Bugs Bunny sure was a mischievous rascal, particularly in his early years. A smug, conceited and pitiless little fiend, Bugs often appeared to take a near-sadistic pleasure in tormenting his enemies. Of course, that he is the "prey" works considerably in his favour, and audiences will always continue to cheer him on, as nobody likes to see a cute little wabbit become a hunter's next meal. But the most interesting aspect of these cartoons is how the writers cunningly invert the usual scenario, with Bugs, in effect, becoming the hunter of the story, though we instinctively continue to celebrate his successes. Willoughby the hunting dog may be an exceedingly dim-witted canine, perhaps even bordering on mental retardation, but the audience considers him fair game for Bugs' farcical style of bullying. Just why is Bugs the hero in this cartoon, and, indeed, in most of his cartoons? A worthwhile counterpoint to this trend is in Tex Avery's 1941 short 'Hare Beats Rabbit,' starring Bugs and Cecil B. Turtle, in which the bigheaded rabbit is decisively beaten in a foot-race by the quietly-deceitful reptile.These tantalising questions aside, Tex Avery's 'The Heckling Hare (1941)' provides some solid entertainment, which is the real reason why we're watching it. After Willoughby (voiced by Avery) catches Bugs' scent at the entrance of a rabbit-hole, he goes into digging-overdrive, and is so focused on the task at hand that he fails to notice the rabbit (Mel Blanc, as always) idling above him with a carrot between his teeth. Numerous outrageous chase sequences ensue, one ending in the depths of a river and another in a thousands-of-metres plummet from a ridiculously-high cliff. There is some very convincing personality animation in the sequence where Willoughby believes himself to have crushed Bugs to death with his own hands, and he touchingly collapses into tears as he lays a bouquet of flowers at the entrance to the rabbit-hole. Bugs, displaying that uniquely-compassionless streak of his, thinks nothing of this emotion and merely exploits it for some further humiliation.'The Heckling Hare' moves at a brisk pace for seven minutes, and continues at this pace until the closing seconds, when it forgets to add an ending. In actual fact, the cartoon's conclusion was severely truncated by producer Leon Schlesinger, who allegedly felt that the final punchline ("Hold on to your hats, folks. Here we go again!" as the pair fall off another cliff) would somehow be perceived by audiences as having undesirable connotations. This lack of resolution blemishes the film to an extent; I liked the idea of the unusually-protracted freefall, but I was waiting for another good idea to bookend the gag, and it never came (perhaps the instantaneous brakes were a spoof of traditional cartoon physics, abused so frequently for comedic effect). In any case, Avery was aghast at the changes made to his cartoon, and he stormed out of the studio. He eventually wound up with the fortunate folks at MGM, with whom he worked until 1953.

For years, the only Bugs-Bunny-razzes-hunting-dog cartoon that I knew was "Hare Ribbin'", which I had seen on MGM's video release "Cartoon Moviestars: BUGS!"*. So when I saw "The Heckling Hare", I was just a little surprised that Bugs Bunny had done all this once before. Then again, maybe it shouldn't surprise me that Bugs had done this more than once. After all, Bugs knows exactly what to do in these sorts of situations.Anyway, this one has a hunting dog named Willoughby looking for rabbits and finding Bugs. So, Bugs spends the next couple of minutes playing every possible trick on Willoughby (even wondering what else to do to the poor canine). And no one - not even the audience - is safe from his jeers.All in all, I would say that it was a good end for Tex Avery's Warner Bros. career. One has to wonder what else he would have done had he stayed with WB. I recommend it.*For many years, MGM owned the rights to the pre-1948 Warner Bros. color cartoons. For this reason, the documentary "Bugs Bunny Superstar" was an MGM release. When MGM released it on video in 1988, they also released Cartoon Moviestars collections "BUGS!" (showing Bugs Bunny holding an Oscar), "DAFFY!" (showing Daffy Duck wearing spiffy sunglasses), "PORKY!" (showing Porky Pig driving a fancy car) and "ELMER!" (showing Elmer Fudd sitting in a director's chair). Among the other cartoons on these videos were "The Up-Standing Sitter", "Brother Brat" and "A Pest in the House".

The last Tex Avery Bugs Bunny short is not only his best, but one of the best Bugs Bunny cartoons if not ever, then certainly the early years of the rabbit. We follow Bugs Bunny as he cons Willoughby the mentally retarded dog over and over again.Every single gag in this short is hilarious and makes this film a timeless classic. This animated short can be seen on Disc 1 of the Looney Tunes Golden Collection Volume 2. It also features an optional commentary by Greg Ford.which is interesting in itself. Furthermore it has a little featurette "Behind the Tunes - A Conversation with Tex Avery" that I'll get more into in the listing for that on this site.My Grade: A+

This short led directly to the exit of Tex Avery from Warner Brothers. Some sources say he was fired, others that he quit, but Leon Schlesinger's mistake was Avery's, animation's and MGM's gain. Avery did some fantastic work at MGM, animation gained from his influence on another studio and MGM gained by having the competition between Avery and Hanna and Barbera, which improved both teams. Avery's influence can be seen on the Tom and Jerry series in the mid to late 1940s and it's open to question whether Droopy or Screwball Squirrel would have developed at a crowded Warner Brothers. Who knows what would have developed (or not developed) at Warner Brothers had Avery NOT gone to MGM. Excellent short. Most highly recommended.