispatches two gunmen. Later, after the gunfight, Jerry demands to know Getz's business. Getz suggests that if he took something back to Ken that would convince him that Jerry is dead that he might get himself a job. Jerry's eyes light up because he has something that would persuade Ken that he has perished. Jerry, it seems, has a tattoo on his left forearm engraved with his wife's name. When Getz takes the circle of skin to Ken, he believes that Jerry is dead and hires on Getz despite the admonitions of his second-in-command Garcia Mendez (Henry Silva of "Johnny Cool") decked on in black leather and chewing the scenery as an insane gunslinger.When we see Ken next, he is a wealthy horse breeder with a large herd of horses. Meanwhile, Jerry adopts different name, Houston, and rides into Austin where he wins a bundle of money at dice and learns that Ken uses the name Milton and owns two-thirds of the land around Austin. Moreover, Ken wants to take over Austin; for example, his trigger-happy gunmen have killed the only sheriff and everybody is too afraid to stand up to him until Jerry arrives in town. The saloon owner Horner (Geoffrey Copleston of "Superargo Versus Diabolicus") explains that they need a man like Jerry to help them defend themselves from Milton. Jerry takes the idea under consideration while he rides out to meet Ken. On the along he stumbles onto a little boy who can knock rocks out of the air with his slingshot. Jerry is shocked when the child uses his good luck gesture of licking his thumb and drawing a circle in the air. About that time, Garcia intervenes and forces Jerry to fight more of Ken's gunmen. Beaten and battered and on the ground, Jerry looks up after the fight and see Garcia put a gun to his head. When he urges the Mexican cutthroat to kill him, Garcia laughs and takes him to Milton's ranch where he lets him recover in an equipment shed. The irony is that Jerry has come back to square matters with Ken, but Ken doesn't know it. Jerry overhears that Ken is moving two-thirds of his horse herd to Abilene. Jerry sneaks back into town and arranges a reception for Ken's riders. The ensuing shoot'em up in a pass and the flaming balls of brush that Jerry's men rain down on Ken's gunmen is a sight to see. Predictably, Ken attacks the town and drives everybody out. The inevitable gun battle between Ken and Jerry follows.Lizzani never lets the grass grow under anybody's boots in this fast-moving 90 minute horse opera. He is no Sergio Leone, but he has an imaginative eye for interesting camera angles, particularly in the fight between Jerry and Garcia's gunmen. The coffin on the wagon in the big shoot-out scene in town is well photographed from a variety of angles. This is a big, sprawling revenge western with scores of tough-looking galoots getting gunned down left, right, center, and sideways. Spaghetti westerns fans will find this one is above-average. The scenarists could have done a better job with Dan Duryea's mysterious gunman and his revelation after the finale."The Hills Run Red" has one goof and that knocks off at least a star from my rating. During the fast opening wagon chase, the filmmakers show us the Union troops riding in hot pursuit and it the far right side of the 2:35.1 letterboxed shape you can spot a wagon identical to the one being driven hell-bent-for-leather in the distance with no horses. Presumably, the producers had a second wagon modified to handle a camera and forgot to move the real wagon out of the shot.

This is an unusually-structured western, but a very satisfying one. TCM played a nice letterboxed print of this, and it was a surprisingly-engrossing revenge drama. Some unexpected violence in the several shoot-outs made this more brutal than usual for a mid-sixties western.